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CAVAILLÉ-COLL ORGAN - LUÇON CATHEDRAL - RAMEAU - DANSE DES SAUVAGES - JONATHAN SCOTT

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scottbrothersduo

scottbrothersduo

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Danse Des Sauvages (Les Indes Galantes) by Rameau arranged and performed by organist Jonathan Scott on the 1857 Grand Cavaillé-Coll Pipe Organ of Luçon Cathedral, France (Notre-Dame de L'Assomption). The Score of Jonathan's arrangement is available here: www.scottbroth...
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Film & Sound - Tom Scott
The Grand Organ of Luçon Cathedral
Aristide Cavaillé-Coll, Paris (1857)
The organ was cleaned, without changes, by Louis Debierre of Nantes in 1899.
In 1967 the organ was restored by K. Schwenkendel, Strasbourg.
This included:
The enlarging of the pedal department from 25 to 32 notes.
The completetion of the ECHO division which originally consisted of a free reed (Euphone) only, at 8 foot pitch.
The gamba 8 was removed from the Grand Orgue and the Viole 4 was moved to the Echo manual.
The Positif Clairon 4 was made into the Trompette on the Echo manual.
Specification
Stops in Brackets [ ... ] are additions from 1967
Manuals 54 notes
Pedal 32 notes
I POSITIF
Montre 8
Salicional 8
Bourdon 8
Prestant 8
Flûte douce 4
Quinte 3
Doublette 2
[Plein-jeu IV]
Trompette 8
Cromorne
II GRAND ORGUE
Montre 16
Bourdon 16
Montre 8
Bourdon 8
Flûte harmonique 8
Prestant 4
Flûte octaviante 4
Quinte 3
Doublette 2
[Sifflet 1]
[Cornet V (from C3)]
Fourniture IV
Cymbale III
Bombarde 16
Trompette 8
Clairon 4
III ECHO
[Bourdon 8]
[Quintaton 8]
Viole 4
[Fl. à cheminée 2]
[Tierce 1 3/5]
[Cymbale III]
Trompette (from C2)
IV RÉCIT EXPRESSIF
Flûte harmonique 8
Bourdon 8
Viole d'amour 8
Flûte octaviante 4
Octavin 2
Trompette 8
Basson-Hautbois 8
Voix Humaine 8
PÉDALE
Flûte 16
Flûte 8
Flûte 4
Bombarde 16
Trompette 8
Clairon 4
[Soubasse 16]
[Bourdon 8]
[Prestant 4]
[Flûte 2]
[Mixture IV]
COMBINATION PEDALS
Tirasses I - II - III
COUPLERS Pos/GO, Réc/GO, Ech/GO
Combinaison GO
Combinaison Récit
Appel GO
Appel Anches Pédale
Trémolo Récit
Orage
Expresion pedal for Récit

Пікірлер: 33
@mariadesa1434
@mariadesa1434 Ай бұрын
Your performance is incredible! What a wonderful sound! That ancient and beautiful organ is a true treasure with so many wonderful sculptures and carvings! The slightly yellowed keyboard must be very old! Thank you both for this beautiful video! ❤❤🥰
@user-pw3tr1xg2x
@user-pw3tr1xg2x Ай бұрын
Interesting to hear a performance on this fine Cavaillé - Coll Instrument and also a fine transcription of the Danse Des Sauvages of Rameau. Thank you for uploading this.
@terryr.sublimeorganmusic
@terryr.sublimeorganmusic Ай бұрын
What a glorious sounding instrument! So grand, clear, and crisp. Speaking as a North American, I do love a rambunctious dance. Thanks for sharing this rousing music! 💃👏🏻👏🏻🎹🎶
@carolpredeth9866
@carolpredeth9866 Ай бұрын
Wonderful!!! I haven't heard you play this for such a long time! This organ sounds incredible! I'm so glad you had a chance to play it. Magnifique!! xx
@not.an.organist
@not.an.organist Ай бұрын
A while ago I had the pleasure to play on this magnificent organ and in person it’s absolutely phenomenal. This recording with this wonderful piece shows the magnificence of the instrument!
@patmcdermott4832
@patmcdermott4832 Ай бұрын
Another fine choice of music for this organ, Jonathan, and beautifully played. Kudos to Tom, as always, for the audio/visuals. 😃🎹🎹🎹
@epincion
@epincion Ай бұрын
Thanks Jonathan and Tom, this everything a great CC in a French cathedral should be. Crisp acoustic, shouty yet musical reeds.
@marionilla
@marionilla Ай бұрын
❤ ! Спасибо ! Очень красиво ! Мне эта музыка показалась очень знакомой . Я вспомнила , что слушала ее на клавессине . Там исполнение было задумчивым , сентиментальныи и каким - то чувственным . Вы , Джонатан исполнили с другим настроением и более темпераментно .Это и нтересно , что все по разному чувствуют и исполняют .
@stepps511
@stepps511 Ай бұрын
How fun! Thank you so much for posting this and for sharing the delights of this wonderful instrument. I hope it was much fun to play as it was for us to listen!
@deborasgomes2022
@deborasgomes2022 Ай бұрын
I didn't know this piece of music. Interesting. The sound of this organ is incredible. Powerful. 👍🎶🙌🙋🏻‍♀️
@epincion
@epincion Ай бұрын
You may be interested to know that Aristide Cavaillé-Coll (CC) who arguably was the greatest symphonic organ builder both for the quality of his instruments and the many innovations, was born in Montpellier into a family of organ builders (father, grandfather, uncles) who were of Basque origin and his techniques and skills were hugely influenced by the Iberian school and especially by the organs of Jordi Bosch (1739-1801) who was a renowned Mallorquin 18th century organ builder who was also an innovator and built the celebrated organs of the Cathedral of Seville, the Royal Palace in Madrid and also the monumental organ of Santanyi in Mallorca which was resurrected and restored by Gerhard Grenzing in 1984-6 and indeed that restoration made everyone sit up and realise what a talent Grenzing is. As s young man CC traveled in to Madrid and carefully studied the Bosch organ in the Royal Palace and its from this that CC took inspiration a lot of his own innovation of organ design. CC organs all have a characteristic sound to some degree of what I call ‘shouty’ loud reeds and mixtures and this is the Iberian influence coming through. CC built 6 organs in the UK & sadly only 4 survive. The largest is in Manchester Town Hall which should reopen next year after a massive multi-year restoration. The CC organ is also being fully restored to the state CC left it in, work done by the English organ builder Harrison & Harrison along with the Dutch builder Flentrop who specialise in famous historic mechanical organs and almost certainly it will be Jonathan who performs the reopening concert. Jonathan and Tom uploaded a video on the Manchester CC a few years ago just before it was dismantled for restoration. That concert will be an event of genuine international organ significance.
@FabioPinto-jd1jd
@FabioPinto-jd1jd Ай бұрын
This man is an ablsolut monster 🔥
@Elven_valkyrie
@Elven_valkyrie Ай бұрын
Truly wonderful in every way ❤❤.
@der_Allsehende_Seher
@der_Allsehende_Seher Ай бұрын
C'est magnifique!
@peternaryd_operasinger
@peternaryd_operasinger Ай бұрын
Absolutely amazing Jonathan!😁👏👏👏❤️
@valerierixon215
@valerierixon215 Ай бұрын
Brilliant
@lynnsazama3807
@lynnsazama3807 Ай бұрын
Your performance is wonderful. What a wonderful sound!
@user-cy6mi4cs3c
@user-cy6mi4cs3c Ай бұрын
Greetings from Boise, Idaho! What a grand instrument! I marvel at the mechanical genius of these organ makers! I can't imagine all the intricate manual linkages that allows this instrument to sound! Perhaps a video of the mechanical "behind the scenes" action would be in order! Many thanks to you both! I look forward to your visit to Salt Lake City!
@anjasalentijn145
@anjasalentijn145 Ай бұрын
Hallo! Very old organ, I think difficult to push the keybord,but lucky for you it was a short piece😂to play. Thanks for the beautiful images. ❤❤with love from the Netherlands Netherlands
@alanatolstad4824
@alanatolstad4824 Ай бұрын
That's an interesting organ!
@amangogna68
@amangogna68 Ай бұрын
Fantastic !
@marybroderick8265
@marybroderick8265 Ай бұрын
Please come play the Wannamacher organ in Philadelphia
@epincion
@epincion Ай бұрын
Aristide Cavaillé-Coll (CC) arguably was the greatest symphonic organ builder both for the quality of his instruments and the many innovations. What’s interesting is that his organs owe more to the Iberian/Occitanian style of organ building than to the French Baroque style. He was born into a family of organ builders who were of Basque origin and his techniques and skills were influenced by the Iberian school and especially by the organs of Jordi Bosch (1739-1801) a renowned Mallorquin 18th century organ builder who was also an innovator and built the organs of the Cathedral of Seville, the Royal Palace in Madrid and the organ of Santanyi in Mallorca which was resurrected and restored by Gerhard Grenzing in 1984-6. As s young man CC traveled in to Madrid and carefully studied the Bosch organ in the Royal Palace and its from this that CC took inspiration a lot of his own innovation of organ design. CC organs all have a characteristic sound to some degree of what I call ‘shouty’ loud reeds and mixtures and this is the Iberian influence coming through. CC built 6 organs in the UK & sadly only 4 survive. The largest is in Manchester Town Hall which should reopen next year after a multi-year restoration. The CC organ inside is also being fully restored to the state CC left it in, by the English organ builder Harrison & Harrison along with the Dutch builder Flentrop who specialise in historic mechanical organs and almost certainly it will be Jonathan who performs the reopening concert.
@tiagocorsograziottin3231
@tiagocorsograziottin3231 Ай бұрын
👏🏿👏🏿👏🏿
@RenaSouten
@RenaSouten Ай бұрын
This sounds wonderful directly through my hearing aids . Thank you both so much and thank you to the key lender!
@gillesbruneau8593
@gillesbruneau8593 Ай бұрын
Cet orgue est magnifique ! L'intervention de Debierre en 1899 était tout à fait utile, je crois. Par contre les modifications ultérieures sont peut-être plus discutables, raison pour laquelle je ne classe pas cet orgue dans les "purs CC" comme St Sernin Toulouse, St Etienne Caen, St Ouen Rouen, Ste Croix Orléans qui sont restés intacts depuis CC ! Mais ça reste quand même une discussion de puristes, et ma 1ère phrase est très explicite.
@BLMT-df4on
@BLMT-df4on Ай бұрын
1:34 upper manual moving
@BLMT-df4on
@BLMT-df4on Ай бұрын
hi
@BLMT-df4on
@BLMT-df4on Ай бұрын
0:05
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