Good channel for Hindustani Classical Vocal learners.💐
@snigdhasrivastava5050 Жыл бұрын
Thank you for the two episodes! Hope you’ll keep creating these. For students who have moved away from their gurus because of jobs, etc or live outside of India but wanted to stay connected and relearn what they had learnt as children, this is very helpful! Thank you again
I liked the bandish in teental,comparison with some near ragas,aalap and taan
@SKD694 Жыл бұрын
Nice presentation sir 🌹
@surabhiakolekar99033 жыл бұрын
Please explain difference between Jaunpuri and Aasavari,please 🙏🙏🙏
@uttammahapatara698 Жыл бұрын
Excellent ! Namaste Sir.
@baburamkarmakar81452 жыл бұрын
Excellent teaching
@suklabhuiya3963 жыл бұрын
Panditji explanation is super for Learning which inspired me to take attention seriously. Thanks a lot
@ishwarchandraic94188 ай бұрын
वाह , छान , विजय जी
@shiv_tabla3 жыл бұрын
15:50
@arundey66735 жыл бұрын
PANDITJI UPLOAD CHALAN OF SOME JOR RAGAS SUCH AS BASANT BAHAR, PANCHAM BHATIYARI ,ANJANI TODI AND MANY MORE. ALSO UPLOAD VIDEOS ON RAGANGA RAGAS, ALAP ETC.LOVE TO YOU BOTH. Arun dey
@ranchhoddaspandya62842 жыл бұрын
Vaah Panditaji, excellent explanation 🥰🙏🙏🙏🙏❤️
@charukulkarni4758 Жыл бұрын
Thank you so much.Pranam
@akhandbharat1016 ай бұрын
Nice presentation
@drhetalchiniwala Жыл бұрын
Thank you for the wonderful education on Ashavari. I have one query though. In one of the swar combinations, pandit ji has mentioned ni re sa ga re sa. Does that mean that ni is allowed in aroh on some occasions?
@lathikashenoy32404 ай бұрын
In the bandish in two places nishad to shadja is used.but nishad is varjya in aroha.is it ok to use nishad as arohatmak in the bandish?i am confused can the guru please clarrify my doubt
@gayaniherath88425 жыл бұрын
Ca u pls let me know tha lyrics of this chota khyal...
@roheenrai78445 жыл бұрын
Just flawless,awesome excellent ,clear explanation with everything, Bravo please keep it up in this manner!!!!!
@belabhattacharya-mm3gc Жыл бұрын
এই সংগীত শুনে মন চলে যায় অন্য জগতে আর যিনি গেয়েছেন তার প্রতি অসীম শ্রদ্ধা আর ভক্তির এক অপূর্ব অনুভূতি জেগে ওঠে। আমার প্রণাম নেবেন।
@abbastechnicals39045 жыл бұрын
Greatest effort. Keep it carry on
@ajaykumar-bh8lp3 жыл бұрын
Thank u so much ❤️,for rag asavari details...pt.ji🙏🙏❤️
@bijoybhaskaran95273 жыл бұрын
Wah.wah wah.
@ranjitpatel4965 жыл бұрын
This is amazing stuff especially that the explanation is in English from UK 🙏
@ushaapte549913 күн бұрын
🎉🎉
@hassanaskari5182 Жыл бұрын
The real Guru !
@ganeshpawar69805 жыл бұрын
Namskar gurujji 🙏🙏
@shwetasharma0335 жыл бұрын
Well explained ,Really helpfull chanl.
@Medha6124 жыл бұрын
I request you to explain all main ragas from all 10 that's in same manner please 🙏🏼☺️
@smritimusicstudio9064 Жыл бұрын
English is essential for international students. I think often text should uses in English language. English Dhrupad, Khyal and Thumri are established since 2016.It uses the note Do Re Me Fa So La Ti instead of SaReGaMa..
@B-SharpBenchmarks Жыл бұрын
What do you want to implement ?
@SarojSuri-im9lv24 күн бұрын
🙌💐🙏👍
@gkdaeiaef7 жыл бұрын
The bandish notations violate asawrari and make it jaijaivanti because there is Ni(k) sa re in it in the antara's second line.
@Blissful_seeker6 жыл бұрын
Would it not just be jaunpuri if he used the nishad. Because jaijaivanti uses both gandhars and nishads ?
@krishnaisgod16 жыл бұрын
Bandish has some traces of Jaunpuri but that is fine. Many great gayaks (Omkarnath Pandit comes to mind) didn't think Jaunpuri was independent of Asawari but rather a part of it, and so older bandishes (esp this bandish of Miya Sadarang) and in certain gharanas Asawari is sung containing some Jaunpuri anga.
@Blissful_seeker6 жыл бұрын
Mohit Kumar haha I agree with what you’re saying, which is why I think Komal Rishabh Asawari was sung more predominantly. But calling this Jaijaivanti is a bit prosperous to me 😂
@krishnaisgod16 жыл бұрын
@@Blissful_seeker Yes I agree with you, am sorry for the confusion. This is definitely not Jaijaiwanti :)
@sreedharbarik67425 жыл бұрын
Wonderful teaching
@swarsadhanasangeetvidyalay32403 жыл бұрын
Very nice guruji
@sunilprasannashehnaiandflu654 жыл бұрын
Very nice
@soniyasingh73843 жыл бұрын
Clearly explained 🙏
@saraswatibadamikar69944 жыл бұрын
Very nice Sir 🙏🎶
@TheDoc4kids6 жыл бұрын
Panditji's rendition is heavenly. And his explanations reflect his modesty. In contrast, the interviewer seems overbearing.
@yuurishibuya47974 жыл бұрын
Sanjeevappa Nagesh I thought I was the only one who felt it like that
@waris505511 ай бұрын
Interviewer is very annoying I have to forward him all the time
@devidastirthakar8005 жыл бұрын
Very very Raag and song
@pankajrohila19713 жыл бұрын
Great guru but only for artiest nor for beginer
@mandeepbhatti33926 жыл бұрын
Thank uh sir
@Medha6124 жыл бұрын
Thank you so much sir🙏🌹💖
@nitinh24995 жыл бұрын
Very good teaching...! Excellent demonstration of the phrases typical of the Raga... I’m just puzzled about why this video couldn’t simply be made in Hindi. After all, I doubt there is anyone aspiring to learn Hindustani Shastriya Sangeet that’s unable to understand/speak Hindi 🙂
@ramcharitramandal32074 жыл бұрын
Hindi kaprayogkaren
@harmoniumteacher4 жыл бұрын
It is exactly this type of thinking that has kept Indian music from having worldwide acceptance. There are many people who listen to, and want to learn Indian music but do not speak Hindi!
@vishedirisinghe17792 жыл бұрын
Absolutely there are many people who doesn't know hindi, but extremely interested in learning classical music
@santoshsi720210 ай бұрын
I am very please sir
@ishwarchandraic94188 ай бұрын
Although channel is good but is it for British people ?? हमारी राष्ट्र भाषा हिंदी है , भीमसेन जोशी जी भी और पंडित जसराज जी भी केवल तीसरी कक्षा पास थे । बहुत से अच्छे गायकों को अंग्रेजी नही आती। / मराठी अपली माय बोली आहे .
@simpleliving9044 жыл бұрын
Sir, I felt more like a jaunpuri
@AKSingh-dk7er5 жыл бұрын
Explaining the Hindi classical music in English...What a bogus idea. The raag is असावरी and not आशावरी, as told by the person talking with singer. The singing is superb.