Chamber Choir of the Astrakhan State Philharmonic - "Praise the Lord, O My Soul" (R. Twardowski)

[@AdriAneMaartens]

❤❤❤❤ Praise the Lord! You are opening the gates of PRAISE. ❤❤❤❤

[@SwordsmanRyan]

02:54 that bass drop!

[@VasilyErmakovBass]

Hello, dear Octavism Channel. I am a young octavist from Russia who already performs with Mr. Miller and Kruglov. I have a couple of very high-quality recordings from TV from big concerts, in which I sang well as an octavist in a choir. I would really like to send them to you, maybe you will like them and you will post them...

[@RebekahNewquist]

Great idea!

[@VasilyErmakovBass]

@@RebekahNewquist unfortunately i don't get any response from octavism channel. looks like they are not interested in it(

[@wistletone]

So wonderful!!

[@catsoandahalf]

BRAVO! Very beautiful!

[@celsodorneles484]

Aqui temos muito trabalho técnico para alcançar essa afinação e sonoridade cristalina das vozes, além é claro da qualidade vocal dos cantores! Destaque para esse baixo profundo.👏

[@hellie_el]

❤❤❤❤❤

[@saintsaens21]

Lovely.

[@Laion_01]

Muito bom a parte do baixo.

[@smtaz7631]

👏👏👏👏👏👏👏

[@bionicleman1231]

I can hear Rimsky-Korsakov and Mussorgsky in this. Russian music is one of the treasures of humanity.

[@departamentedc564]

It's a polish composition in ukrainian language

[@bullschuck8787]

Is it just me, or are audio and video out of sync with each other?

[@kevinkaouthomn]

The synchronicity is subjective; and the differences are one of the great impasses to global peace discourse, actually. It looks 'out of sync' because you're not used to the tempo on this order of timbre. The conducting and letters are more reflective of othodoxy, so there's a gravitas due to the somatics and pith of that, as well as an alacrity regarding the merit of the recital with supposition that varies from more liberal methodologies. It creates some wonderful sounds, but the pith tends to be heavier and swifter due to the orthodoxy timbre. It's not a necessary characteristic of the voice (they would say a truly free voice is always welcome anywhere, as long as it excels in the regards of the accord), but this firm directing and weighted sound is prevalent in the middling style of fine vocalese in such recitals.

[@gehirndoper]

The lip movements match the text, so no. Note that the cues from the conductor come before the entry of a voice. This is correct, since the singers need to see the signal for their entry (or for whatever else is signalled) before they have to do it.

[@juhanipalola9046]

Beautiful, but one sopran wants to be too soloistic....