Charles Avison, Concerto grosso n. 5

[@АлександрБочаров-ю1ъ]

Завораживающая музыка! Великолепно! Браво!

[@pequiste]

Bravo - in a world desperate for beauty your ensemble executes this baroque masterpiece wonderfully.

[@dorop.293]

Das wunderbarste und Ausdruck stärkste gespielte Arrangement dieses Musikstücks! Love the way they play it!

[@Jem-o6f]

😊😊😊😊😊😊

[@Jem-o6f]

😊

[@baroqueman1]

Superb! Played with panache and a sense of drama. Avison and his music mean much to me, myself having been for 9 years a tenor Lay Clerk in Newcastle Cathedral, where Avison had been organist when it was St Nicholas' Church.

[@johnvincent2421]

Sublime, beautiful, magnificent, very emotional music…

[@Domisol26]

Si je ne me trompe pas, le premier mouvement de cette oeuvre a servi de générique à l'émission OUVERT LA NUIT d'Europe n°1 dans les années 60 et 70. ET DEPUIS, JE CHERCHAIS DE QUI ETAIT CETTE OEUVRE MERVEILLEUSE ! ! ! Merci KZbin ! Merci à l'Aura Soave !

[@Sentbon]

C'est magnifique, un grand merci pour cette belle interprétation.

[@mereyeslacalle]

Bello , tan bello , simplemente supremo !!

[@TiaEdwina]

Beautiful performance! I just love this music.

[@ElizabettLancaster]

What a marvel of a performance, truly beautiful music.

[@carinethimister9320]

Magique !

[@ohmytorrent]

It’s funny but I’m from Turkey and anytime I think about Europe, this masterpiece plays on my head

[@chriswatson2301]

Superb concertos

[@violatione]

I love how Avison actually makes Scarlatti work in a concertino and ripieno setting.

[@robynsalain]

une merveille d'entre les merveilles !

[@joankiedes146]

Thanks so much...I did order it, just waiting to get confirmation. What a great work!

[@edeliteedelite1961]

Flawless performance

[@6463538]

Such vigour! A wonderful performance.

[@FluxCiscoDjango]

¡Bravo! Gracias,

[@johnvincent2421]

Sublime

[@ВалентинаЛебедуха-ъ7ф]

Как красиво! Особенно первая часть-столько торжественности!

[@rainedog87]

Such beautiful music. Avison's music should be studied more.

[@MrRafaelamadeumilani]

these transcriptions by Avison from Scarlatti became really good

[@musique28]

Bravissimi!!!

[@weldorn]

sounds like an epic movie theme. especially the returning theme/the beginning. pretty awesome!

[@charlesleerayy8469]

Actually you are right, concertos grossos describe epic battles that happened in history and mitology. That is why it feels like an epic movie theme.

[@benjaminkorn1758]

i like how aggressively it begins.

[@The30YearOldVirgin]

Superb!

[@Lesamisdeloeillet]

this is great!! But is the first part not rather fast? It says 'largo' on the score... But I admit it works very good!

[@luciaautrique7736]

Magnifico

[@floridante15]

Concerto bellissimo e interessante...esiste una pubblicazione discografica per Avison? E' la prima volta che lo ascolto e mi ha già dato forti emozioni. Meno male che in Italia esistono ensemble come il vostro che attingono al meraviglioso repertorio barocco e tardobarocco ai più sconosciuto. Grazie!

[@gustavomassun7441]

Impecable interpretación. Alguien podría decirme como tener el score de esta obra??? no la encuentro por ningun lado... Gracais

[@mijoree]

@THIERRYMERLE Connaissez-vous la version de l'Academy of St. Martin in the Fields ? Elle date de la fin des années 70-début des années 80. Une réédition en CD a existé, mais semble désormais introuvable. Ce mouvement était joué avec une grande sensualité et pris dans un tempo plus apaisé. Cela dit, dans son genre, l'interprétation d'Aura Soave ne manque pas de charme à mon goût.

[@repozycja]

❤

[@dprochazka]

@hangeva -- For my money, the Brandenburg Consort recording, under Toy Goodman, is pretty fantastic.

[@Hasselfelde]

Do I see and hear a guitar or a vihuela in the continuo? It really adds something special!

[@rainedog87]

@JohnAndrewHall1 thanks! I will definitely take a look at it :) I really appreciate your help! :D

[@DerekPert]

This enseble is FANTASTIC. Can one purchase these performances on DVD or BluRay? Exactly who are these people, and is there a formal title for this or any other of thier video productions which you have posted? Thanks.

[@ensemblelaurasoave]

@TheCrazyCello: the organ is playing here.

[@weldorn]

damn, its still epic

[@rifephotos]

The funny thing about this is that this movement is supposed to be "Largo". They are playing it conciderably fast, yet it sounds AWESOME!

[@Rik77]

Actually they aren't. The pulse is definitely Largo. They are just playing it with a lot of energy and staccato rather than relaxed.

[@marcopecs]

@ensemblelaurasoave E' vero, è vero. Probabilmente a volte conta soprattutto quale interpretazione si sia ascoltata per prima: ci si abitua a quella e le altre sembrano inferiori. Pareri soggettivi a parte, non riesco a credere che il primo movimento fosse, ai tempi, così veloce. Ma anche qui... be', ci vorrebbe una macchina del tempo. Perciò modifico la frase: "Troppo veloci per i miei gusti". Ciao :)

[@labrunafra]

Leopold Dedalus di

[@TheWintergreen01]

Rococo

[@joankiedes146]

Help!!! where can I find the sheet music for this??? Is it on IMSLP? Thanks!!!

[@Mackiebesser]

look here www.edition-offenburg.com/avison-charles.html?___store=english

[@Andrew4Handel]

arts.st-andrews.ac.uk/digitalhumanities/fedora/repository/digitalcollections%3Afinzi-scarlatti

[@5678__smrt]

2:56

[@ensemblelaurasoave]

@marcopecs: de gustibus...

[@eternafuentedeluzdivina3189]

Alabo el gusto dramático, casi operístico de la interpretación. Debemos recordar dos cosas: 1) D. Scarlatti era apasionado italiano como muchos lo son, y sus operas reflejan ese italianissimo propio de le italianos. 2) Estamos hablando de barroco italiano donde sensualidad, drama, pasión hacen revolución con sus antónimos... No esperemos ritmos calmos propios del Clacisismo musical en una obra que exige expresividad fuerte... Nótese en el movimiento final, esa melodía folcklórica intentara de amaestrar, como Boccherinni mucho después nos hizo caer en tentador deleite, si se interpreta a lo soave, no funciona, debe ser a la L'a aura Soave, aunque suene pachotero para algunos.

[@ruperttmls7985]

El movimiento inicial de este concierto es particularmente dramático y emocionante... lamentablemente creo que no sobrevive la sonata de Scarlatti en la cual se basa.

[@RecordareDomineA415]

@Eterna Fuente de Luz Divina, I agree with every word you have written. Thanks for sharing this info.

[@RobySanI]

Karajan non ne ha inciso una versione? Beh, non siamo poi così sfortunati!!!

[@leonidas2956]

please,someone, where can i found the score,there is nowhere,thank you !!

[@Paliottaful]

Interprétation très "dure"!j'ai souvenir d'une version "indicatif de France Musique" qui berçait mes nuits avec beaucoup de douceur...

[@elsaenzo]

Je la trouve "dure" aussi. Je pense que nous avons le même souvenir, c'était l' indiquatif de "ouvert la nuit" sur France Musique vers 23h. C'est la version de Neville Mariner. J'attendais tous les soirs avec une feuille et un crayon que le présentateur dise le titre. C'est pour moi la meilleure version . . .

[@loantran-thanh7795]

moi aussi! et je l'ai cherchée toutes ces années... enfin

[@loantran-thanh7795]

j'ai trouvé: c'est la version de sir neville Marriner qui est la plus douce

[@elsaenzo]

Vous l'avez trouvée, j'en suis ravi pour vous. C'est toujours cette version que je préfère

[@mpw1327]

@@elsaenzo Oui, la version de Sir Neville est plus harmonieuse, ici les cordes sont un décharnées, c'est sans doute à cause des instruments anciens, mais ça plaira aux baroqueux...

[@ensemblelaurasoave]

De gustibus... Peccato che karajan non ne abbia inciso la sua versione: sarebbe più lenta!

[@dprochazka]

I think they wanted to highlight the contrapuntal nature of the movement.

[@marcopecs]

Troppo veloci. Questa interpretazione è migliore: D. Scarlatti - Concerto Grosso No. 5 in d minor, mvmts. 1&2

[@isabellegottraux8817]

bonjour, j'aime mieux la version de "café Zimmermann" moins maniéré mais cette version est belle aussi

[@LordMSh]

Why changing the original? Don't do it, it does not sound right.