Giuseppina Bridelli - Alto Giove (Porpora) - Le Concert de l'Hostel Dieu

[@kmungerma]

Divine, I have no words

[@janwilson9485]

Stunning voice and interpretation - Im left without breath!

[@maurorocca1745]

Superba interpretazione della divina Giuseppina, come al solito bravissima, per tecnica e pathos interpretativo. L'incommensurabile Porpora applaudirebbe nell'ascoltare una cantante così dotata. Le opere liriche della scuola musicale partenopea sono particolarmente difficili da cantare perché oltre ad una tecnica sopraffina richiedono un trasporto e un pathos speciali, purtroppo nessuno può insegnare queste due peculiarità "napoletane" o si hanno oppure lascia stare.... Giuseppina le possiede entrambe, sono un dono molto raro.

[@gloriaalondracedano9998]

Seré la única a la que las personas se le hacen atractivas cuando veo que crean arte real?

[@Canto28]

I've never heard a more beautiful song. Porpora was divinely blessed. Well done.

[@Mr02071961]

Listening again and again, can't stop... The best interpretation ever, by far!

[@dispensador]

The same happens to me over and over and over and over again

[@noeetv]

Listen Philippe Jarousski too....

[@Mr02071961]

@@noeetv I did many times, but this one has something special!

[@rinassimiento2896]

Listen also Cecilia BARTOLI !!! 👣 Listen again Philippe JAROUSSKY 🌞🌞🌀🌀🌀🌠🌠🌠🌠🌠💎💎💎💎💎

[@Mr02071961]

@@rinassimiento2896 I did many times.

[@renatacesario8789]

Ottima interprete,intensa,notevole, bellissimo il pezzo di Porpora✨👍✨

[@tylerlordhamilton252]

Very inspiring singer for all of us. Truly love.

[@paulhilfiger9454]

Une si belle voix ! Une Mezzo exceptionnelle , Giuseppina Bridelli

[@hervedupre7894]

Vidéo un poil grandiloquente mais qui touche son but, cette très belle voix et très belle femme nous donnent le frisson. Mise en images très percutante, réverbération du son qui séduira tous les publics et c'est heureux. Bravo pour ce carton plein !

[@laffreuxjacobin6286]

pourquoi grandiloquente ?

[@hervedupre7894]

@@laffreuxjacobin6286 ça en fait un peu des tonnes, mais bon, c'est pas grave parce que ça reste beau et puis ça touchera plus de public

[@dispensador]

Ho scoperto questa interpretazione, e ha spezzato la mia sensibilità, ha aperto una nuova finestra verso l'estasi. Non riesco a smettere di guardare l'arte ad un altro livello accompagnato dalla voce di Giuseppina in quel momento. Falle sapere che ha annullato tutto quello che ho sentito e sentito e che mi sono perso con lei. Grazie

[@sirhello7500]

Omg very superb

[@baroquealyonbaroquesousles8198]

Exceptionnel ! Bravo aux artistes

[@christianlefebvre6475]

Très belle interprétation.

[@hiramdelgadocamacho408]

Hermosa interpretación, y concepción del video, bravo a todos

[@RodCornholio]

Goddess. She completes me.

[@sirhello7500]

Bravo

[@shamonmj]

beautiful!

[@leodepuydt308]

What duel? I know that Porpora was not financially successful around 1735 in London. Haendel was a great musician and won the popularity (and royal favor) contest. But he might really get hurt in a duel with Porpora. A little more about how Porpora disappeared from the history of music, with a recent revival, follows. Early settecento Naples music for UNESCO World Heritage recognition. PORPORA SUPERIOR TO HAENDEL, writes Romain Rolland, Noble Prize in Literature (1915) and eminent French music historian (including of opera), first chair of music history at the Sorbonne. Wow! (From Radiciotti’s 1910 biography of Pergolesi, p. 18 n. 1, Rolland writing in French to Radiciotti, use Google Translate if needed) “Depuis deux ans, j’étudie Haendel et son temps; et j’ai ainsi vécu avec quelques-uns de ses grands rivaux Italiens ou italianisants. J’ai été pénétré par la beauté et même par la puissance expressive de certains d’entre eux qui sont fort injustement appréciés aujourd’hui. Quand Porpora, par exemple, se trouva aux prises avec Haendel, et qu’ils mirent en même temps le mêmes sujets d’opéra en musique, j’ai constaté, à mon grand étonnement, la supériorité de Porpora, même au point de vue de la largeur du style et de la force dramatique . . .” Radiciotti goes on how mainly German critics massacred Porpora and Italian opera in general. A bloodbath really. I took until 1945 to finally tame the Germans. Leo Depuydt NEWEST VERSION PORPORA SUPERIOR TO HAENDEL, writes Romain Rolland, Noble Prize in Literature (1915) and eminent French music historian (including of opera), first chair of music history at the Sorbonne. Wow! (From Radiciotti’s 1910 biography of Pergolesi, p. 18 n. 1, Rolland writing in French to Radiciotti, use Google Translate if needed [however, see below]) “Depuis deux ans, j’étudie Haendel et son temps; et j’ai ainsi vécu avec quelques-uns de ses grands rivaux Italiens ou italianisants. J’ai été pénétré par la beauté et même par la puissance expressive de certains d’entre eux qui sont fort injustement appréciés aujourd’hui. Quand Porpora, par exemple, se trouva aux prises avec Haendel, et qu’ils mirent en même temps le mêmes sujets d’opéra en musique, j’ai constaté, à mon grand étonnement, la supériorité de Porpora, même au point de vue de la largeur du style et de la force dramatique . . .” Radiciotti goes on how mainly German critics massacred Porpora and Italian opera in general. A bloodbath really. I took until 1945 to finally tame the Germans. Leo Depuydt PS I am sitting here thinking: When are these Italians going to do something about it? Come on, Giovanni, come on, Nicoletta, come on, Pietro, come on, Euphemia, . . . Get off your lazy butt and get moving! PPS OK, I checked the Google translation. It is not fully perfect. Here is an updated version. “For two years, I have been studying Handel and his time; and thus I lived with some of his great Italian and Italianizing rivals. I was struck by the beauty and even by the expressive power of some of them. They are very unjustly underappreciated today. When Porpora, for example, found himself at grips with Handel, and they at the same time put the very same opera subjects in music, I observed, to my great astonishment, the superiority of Porpora, even from the point of view of breadth of style and dramatic force. . . ” Noble Prize in literature? Preeminent authority on the history of opera? First chair of music history at the Sorbonne. Are you trying to tell me that Rolland lost his mind? Here is where we are: Handel the superstar with billions of KZbin videos; Porpora, his superior (says Rolland), completely forgotten. There is something really rotten about the history of Western music.

[@megenberg8]

have to let you know that the Italian has that certain languidness or voluptuousness of the Latinate song style that both the English and German find wanting in a stridency or more directness, such as one finds in the traditional ode. the Italian is highly embellished and intimate in expression, exuberant and lavish, and is quite abundantly florid, rich, lush, and soft. profundo as well - it lavishes on the ears and ravishes the senses. very much appreciated by all of Europe for a long time, and emulated on every front for its gorgeous colors and positively intoxicating and romantic robustness. and then one has the intricacies of its delightful voice! I guess the theater of opera began in Italy and the public and musicians so loved it that composers even changed their entire names to Italian - in hope of winning greater patronage! ah! Italy!

[@fbritos]

Bravo Bravo!!!

[@mArc0-k4x1h]

bellissima e fantastica interpretazione.... complimenti !!!!!

[@TheWisdomer]

so beautiful woman beautifully signing

[@hervedavidh4117]

Parfait. Son comme image.... Parfaits

[@Concert-hosteldieu]

Merci beaucoup !

[@viiiooo]

Très beau !

[@danielrodriguez9630]

Una voz maravillosa...

[@karlymustafa8709]

Me encantaaaa

[@AnnemarieMalicet]

Tres beaux bises

[@carlosvillasanti4807]

Maravillosa ❤

[@vitorhaase7821]

Alto Giove è tua grazia è tuo vanto Il gran dono di vita immortale Che il tuo Cenno sovrano mi fà Ma il rendermi poi quella Già sospirata tanto Diva amorose e bella è un dono senza uguale come la tua beltà

[@ronaldogazzinelli8785]

Well....she didn´t sing the second verse! Why?

[@kmungerma]

Divine, I have no words

[@stephanehuchet7981]

la résonance de l'espace, le lyrisme "romantique " du chant contemplatif et très charnel placent cette musique dans une transcendance du temps. S'abandonner...

[@stephanehuchet7981]

mettez en ligne plus de vos interprétations avec Giuseppina Bridelli. Elle a de la passion.

[@zealberto7963]

¡Magnífico!

[@marcobono2754]

bravissima

[@AloeAntinousAquila55]

gorgeous... specially given its a counter tenor territory ; )

[@flimsymoon-bx5xt]

Esaltante e commovente insieme...

[@leventkoglu7107]

La voce......meravigliosa....

[@ronaldogazzinelli8785]

Alto Giove è tua grazia, è tuo vanto, il gran dono di vita immortale, che il tuo cenno sovrano mi fà. Ma il rendermi poi quella già sospirata tanto Diva amorose e bella, è un dono senza uguale come la tua beltà.

[@1rivia]

Bravíssima!

[@irenehagemans6302]

This is it!!

[@redschonewille]

Yes it is

[@Mr02071961]

Exceptional!

[@Mr02071961]

Indeed, I am a bit fed up with counter tenors struggling to sound like castrati. Natural female voice is so refreshing.

[@ЛюбовьКириллова-ъ8я]

Великолепно !

[@fnuevo12]

Una gran versión

[@christiaandhooghe]

Is there a disc made from this concert? Such beautiful music. 🙏🥰

[@Concert-hosteldieu]

Dear Christiaan, you can find the CD DUEL recorded with Giuseppina Bridelli on our website : www.concert-hosteldieu.com/la-boutique/

[@ronaldogazzinelli8785]

She is really singing!!!! But are the musicians really playing? Very strange!!!!

[@NewTrinityBaroque]

Porpora's "Alto Giove" is one of the most beautiful opera arias ever written! Here is also a recording from our performance with Predrag Djoković: kzbin.info/www/bejne/g5WZZZukbJ6cja8 we hope you will like it!

[@josemiguelmata5370]

Nicola y Cecilia Bartoli

[@karstensturm4198]

too slowly intoned...for my taste. but the voice fits :-)

[@marcopaganelli6059]

peccato senza parte b e dacapo

[@ОльгаК-ъ1г]

So dark...

[@nilsfrederking62]

....if only her singing had less vibrato.

[@arboldeperas]

so much vibrato :(

[@amadeusforever1]

Entre une réverbération catastrophique, et un vibrato atroce ( ce répertoire n'est pas pour sa voix!!), je suis très déçu. L'orchestre est correct, mais d'une désolante platitude !

[@Concert-hosteldieu]

Bonjour ! Les conditions de prise de son n'étaient pas optimale, mais avez-vous écouté notre disque avec Giuseppina Bridelli (Duel : Porpora and Handel in London, label Arcana/Outhere) ? Le son est bien meilleur, car enregistré en studio. Et il y a une grande évolution entre cette vidéo de 2016 et le disque sorti en 2019. N'hésitez pas à aller l'écouter et vous faire un nouvel avis :). Bien à vous.

[@amadeusforever1]

@@Concert-hosteldieu j'y vais de ce pas....

[@Piero1809]

@@Concert-hosteldieu Je confirme, ce CD est très réussi, la voix de Giuseppina, divine et l'orchestre remarquable, voir ma chronique dans BaroquiadeS.

[@dispensador]

mangeur de merde stupide

[@amadeusforever1]

@@dispensador pourquoi cette insulte injustifiée ? T'ai-je agressé(e) ??