Che faro senza Euridice? (Hanna Liisa Kirchin - Mezzo Soprano)

[@griselbileon1953]

Me encanta esta versión 👏🏼👏🏼👏🏼🎼🎶🎵

[@cheriegullerud9040]

Best version of this I have heard! Thank you so much for including the Recitative.

[@tedantares2751]

Beautiful voice!

[@mildasmalakyte4463]

The voice of liquid Amber! How beautiful!

[@mariacasemyr]

Beautiful voice

[@leuzileianazareth7738]

Lindisimo

[@kendee4421]

A much more listenable rendition than the much older versions, even without the orchestral backing.

[@leuzileianazareth7738]

Eu dinonovo canta lindo Deus abençoe piano também 😍⚘⚘

[@markcarpenter9235]

Her voice reminds me of Golden age mezzo sopranos such as Fedora Barbieri. She is much better than Rise Stevens, with whom this role is associated.

[@dorothyflanagan9535]

Listen to Hvorostovsky.

[@hanna-liisakirchin6303]

I have, many times, thank you.

[@emilygreene3460]

Miscast and terrible. I'm sorry, but that's the fact. Leave this aria to the real men who do this role justice like Ivan Kozlovsky, Tito Schipa, and Luciano Pavarotti.

[@로보티니콜라스]

Nobody cares about what you say. You keep posting hateful comments on so many videos, you must have a really miserable life, plus your damaged brain...

[@limsingwei3149]

Disagree--I much prefer the mezzo versions, plus originally the role was played by a castrato , followed by a hautre-contre tenor, then popularised in Berlioz's version with the legendary mezzo pauline viardot--historically never really written for full-voiced male tenors like pavarotti so historically mezzos are the norm for this role (very few castrati around nowadays) Musically I love the tone mezzos bring to this, this being a great rendition in my opinion, but each to their own!

[@vera_seppuku]

this aria was composed firstly and originally for a castrato (Gaetano Guadagni). So , mezzos are more accurate to whom it was composed for, firstly, in the italian version.

[@emilygreene3460]

@@vera_seppuku You indirectly admitted that it is still a man’s role. Women are not a good fit for it. Period. I say this as a woman. I respect that men should reclaim pants roles that have been wrongly misattributed to women, because they either don’t like the countertenor sound or they can’t find a legitimate healthy countertenor. Even if you compare the two voices, they don’t even sound the same to the astute ear. Listen to Russell Oberlin, for a more accurate voice. Sadly, he never recorded this role or aria but he is the closest on record we have yet.

[@vera_seppuku]

@@emilygreene3460 castrati where natural altos, mezzos and sopranos. Just like women. Tenors or barones are not mezzos, neither castrato mezzo or woman mezzo. And counternetors are not even a natural voice. They are completely out of of place anywhere almost. Except for contralto oratorio Arias written for men in falsetto, like those of Bach, Handel English oratorios , Britten opera. And btw castrati where not "men" , but evirati, eunuchs, mutilated kids.