CHECK YOUR MIXES LIKE THIS !

[@binary-me]

best thing about mixing in Mono; Forgetting its in Mono and then switching back haha. Boooom

[@pmshrevecomm]

Happened to me last night. Unfortunately i was adding reverb on synths so it was a little too extreme when i flipped back to stereo

[@queenpurple8433]

When I mix in mono I have nothing panned yet cause I’m workin in mono, lol just messing with you but really it’s much easier to pan at the very end of a mix for me anyway

[@binary-me]

@@queenpurple8433 Aaaaaaahhhh thats why its still sounds rubbish haha. Ive never thought about but, yeah . What i must do is,. volume, pann and basic EQ. Get it so i don't 'hate it too much', ( yknow like that initial free first run ) then go Mono. Ha

[@jossuecastaneda8135]

Honestly, I’ve forgotten so many times that I’m in mono that when I realize it I’ve made everything sit in the mix with each other that when I switch to stereo I’m like 🔥🔥🔥. Another great tip I have for y’all is to put a Linear EQ and cutting from 200 to 4K and boost accordingly to your mix. Remember, Mid range is where the Soul is at. I would even parallel these frequencies to accommodate the main buss.

[@WaterRiver777]

On god

[@brianphillips987]

A great tip I picked up from Tony Maserati was to start your mix in mono and listen out of only one speaker at a very low listening level--kind of like the focus idea that Streaky has suggested. After you've listened to the track a few times, set your rough static levels and start doing some EQing, sidechain, etc. to get the mix as clean and balanced as possible in mono. Once everything is clear and balanced to the ear in the mono, when you put it in stereo it's like icing on the cake! From that point as you add effects and pan, periodic checks back in mono help as a sanity check for translation. Hope I don't sound like a raving lunatic lol.

[@Rhekluse]

It's not a normal day unless I click on a Streaky video and get yelled at.

[@g.m.6417]

😆

[@adamrobinson4982]

Literally the middle of the night. Have a banger almost fully cooked and just want new methods to drive it home and I'm hiding my phone whilst his yelling at me!

[@LT3D]

One thing that I make sure to do is ensure that all my lead instruments are mostly centered. That way there are minimal phase issues in mono. Also, I use reference tracks religiously, and use all sorts of consumer grade gear to see how the mix translates.

[@YoungNino2017]

One tip i live by is to mix with the speaker/headphone volume low... i use Ableton and mix in headphones and have learned that the mix sounds most like the exported track with the volume set low rather than high. Lots of people complain that their export doesn't sound like what they hear in the DAW, one reason ( I believe) is they are listening to the mix loud... which in the DAW where all the tracks are separate and not compressed into a two track mix... you can hear and feel the space, in the DAW that is! Turning down the volume minimizes how the DAW will trick your ears and give you closer to what the export will sound like.

[@TheOziBattler]

I save my mixes to Dropbox and then listen on my earbuds while I’m doing something else. When I’m not focused on actively listening, sometimes you can get myopia when your listening to something (especially my own stuff) and having it on in the background while your brain is elsewhere can sometimes bring something to the fore.

[@christophermerritt]

So I flip between mono (using Logic’s gain plug-in) and stereo, I play the track thru my MacBook Pro speakers and my last stage is taking my laptop into my car, connecting to the audio system via Bluetooth and checking if everything sounds a-ok. Works for me :)

[@PabloAdame]

9 persons don't know how to appreciate good content. This is so useful! Thanks for all your great tutoroials! I can't imagine how much valuadle info you give and share for free!

[@dylangreen507]

Watching your videos has got me tinkering after many years away from music. It’s actually refreshing starting over with all of the techniques you have taught me. Thank you! So inspirational

[@Babaksaeedi]

One of the best and actually underrated channels if you're serious about Mixing/Mastering!

[@gutshisalamanca1191]

really? I think its very basic stuff. Check out mixbustv!

[@asher5629]

I guess George Russel's Williams is kinda like mixing in mono... He translated REALLY WELL in that Merc!

[@Streaky_com]

Hahaha yeah I was really keen to see him win but it’s all left me feeling that it is actually the car less than the driver 😔

[@jeroenvandijk5254]

Until the tyre change!!! 😝

[@evighvitveis]

First race I actually got a bit emotional, with anger that is 😠 damn tire change

[@VibeMusicRo]

i listen my song on hs7, iphone, iphone headphone, at m50x, bluetooth JBL GO 2, laptop, Sonarworks and car if i can

[@bartnettle]

Missed this one; yes it used to be a clock radio mono speaker, a boombox and NS 10s for the home stereo; nowadays, ph speakers, ear buds and in the car. Headphones used to be for checking reverb tails and crude tape edits, now headphones have been supplanted by earbuds mostly but with beats and apple a bit of a come back toward hi fidelity and a good thing

[@robknife]

I have an Avantone MixCube mono speaker that translates well. And Beyerdynamic DT 990 PRO headphones seem to translate pretty well for headphones.

[@miliggi]

One trick I like to use: Go out of the room and keep the door half open. It gives you a great perspective about the balance of the instruments and frequencies in those "real-world" scenarios.

[@andymat7359]

Great tip streaky, I think I need to do this for the first half of my mix down process as my mastering process tends to create excessive compression or clipping on sounds with spiky transients.

[@nicmilez2774]

Love your tips and they are confirming my work as mastering and mixing-engineer in last 10 years. For all the people out there, no one give you tips like these, believe Streaky , he´s telling nothing but the truth. This is for you Streaky: You will get a lot more than 50.000 subcrivers, faster then everybody is thinking.....kind regards from Frankfurt Germany.

[@Streaky_com]

Cheers Nic ✌🏻🙏

[@slowhaunt]

I bought a 20 dollar set of “computer speakers” from target a couple months ago. I cut one of the speakers wires so there is only one. I also switch the mix to mono and listen back through that one cheap speaker and it helps get balancing right TREMENDOUSLY. The frequency response is basically 100hz-10khz so I’m hearing the important parts of the audio

[@hazzewazeen7383]

Nice! It is great to hear these mono advices from pros who actually make records on a daily basis. Thanks Streaky!

[@Hexspa]

I feel like having a mono-summed band-limited speaker, like a mixcube, is very helpful - especially for translating to mobile.

[@mrnelsonius5631]

I love your channel. Not only is your information fantastic, you just bring good vibes. Hope things are great! 🙏

[@Streaky_com]

Cheers 🙏

[@phnxjordan]

I normally pull in a reference track into a project and that works well enough for me. Also mixing in mono gives crazyyyyy good results

[@phnxjordan]

@Ricky Anthony if things are too dynamic I usually put a compressor on the master bus to help glue everything together

[@DerrekVanEaton]

Thanks Streak Man !!

[@nadimabou-chacra7479]

Christmas mood already

[@AcousticGuitarVideosLessons]

This is a really great fundamental constant for mixing. Some things never change- Les Paul would be proud of you Streaky.

[@jellewierda3828]

Thanks, Streaky. This is the answer to my question. Greetz

[@IOG2K]

I mix everything in mono. Apart from when I start adding FX and panning. But then I always go back to check it in mono after editing in stereo. I also mix into a limiter to make it sound even more realistic so it translates better. Then I reference on iLoud Micro monitors, Powerbeats Pro, iPhone, Wonderboom and laptop speakers, etc.

[@borndrumming1972]

I like to go back to Mono as well. Sometimes adding phase related effects like chorus delay or even heavy amounts of pre delay on the Reverb can cause phase issues down the road that you did not have before the effects were added.

[@Breeze1]

I found mixing into a limiter would bring problems when mastering

[@allank.8218]

Love the sneaky phase cancellation that you've demonstrated at 3:28... ;)

[@minorchordstudio]

I use five sets of speakers to achieve a well balanced mix that always translates. Studio monitors, my old Tannoy monitors from the 90's, a cheap bluetooth mono speaker, car, and my calibrated Sony 7506 headphones from Sonarworks. Reference tracks are the key, however!

[@uncleted3961]

Thanks Streaky. Hit the like button. Using reference tracks are something that I need to start using more. I do check my mix in mono, and I use a Bluetooth speaker as a reference.

[@bassManDavis1953]

Yea, I tend to listen to my mix on small portable and fixed speakers, car speakers, B & W main stereo speakers, Mac Mini, speakers, and a phone! Can't always get it right across all of them, but what a great tip to record in mono! Have never done that but will now......thanks Streaky.

[@donnacarlton8011]

Thank you for your great tips! They‘re really precious! God bless you friend!

[@sswimrecordsovc6903]

definitely I'll be getting to use this tip, if I get to win that EQ, especially us in Nairobi Kenya where most don't consider these type of hardware it will be glorious

[@Barnet310]

Always reference off my iphone speaker as that’s how a lot of people listen to music now. Also in the car to test the sub

[@agentviktor3297]

Well, this was an informative video! TB Isone an TB Morphit are great plugins for these kind of issues and they are dirt cheap too.

[@djclone]

Great tips, Streaky! I mix at very low levels. I get a better sense of how everything is balanced and it inspires decisions toward making things sound bigger and more interesting using dynamics, eq and effects, rather than just relying on a mix sounding good at full blast. It also lets me mix for hours without ear fatigue. I try not to reference on too many systems to avoid confusion, and get to know the few systems very well, as Streaky said. I mix on ATC’s which gets me to translatable mixes fast. I also spend time on HD650’s and when I get to a stopping point I put the mix on Google Drive and listen on my iPhone later. If it sounds good there, the mix is good, but I avoid making changes based on what I hear on that. Like to work a mono Auratone back into the workflow

[@RicShaa]

I use headphones mostly at this point, because room treatment is not an option at the moment. So i listen on multiple sets of headphones/smaller speakers i. e Beyerdynamics, Bose, Laptop Speakers, iPhone speakers. I also listen to reference tracks to see how my favorite songs sound in my headphones, so i can match them sonically.

[@Streaky_com]

Even if your room is shite play very low and you’ll be ok it’s only when you turn it up that the room gets more involved

[@djpurefire]

Its a bit like the downforce only starts to work at 60 mph 😊👍

[@RicShaa]

Alright, you got me. I will invest in a set of speakers.

[@rickyhunt8194]

One of my checks is using some Apple Airpods plugged straight into my Apollo Twin, AB it with metric AB 👌

[@lucasnyberg6412]

I usually make sure i mix on low volume, in mono, using reference tracks and cheking my mix every once in a while on other systems. I also mix trough a limiter in order to get as much clarity and loudness out of the track as possible. Great video!🤟

[@Streaky_com]

Sounds bang on 💪🏻👍

[@Rolanoid]

Ironically my two most popular tracks were mixed when I didn't have access to studio monitor speakers and used my little Harmon Kardon external PC speakers which I have had for over 15 years. I've never tried Auratones but these are my next best thing.

[@inmemoryofin]

Great topic, thanks Streaky. I'd like to add that not just mix in mono but do mono in one speaker. Clarifies everything even more. Especially for the basics at the start of a mix. Also the phenomenon of a mix sounding bright on one set of speakers and then dull on another haha....ugh so maddening

[@MrFletch1968]

Never really tried mixing in Mono (after 25 years), but when I master, I go for the more or less FLAT mix in the spectrum analyzer. I also wil listen to the mix on my iphone (BAD) speakers and in my car. Actually the REVEAL will come in my car. Often the frq below 100 hz comes out there. I go back in my studio and put a low band comp from 0-150 hz on and listen again.

[@photicsonar]

Your comparisons are just brilliant!

[@sandwich-breath]

As with the tips in your other videos, I'm looking forward to trying the mono mix trick right away! I always check my mixes on the car stereo and a bluetooth speaker in the shower.

[@Streaky_com]

In the shower...nice idea...

[@ThatDarnGenius]

Only 10,600 subs to go Lets get The Streak man to 50K 👌🏾

[@AlexAndersonHarpGuitar]

Streaky you are on fire will all these videos lately, looking forward always to the next one! Thanks mate!

[@vxl3026]

Sit and take note from a great Engineer ☄️

[@LuRojas]

Love how you cover topics outside of just mastering!!!

[@lun-xbeats7847]

hurrreyyyyyy Streakyyyy

[@SteveBYouTubeCovers]

Hi, great advice. I mix only my own covers but have found that playing through the Amazon echo is a great mono reference speaker, I use it in Bluetooth and in direct jack input. Also a aux jack into a dab stereo radio and a couple of sets of headphones.

[@Streaky_com]

Yeah great idea

[@chrislysiak9561]

I used Auratones in stereo for years and about 10 years ago I switched to mono and never looked back. Reference tracks are a key but I tend to use 4-5 reference tracks which are selected for bass response, dynamics, width, .etc. I feel like using a reference track from the same genre of musing I'm mixing makes me wanna copy that sound which I don't find helpful. Hope that makes sense. I forgot to add: Sonarworks is a must!

[@borndrumming1972]

I keep my cell phone next to me at the mixing desk. I have a cheap set of earbuds and a mid-range set of earbuds. I will check my mix over the phone's speaker. And then over both sets of earbuds. I also have a set of old wouldn't Radio Shack style 2-way speakers. I have a very clean 100 watt amp that runs them. I will compare all of those and make decisions. I have listened to countless hours of my favorite music through all of those devices including my main studio monitors. The real trick is training your brain to understand how your mixes sound on your speakers as compared to the rest of the world. For example if I feel like my bass is really rocking the low end in my main monitor mix that I know I have too much bass for the car and other spots. The speakers that I use are comparable to an NS10 style speaker. If the sound is focused and tight it is good everywhere. If my bottom end seems to be jamming a little too much then I know that I will have a low-end heavy or muddy mix in a car setting. I mainly use the cell phone speaker for bass guitar and kick drum translation. If you can get the bass and kick to come through that little speaker along with the distorted guitars and vocals you are definitely winning. Thanks for all of your videos and tips. Love the channel. Cheers!

[@borndrumming1972]

I use a really nice set of headphones in conjunction with my main monitors to listen for and compare bass in my mix. Back and forth between the headphones and the main monitors will usually do the trick. I can mix there and make the mix translate to that small speaker on my phone almost 100% of the time. I have been mixing on the same set of headphones and speakers for over 10 years. That's the real key.

[@bexiemounne7781]

Guy... That's really great tips!

[@lllazarrr]

Great lesson, really glad I found your channel! I love your delivery, you're clear, concise and energetic, well done!

[@zappep]

I've made a few eq presets to test my mix on the Stereo Out channel. So i've got one with low and high cuts for how it would sound on an iPhone speaker and a few others. These are of course not realistic to how it would actually sound but it is a quick and easy tool for me to see if the bass for example is not audible anymore when being played through an iPhone. Cause i do think my music should work on everyday equipment too.

[@SlayerDarkRaver]

Got a pair of Oppo pm-3 with sonarworks that I use. Plus a set of speakers, they sound amazing, which are made by a swedish company named Westermark Audio.

[@brian23997]

Good stuff streaky - didn’t like u at the start but have come to enjoy ur high levels of enthusiasm - plus I do learn heaps from u- thanks a million

[@prodbyma1036]

plz make a toturial Bout how to fix phasing issues 💎

[@themagicianofsound]

Great advices, thank you for this. A reality in the non-professional world for mastering engineers is that we often have to work from bad mixes in which all is too much glued together so basically the mastering process needs to "unglue" elements first before gluing them again (I know that normally we should go back to the mix to fix this but many artists mixing themselves their music can't make good mixes haha so it simply can be even worse if you ask them for another mix!). I'll often even master while listening / validating in mono for some the parts of the chain. In regards with the listening devices that personally use, I recently started to master directly on a Bose Revolve 360 speaker that I took a full year to tame with most music genres (was not an easy process), I kind of use the "quick master" method using only that speaker to make a very rough master as quickly as possible like in 30 minutes just to have the "rough sound" of it and get the feel of how I want the song to sound in general, otherwise if I work on details right from the start as I was doing in the past I loose the essence / feel of the song overall and I get lost in the process, putting focus only on details. Then I'll do a second round with professional headphones to work on details and I switch back and forth to different earbuds, the Bose speaker, cheap speakers and also a cell phone speaker until it sounds great everywhere, while also continuing to test in mono. I end up validating / making final adjustments (including stereo placement) in the car sometimes at minus 25 Celcius degrees 🎅❄⛄ (no worry, not while driving it 😂 but I make a final listening while driving so that I check if I can hear the music and vocals well even with the noises all around and make sure that it feels like a typical radio song) . It may be a weird methodology but I'm a weird guy and fully assume it 😁😂😂😂

[@SouthYarraMan]

Great content as usual Streaky. The Holy Grail of a mix translating! From freakquency trash 'mis'downs to the perfect industry standard that sounds great on anythng arcane know-how! Would people agree its getting easier with the current frreq' matching apps, such as Ozone? In my personal quest, the key to understanding how to achieve this aim, is in properly understanding what 'industry standard' really means. The answer lies in the test plot of pink noise, not to a razor's edge L - R slope (!) but within the general contour. Speaker manufacturers test their products to comply with low to high tonal and amplitude spl's. So if you mix with too much bottom end which then has a subtractive see- saw effect, the mix will sound out of whack on any system because its not in the p/n comfort zone. Its all about equal energy per octave and no wild freak-quency variations. There was a suoer brilliant upload some years back by engineer David Mellor, called 'The Frequency Balance of a hit Record'. Everyone should watch that! Applause for Mr. Mellor who I think did not fully appreciate the implications of his discovery. I e-mailed him and his reply confirned it! I"ve been waiting for him to upload 'The Frequency Balance of a fFop', but nothimg so far, LOL!

[@moano3271]

Also Check mixes on your phone, ipad and also earbuds/airbuds. Audreio app is a great tool that lets you monitor on your phone from your DAW 🙂👍 you just load the audreio plugin as the last plugin in your masterbus chain , load the app on your phone and you`re good to go.

[@weet1574]

love streaky!

[@arthurllongjr382]

HS5’s, iPhone 7plus, six speaker car system and closed back studio headphones. If it sounds good there, chances are it will sound good everywhere.

[@EnoraRecords]

Thanks! Nice tips using mono. I monitor by listening on a Tivoli radio most of the time. Also I mix as low as I can with the sound turned down as low as I can. That way I can hear if the balances between the different sounds are equally matching each other. I know it’s good when I can hear all sounds and the song Playing as wanted.

[@alexei-dostvinogradov7080]

Re aly appriciate your tips!

[@ollie4859]

I see Streaky, I click

[@LukeGarfieldMusic]

Streaky you've given me a kick up the bum to start firing up my Avantone Aurotone knock off more. Mono mix checks FTW. Cheers

[@Streaky_com]

💪🏻

[@simonemascellari1215]

I use REFERENCE vst from Mastering the mix, it’s helping me a lot to compare my mixing/mastering to my reference tracks.

[@TheWayOutside23]

just looked this up as hadn't heard of it. Looks interesting. Think I'll give the demo a go and check it out

[@Streaky_com]

Yeah checkout metric ab it’s my fav

[@djcuebass7559]

I find tonal balance to be nice

[@DalleyMusic]

@@Streaky_com That one is great! I use it all the time.

[@LukeGarfieldMusic]

Definitely a massive help having an A/B plugin like that. I ended up getting MCompare from Melda Productions. I can load up 4 reference tracks and insert 4 instances of the plugin along the path to monitor through each stage of processing. Definitely gets you listening much more critically.

[@annoybient4388]

hey steaky great vid man thanks ! yes learning how my auratones are supposed to sound was a very important step for me. feels that they actually took quite a while of playing to swing themself in shape. I did not have the opportunity to play them on max vol for a view days. I know its not a proper Monitor for only, but these allow me together with headphones to make music all night long without disturbing my gf and neighbors to mutch ;D. Of cause Im using as much as possible reference systems where ever I can. Izotopes Tonal Balance Control 2 helps me also a lot especially during the mixing and producing because I try not to listen to to much reference stuff during a creative phase. If youre producing a synth sound to sound great directly on Auratones I know it will sound fucking amazing on a Proper systems, I absolutley love the Auratones with the old Crown d-75 amp !

[@pintfetzer3461]

Subscribed :) Nice and informative, Thx. My references, alesis m1 active mk2, Sony bluetooth, kef Carlton, rokit headphones

[@oktaviopd5279]

Just subscribed! I use my car and my airpods to check my mixes.

[@naumdzukleski6074]

The best!!!

[@MickeyBlood]

Brilliant and thanks 👍🏿👏🏿👏🏿👊🏿👊🏿

[@TheDilligan]

I subscribed and I've been following. But You're still under 40k subs, so I'm not super optimistic about that Maselec. but I definitely think you deserve the subs.

[@TheOskarb]

I use sonarworks reference 4

[@THMSOfficial]

I do nothing like this. I'm always hyped when I upload something. Days later I recognize that I have too much bass .... always :D

[@TheDilligan]

I go mono when balancing the faders. Idk why I didn't think to do it while doing EQ/Compression.

[@nectariosm]

How many people played or heard a mono club system (not just the subs, but the full spectrum), that was not some squat party (although there are great stereo PAs in some of those parties too nowdays) in the last few years?

[@muziekkamer]

DANK!!!

[@paulchikezieomari]

i listen in the Car and it makes me feel bad sometimes but all the same it makes me work more harder on my mix

[@Streaky_com]

Yes can be annoying

[@paulchikezieomari]

@@Streaky_com very annoying but thank you for ur help .

[@jasonfrancis3482]

Master class 👍🏿

[@xiphiuz]

Auratones, mono, more speakers check. But wanna show some love to the Fostex 6301’s. Built like a tank and energy efficiënt (class D amps like your Kii’s)

[@LeChapeauMusic]

Streaky: you should be mixing in mono! Me who's mixing in Atmos: 👀👀👀 what's that? Food?

[@MrTesla808]

I check my mixes on my Genelecs, Auratones, MacBook Pro 2015 crap speakers, HD 650 and M50x

[@higltypig]

it's alot about knowing your speakers. I've tried all sorts and ended up using alesis M1 MK2 actives for the longest time, kept buying them when they inevitably died until I can't get them anymore - now I use Mackie MR8s and find they work well for me and my ear. In my experience dont f**k with subs or wideners.

[@photicsonar]

I use a cheap radio to check my compression/dynamics on the Track. Nothing shows you the Sound of Compressors better than a Consumer-Radio. Stay Safe.

[@lassorb4752]

What brand/model ect.? :)

[@photicsonar]

@@lassorb4752 Sonoro GoLondon (ok, its NOT that cheap, I must admit ;))

[@chriss3115]

i make 1 minute music videos and only post it on facebook and insta. For me its important it sounds good on tiny speakers. I check on Laptop speakers, a cheap 99 euros huawei tablet, an Ipad pro, a Samsung Galaxy s6, a Huawei p20 and P30 light. Some great speakers, some not that well and it has to sound decent on the cheap ones.

[@Streaky_com]

Yeah as most have those unfortunately

[@chike1866]

Mixing in stereo fatigues my ears. I prefer to hear everything from the middle and let my ears focus.

[@ross781]

Love these vids best content i’ve seen in a while! can you do a video on referencing tracks while mixing using a spectrum analyser like span. Possibly covering different shapes depending in genre? I have heard elsewhere it is good to take out low mid info as it is often muddy depending on the track.

[@Streaky_com]

It’s kind of bollocks all that to a point...you are better spending your time learning to hear than see the problems 👍

[@sassas7128]

Killer,like always.

[@olivierclasse]

Nice 👍 one Streaky. Great advice for mixing. Does kii speakers in russel’s Williams might help to pilot in stereo ?

[@vadimkorob2689]

Well... I use cheap Sony earbuds for checking the mix. If mix sounds good on it - it sounds good mostly everywhere!

[@grizcuz]

If you're making some kind of dance music, that involves DJ's mixing tracks together. Then either make a mix of tunes that you know sound good on a club system with the track you made. Or like me, ask a DJ friend to quickly mix a few tunes in a similar style to yours to see how they sound. And ask them if they had to do anything with the volume or tone controls on their mixer to get your track to sound like the others in the mix. It's not only good for the sound of your track, but also the arrangement. If the intro/outro makes it difficult to mix with other tracks, then DJ's are obviously going to be less inclined to play it. So, for example, if you cut the lows on the kick for a few bars on the intro and outro, it makes the DJ's job easier. They're mostly lazy and like to use as little concentration as possible when DJing, so they can spend more time ogling the females in the club.

[@PharaohLawLess1]

Another great tip video

[@charliegrey2767]

My Samsung s7 phone speaker is the ultimate test

[@ENDZEIT]

🔥🔥🔥 Good Video like always 👌💯

[@1337murk]

I have a pair of avantone mixcubes, and an imperium 2400 with its mono button, for this purpose :)

[@Streaky_com]

Love the imperium quality kit 👍

[@1337murk]

@@Streaky_com It really is, I also use it to send a parallel signal to my subpac when using headphones (hd800 out of a lyra). I like this method as I found a good volume which sits well with the headphones turned up 4 notches exactly, keeping my headphone level exact each time achieving the same purpose as the imperium does with speakers

[@dragithekid]

Not only a few pair of speakers, but maybe a cheap pair of headphones as well.

[@PaulKangMusic]

i can coax way more dynamic range mixing like this!!!

[@krisamadhi]

thanks and always !