Anastasia Kobekina Bach Suite 6 Prelude

@cdfanto6094 5 жыл бұрын

This woman, Anastasia Kobekina, moves: weather; oceans; space; and, time. Such passion thrown forth; as rarely any other.

@tishhill9561 3 жыл бұрын

@cd fanto. No-one could put it more beautifully than this

@jimmyblues59m76 5 жыл бұрын

What a pleasure it is to watch a truly gifted musician at the start of her career.

@elizabethlinsay9193 4 жыл бұрын

What a lovely, thoughtful thing to say!

@sarcerodia7901 2 ай бұрын

my favorite suite 6 prelude interpretation. i'll always come back to this video

@chessematics 2 жыл бұрын

Amazing. Just amazing. I have listened to many of its recordings, from Mischa, Ma, Crawford to Massimiliano Martinelli. But this is the by far the best. Beautiful tonality, reflection, interpretation, energy, expression. Just love it.

@rubensfalcucci9315 2 жыл бұрын

Anastasia Kobekina! ♡ You are amazing, you fill the room with the spirit of the great S. Bach!

@donnewmeyer3133 6 жыл бұрын

Pretty much a definitive performance. Exactly how I aspire to play it, in my dreams. I imagine that Bach is looking down from heaven with enjoyment.

@fourstrings48 5 жыл бұрын

I fully agree that this is a really outstanding performance. But I hate the word "definitive," because it suggests that there can be no other approach or interpretation which is equally valid.

@theDUBMARK 4 жыл бұрын

@@fourstrings48 Agreed. I have heard quite a few "better" interpretations (performances I like more), though this one is really good because her ideas are definitive (in a sense that they're clear and logical).

@karlheiden1168 2 жыл бұрын

Bach for ever . . . .

@jhadinger 3 жыл бұрын

This is the best performance I've heard of this piece on a 4-string, and the cleanest! Beautiful performance, and very inspiring!

@dansingmuch 3 жыл бұрын

This is truly a wonderful performance. Anastasia uses her marvelous technical capabilities to provide a truly unique performance of this Bach Suite #6. I love it!

@Ron239 2 жыл бұрын

Look forward to her one day doing a recording of all of the Bach cello suites. 👍👍👍

@MartinDöller 2 ай бұрын

Welche Leichtigkeit! Welche Eleganz! Viele andere Aufnahmen klingen dagegen sehr bemüht. Und der Ausdruck auf dem Punkt! Da geht einem das Herz auf und es ist zum Dahinschmelzen! Danke!!!

@rolandharras1195 Жыл бұрын

Mal ganz abgesehen von Deiner außergewöhnliche Performance, ist es einfach eine Freude Dir zuzusehen. Selbst wenn ich taub wäre. Du spielst nicht, Du lebst es. Mit solcher Liebe und Hingabe. Du wunderschönes Geschöpf Du. Einfach WOW. Ich wünsche Dir und allen Menschen, dass die ganze Welt darin eintauchen und das genießen kann. Und ich wünsche Dir die stetige Weisheit dass Glückseligkeit nur aus wahrer Liebe erwächst.

@ericyoahan Жыл бұрын

wow. you put such emotions into me i cannot describe.

@leonpetersen7346 Жыл бұрын

Had another listen....still FABULOUS!!!

@michaeltroke7239 2 жыл бұрын

This is wonderful. You can hear in every note her understanding of its place in the whole architecture of the piece., present, past and future. Sublime.

@chrisshepherd828 5 жыл бұрын

Beautiful, she plays with feeling and great phrasing. Already so accomplished!

@samanthazuniga699 Жыл бұрын

The best version 🫶🏻 love this!

@redskytitan 5 жыл бұрын

Fantastic performance! Maestro Rostropovich would be very proud!

@theriven1 6 жыл бұрын

ohhhh…………….. my ..................….goodness….. what a heart, soul and performance...

@alexspi789 6 ай бұрын

The spirit of Jacqueline du Pré has returned as the grandiose Anastasia Kobekina , Bravo Anastasia

@Luc7an Жыл бұрын

I always adore that delightful tension juxtaposing the languorously wistful and the brazenly bright… It’s increasingly rare to find such performers who are fluent with their craft; such players, like Anastasia, they can freely incant us with that intangible feeling of completeness that often comes about when artists interpret courageously. … great players are never too far from the intimate introversions that tarry with the human condition.

@markk164 2 ай бұрын

but what does it all mean?

@Luc7an 2 ай бұрын

@@markk164 As someone, like yourself, who’s clearly smitten with the culinary delicacies of “Italian homemade sun-dried tomatoes,” my praise for Anastasia’s interpretation of Bach’s Suite 6 Prelude was merely an advocate who is speaking up, with amorous affection, in the response to the performer’s perspicacious treatment of a master’s great work… I have been following Anastasia’s performances for some time. I am intrigued, specifically, by her stylistic approach to the cello instrument. She appears to be one of but a few players who is, perhaps on an instinctual level, deferentially aware of the composer’s overall subjective declaration - that being, the underlying qualia of the piece’s enchanting impression. Firstly, she honours the baroque ornamental sense of stoicism - commonplace with Bach’s austere dance suite - whilst auspiciously paying homage to the playfully bright and soul-searching theme of the piece. Additionally, she seamlessly adds her own personal idiomatic vernacular - it is an articulation that is married to clarity… its earthy, rounded, and, dare I say, somewhat stark and somber. Anastasia’s freed and loquacious parameters: her cadenzas; the accuracy of her intonation; the rhythmic cadences of her salient looping bow; and, simply, the overall Impression of her cello’s tone - When I said, “wistful,” possibly, I was referring to the viscerally kinetic tempo that evokes a certain humaneness of clipped melancholy to the suite… Anastasia has an inherent feel for coruscating, riveting harmony, like her predecessor Natalia Gutman (the gifted interpreter of Shostakovich). This sound that is synonymous with Anastasia’s name may be something to do with the granular texture and choice of string gauge, tuning, etc… but more so, it’s probably down to technique and heart. I’m sure I’d have ample to say, if we broke the proverbial bread together and ate some delicious, well-seasoned Italian dishes. P S Great players sight-read and memorize the composition, in anticipation for a given recital. But there are only but a few, limited number of classical players who are courageous and technically proficient enough to single-handily emote and meld their own heartfelt alchemical brand of plaintive feeling and devout passion into the psychodrama of the piece - awarding life and blood into the fleeting nature of its continuum facade. Players, like these, are gifted with enough artistry to carry over a captivating glimmer of verisimilitude, that’s worthy of inhabiting - if not, at least, awakening - the soul of the author who originally penned the piece in antiquity.

@Luc7an 2 ай бұрын

@@markk164 As someone, like yourself, who’s clearly smitten with the culinary delicacies of “Italian homemade sun-dried tomatoes,” my praise for Anastasia’s interpretation of Bach’s Suite 6 Prelude was merely an advocate who is speaking up, with amorous affection, in the response to the performer’s perspicacious treatment of a master’s great work… I have been following Anastasia’s performances for some time. I am intrigued, specifically, by her stylistic approach to the cello instrument. She appears to be one of but a few players who is, perhaps on an instinctual level, deferentially aware of the composer’s overall subjective declaration - that being, the underlying qualia of the piece’s enchanting impression. Firstly, she honours the baroque ornamental sense of stoicism - commonplace with Bach’s austere dance suite - whilst auspiciously paying homage to the playfully bright and soul-searching theme of the piece. Additionally, she seamlessly adds her own personal idiomatic vernacular - it is an articulation that is married to clarity… its earthy, rounded, and, dare I say, somewhat stark and somber. Anastasia’s freed and loquacious parameters: her cadenzas; the accuracy of her intonation; the rhythmic cadences of her salient looping bow; and, simply, the overall Impression of her cello’s tone - When I said, “wistful,” possibly, I was referring to the viscerally kinetic tempo that evokes a certain humaneness of clipped melancholy to the suite… Anastasia has an inherent feel for coruscating, riveting harmony, like her predecessor Natalia Gutman (the gifted interpreter of Shostakovich). This sound that is synonymous with Anastasia’s name may be something to do with the granular texture and choice of string gauge, tuning, etc… but more so, it’s probably down to technique and heart. I’m sure I’d have ample to say, if we broke the proverbial bread together and ate some delicious, well-seasoned Italian dishes. P S Great players sight-read and memorize the composition, in anticipation for a given recital. But there are only but a few, limited number of classical players who are courageous and technically proficient enough to single-handily emote and meld their own heartfelt alchemical brand of plaintive feeling and devout passion into the psychodrama of the piece - awarding life and blood into the fleeting nature of its continuum facade. Players, like these, are gifted with enough artistry to carry over a captivating glimmer of verisimilitude, that’s worthy of inhabiting - if not, at least, awakening - the soul of the author who originally penned the piece in antiquity.

@Luc7an 2 ай бұрын

@@markk164 As someone, like yourself, who’s clearly smitten with the culinary delicacies of “Italian homemade sun-dried tomatoes,” my praise for Anastasia’s interpretation of Bach’s Suite 6 Prelude was merely an advocate who is speaking up, with amorous affection, in the response to the performer’s perspicacious treatment of a master’s great work… I have been following Anastasia’s performances for some time. I am intrigued, specifically, by her stylistic approach to the cello instrument. She appears to be one of but a few players who is, perhaps on an instinctual level, deferentially aware of the composer’s overall subjective declaration - that being, the underlying qualia of the piece’s enchanting impression. Firstly, she honours the baroque ornamental sense of stoicism - commonplace with Bach’s austere dance suite - whilst auspiciously paying homage to the playfully bright and soul-searching theme of the piece. Additionally, she seamlessly adds her own personal idiomatic vernacular - it is an articulation that is married to clarity… its earthy, rounded, and, dare I say, somewhat stark and somber. Anastasia’s freed and loquacious parameters: her cadenzas; the accuracy of her intonation; the rhythmic cadences of her salient looping bow; and, simply, the overall Impression of her cello’s tone - When I said, “wistful,” possibly, I was referring to the viscerally kinetic tempo that evokes a certain humaneness of clipped melancholy to the suite… Anastasia has an inherent feel for coruscating, riveting harmony, like her predecessor Natalia Gutman (the gifted interpreter of Shostakovich). This sound that is synonymous with Anastasia’s name may be something to do with the granular texture and choice of string gauge, tuning, etc… but more so, it’s probably down to technique and heart. I’m sure I’d have ample to say, if we broke the proverbial bread together and ate some delicious, well-seasoned Italian dishes. P S Great players sight-read and memorize the composition, in anticipation for a given recital. But there are only but a few, limited number of classical players who are courageous and technically proficient enough to single-handily emote and meld their own heartfelt alchemical brand of plaintive feeling and devout passion into the psychodrama of the piece - awarding life and blood into the fleeting nature of its continuum facade. Players, like these, are gifted with enough artistry to carry over a captivating glimmer of verisimilitude, that’s worthy of inhabiting - if not, at least, awakening - the soul of the author who originally penned the piece in antiquity.

@Luc7an 2 ай бұрын

My praise for Anastasia’s interpretation of “Bach’s Suite 6 Prelude” was merely an advocate who is speaking up, with amorous affection, in the response to the performer’s perspicacious treatment of a master’s great work… I have been following Anastasia’s performances for some time. I am intrigued, specifically, by her stylistic approach to the cello instrument. She appears to be one of but a few players who is, perhaps on an instinctual level, deferentially aware of the composer’s overall subjective declaration - that being, the underlying qualia of the piece’s enchanting impression. Firstly, she honours the baroque ornamental sense of stoicism - commonplace with Bach’s austere dance suite - whilst auspiciously paying homage to the playfully bright and soul-searching theme of the piece. Additionally, she seamlessly adds her own personal idiomatic vernacular - it is an articulation that is married to clarity… its earthy, rounded, and, dare I say, somewhat stark and somber. Anastasia’s freed and loquacious parameters: her cadenzas; the accuracy of her intonation; the rhythmic cadences of her salient looping bow; and, simply, the overall Impression of her cello’s tone - When I said, “wistful,” possibly, I was referring to the viscerally kinetic tempo that evokes a certain humaneness of clipped melancholy to the suite… Anastasia has an inherent feel for coruscating, riveting harmony, like her predecessor Natalia Gutman (the gifted interpreter of Shostakovich). This sound that is synonymous with Anastasia’s name may be something to do with the granular texture and choice of string gauge, tuning, etc… but more so, it’s probably down to technique and heart. I’m sure I’d have ample to say, if we broke the proverbial bread together and ate some delicious, well-seasoned Italian dishes. P S Great players sight-read and memorize the composition, in anticipation for a given recital. But there are only but a few, limited number of classical players who are courageous and technically proficient enough to single-handily emote and meld their own heartfelt alchemical brand of plaintive feeling and devout passion into the psychodrama of the piece - awarding life and blood into the fleeting nature of its continuum facade. Players, like these, are gifted with enough artistry to carry over a captivating glimmer of verisimilitude, that’s worthy of inhabiting - if not, at least, awakening - the soul of the author who originally penned the piece in antiquity.

@johanntruter5660 5 ай бұрын

I am in tears...

@MitchBoucherComposer 5 жыл бұрын

This is a really great performance! The tempo is perfect and the reverb is quite nice.

@antimisti3567 Жыл бұрын

Thank you, it was amazing

@zevyzions 5 жыл бұрын

Excellent! And the dynamics - wow!

@joahnnseneca1407 4 жыл бұрын

Gran interpretación de esta maravillosa y exigente partitura. Una verdadera maravilla musical, obra del mayor genio de todos los tiempos, correctamente asimilado y devuelto al exterior en forma de sonido. Bravo

@davidselby5165 2 жыл бұрын

This is such a fine performance,perfect balance and so beautifully played.Thank you for such a fine performance.

@FilipSandecomposer 6 жыл бұрын

Such a vivid and warm playing! Bachs music is benefiting on this more than one ever could expect. My deepest compliments!

@martinwerner1330 5 ай бұрын

It puts a bright beam of warm, radiant, joyful light into my soul watching her perform this wonderful music.

@Sourcrustbuns 6 жыл бұрын

You are just incredible!! This is my favorite interpretation. You are so musical! :D

@davidselby5165 2 жыл бұрын

Love your performance,lyrical and great articulation

@markpeterson3220 5 жыл бұрын

As good as it gets Anastasia - wonderful commitment to your art.

@manhae99 3 ай бұрын

Breathtaking!

@volkertharpprecht2216 5 ай бұрын

Wieder eine sehr begabte junge Cellistin

@rasstegai Жыл бұрын

Слышна юность в исполнении. С возрастом, эта одарённая виолончелистка будет играть ту же прелюдию с большим чувством, не спеша. Дорогу таким вот прекрасным исполнителям! Спасибо.

@klausschwarzloch5293 6 жыл бұрын

magistral. Wundervoll!

@irmacello 3 жыл бұрын

I loved the echoes ❤👌🏻 the texture...excellent performance ❤👌🏻

@KatherineDudney 10 ай бұрын

Incredible performance!!! 🎉❤

@robertshepherd5683 5 жыл бұрын

Breathtaking!!!!

@theriven1 5 жыл бұрын

unglaublich, extraordinary, inmenso, fantástico, прекрасно, semplicemente geniale....

@tmeo9712 4 жыл бұрын

0:06, 4:17, 4:23 - and other places. The breathing is actually refreshing to hear, either there is a very good microphone (regardless) and/or it shows how much effort is put into the playing. It is like tennis years ago, nobody breathed, now everyone can be heard a mile away hitting the ball. Why not classical music? Make it REAL for once and not so stoic.

@glioximdimetyl6351 6 ай бұрын

Excellente interprétation par cette jeune artiste douée et pleine d'enthousiasme !

@MishaSkripach Жыл бұрын

Красиво !!!!!!!

@keomaleite4489 6 жыл бұрын

Simplesmente excelente👏🏻👏🏻👏🏻

@martindedeugd4065 4 жыл бұрын

Your Bach is the BEST!! Chapeau chapeau!!

@tpf1952 9 ай бұрын

Magnificent! Thank you for sharing your gifts and hard work. What a thrill it must be for you to perform such beautiful music!

@janealexander5689 6 жыл бұрын

Your song calms me down. This is a gift! Keep playing your cello with love !

@AlexaABC 6 жыл бұрын

My compliments for your interpretation!

@brandoncota8132 Жыл бұрын

Brava! So clean, so resonant, so musical. Gorgeous performance.

@florenciabutler1811 3 жыл бұрын

Increíble. Absolutamente Perfecto y hermoso a la vez. Gracias 🙏

@nicovlahavas4982 4 жыл бұрын

perfection meets perfection...

@mariasavelyeva7460 3 жыл бұрын

Очень чисто! Спасибо

@djgrab1 3 жыл бұрын

Such thoughtful phrasing and sooooo clean! Pardon me while I go console my ego...

@luizprado1077 6 жыл бұрын

A goddess playing the music of a god!

@CC-Pi 8 ай бұрын

🤯amazing! 😁

@1010harryp 6 жыл бұрын

amazing! made me clap after the video!

@jean-michelbacquet5260 Жыл бұрын

Epoustouflant ! Magnifique !

@olivierriviere7527 2 жыл бұрын

Pure beauty (I mean the music). Extraordinary. Please, please have your agent organising a concert in Munich soon.

@mandyakashi5418 6 жыл бұрын

Anastasia is a real young artist!

@amym2944 6 ай бұрын

beautiful!!!

@fourstrings48 5 жыл бұрын

This splendid performance succeeds in reconciling forward drive with lightness. And there are, within the context of an insistently toccata-like rendition, moments of lightness and agogic freedom that let the listener breathe freely. Chapeau!

@trustedscrub3 5 жыл бұрын

Stunning!

@lesjardiniersdelanouvelleterre 6 жыл бұрын

Des frissons !!! C'est tellement beau !!!

@sauceman5337 2 жыл бұрын

absolute gas. thank you, this makes me happy

@rasstegai Жыл бұрын

Блестяще!

@alexb.4802 2 жыл бұрын

love how you release the tension at 3:26. It's all in the bow. Also I think you're so beautiful!

@frankcisyarmi 5 жыл бұрын

amazing Anastasia Kobekina!♡

@voyager7 5 жыл бұрын

Standing ovation!

@karlheiden1168 2 жыл бұрын

Bach for ever!

@jcrossi56 6 жыл бұрын

This all-encompassing beauty is transfixing...

@silviabastos5888 3 жыл бұрын

¡Maravillosa!

@lelubulotta7448 5 ай бұрын

Godlike!

@AlamoCityCello 5 жыл бұрын

Brava! Sounds great!!

@elenabo859 4 жыл бұрын

Анастасия очень хороша!

@pedroramirezinsausti5616 10 ай бұрын

Ohh!!👏👏👏👏👏👏 Sencillamente maravilloso!!

@onlycello9997 2 жыл бұрын

Magnifique .....

@irmacello 3 жыл бұрын

We could understand everything. Beau discours ❤👌🏻💥

@hannelorebodansky9935 3 жыл бұрын

Bravo

@clotwich 2 жыл бұрын

Lovely

@peacefulcello 3 жыл бұрын

Magnificient!

@kismetcapitan 6 жыл бұрын

This is a standard to measure all other performances of this piece against. I particularly liked (among everything else!) the tiny little trill added at the very end. Absolutely perfect final touch to a perfect performance!