Cheryl Studer - O zittre nicht - Die Zauberflöte

[@Sir.Larselot]

It´s a fabulous rendition in every aspect. In my opinion one of the leading performances on records.

[@christopherschuman2523]

Fabulous singer ! I remember many performances at the Met where she dominated and impressed every time. Brava !

[@davidallen3687]

Most interesting to hear a dramatic soprano in this repertoire, when she was taking lower endings in other roles. Great power!

[@patriciapaape9238]

Beautiful.Thank you for sharing♫♪

[@hyramesshiramess1035]

Absolutely SUPERB! A true Lyric-Dramatic-Coloratura -- a rare and wonderful combnation n the world of opera. Not since Sutherland ... and THIS voice is brighter, purer, and Studer sings with keener untelligence and greater affect than the beloved Austrialian diva.

[@oliviermuller9606]

je l’adore, elle font les notes !

[@isabelle070209]

J'adore cette chanteuse.

[@jessewarner7962]

Moi aussi.

[@oliviermuller9606]

j'aime, j'adore

[@oliviermuller9606]

Cherryl Studer est un monstre de voix ! quelle sensualité

[@leoperarm]

uploaded^^ enjoy!!! :-)

[@leoperarm]

yes, if you want I can upload it ;-)

[@uptilthesky]

Big thanks, Leo

[@oliviermuller9606]

Sie sindt "the best voice i ever heard" in speacialy mit Her Mozart Merci pour ces quelques notes magnifiques !

[@alwaysnew189]

#HappyBirthday Oct 24th 2015 !!!! lOVE

[@jessewarner7962]

My favorite Koenigin.

[@smurf902]

No doubt Studer had a stellar tone. It is tragic how her management and coaches did not warn her against doing all kinds of fach.

[@oliviermuller9606]

Pardon, Elle Fond les notes, biensur, dites moi qui peu la surpasser ??

[@oliviermuller9606]

Qui a dit, Best Mozart performance ? not me, you ! isn't it ?

[@newcjon]

I prefer the ladies to say "sie kommt, sie kommt, sie kommt" before the introduction to the aria starts. Brilliant sung though and at a well chosen tempo.

[@uptilthesky]

Do you have her Der Hölle Rache from the same recording with Marriner?

[@polemius01]

Agreed on both points. That introduction is a brilliant piece of entrance music. I might have bought the set some day, and then would have hated it for this mistake. Studer sings the aria wonderfully, as a dramatic soprano. Coming from an earlier generation, I didn't get to know Studer; she sang everything in sight and, I guess, burned out. Is that correct?

[@jasonhurd4379]

Pretty much. She was on track to enter hochdramatisch territory when the voice gave out. Her Eva in the Sawallisch Meistersinger is a collection of grunts, yelps and shrieks. Also, her coloratura recital on EMI has some of the most train-whistle-sounding top notes ever emitted from a human throat. The Gardiner Merry Widow is also pretty dire. Lilli Lehmann was the only soprano to sing such a broad range (170 roles) while keeping her voice virtually unimpaired right up into her sixties.

[@leoperarm]

creo que de 1990 ^^

[@felicianomusic]

would you say she's all fached up?

[@alwaysnew189]

Divine CS

[@OperaBohemian]

I wish she would decide on a fach and stick with it...