Cinematic Lighting Techniques with Kinefinity MAVO LF and ATLAS ORION Lenses

In this episode of Bare Bones Camera, cinematographer Leigh Lisbão Underwood continues the discussion of the cinematography behind the short film FLIGHT, this time taking a look at the lighting approach and tools used to achieve a natural, cinematic look. Modern LED and HMI units are the focus, and the episode offers a discussion of the many uses for these tools, and also shares lighting diagrams straight from the cinematographer’s notes. This deep dive into the cinematography approach to the film (coming soon to the festival circuit) offers insight and inspiration for narrative filmmaking, on a tight budget but with ambitious aspirations, where cinematic images and visual style can be the key to storytelling for the big screen.
For more on the cinematography behind the short film FLIGHT, check out the last episode on Bare Bones Camera: SHOOTING FICTION IN ANAMORPHIC with ATLAS ORION and KINEFINITY MAVO LF.
Thanks to Kinefinity, Movcam and Atlas Lens Company for their support in the production of FLIGHT and these episodes for Bare Bones Camera.
Music used:
CROWN by Kuzzzo - from Fugue icons8.com/music
LOW by ELPHNT - Free Download bit.ly/2tckuL3

[@petero1068]

A link to the short?

[@joemarvelly6181]

Brilliant video, thank you!

[@capturecorpmedia]

LOVE this video. SERIOUSLY!

[@BareBonesCamera]

Glad to hear it! More soon!

[@vuspectrum]

Just discovered your channel. Thank you for the detailed breakdown, it's very helpful! 2 questions: 1/ What is the brand of that large RGB Flex LED Panel at 1:57 ? 2/ Do you have a link to your Easyrig knock-off?

[@tvguide4khv]

well done )

[@adamroul3661]

Great breakdown! How do you like that easy rig knockoff? thanks

[@BareBonesCamera]

Thanks! It got the job done without problems, although sometimes they can be tricky.

[@PubzyCOD]

Umm okay never been so confused

[@BareBonesCamera]

why confused?