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๐๐๐ง๐ฌ๐ฅ๐ข๐๐๐ฆ โถ It is more than music, it is an orchestra. It is more than an orchestra, it is a fellowship. It does not matter who you are, where you come from. In fact it does not matter where you will continue on your way. It does not matter how old you are, if you are working as an unskilled worker or a top manager. It does not matter if your instrument is worth a cheap meal or a new car. There are no status symbols, only genuine symbols, just as many as we are. Even if we are many, we are not just a loud crowd. We are not alike, but we are not different either. We all need to be there, to be someone together and you are exactly that person we can not miss.
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โข 400 musicians CITYROCK...
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โข 500 musicians - CITYRO...
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โข 400 musicians CITYROC...
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โข 150 musicians CITYROCK...
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โข 150 musicians concert ...
Billy Idol - Rebel Yell - Billy Idol / Steve Stevens
ยฉ Wb Music Corp., Chrysalis Music, Boneidol Music, BMG Rights Management (US), LLC, Warner Chappell, UACRR_CS, LatinAutorPerf, LatinAutor - Warner Chappell, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, MINT_BMG, ARESA, Abramus Digital, and PEDL
"Rebel Yell" is a song by English rock musician Billy Idol. The title track of his 1983 album of the same name, it was first released as the album's lead single on 24 October 1983. It charted outside the UK Top 40, but a re-issue of the single in 1985 reached No. 6. In the US, it peaked at No. 46. The song was named the 79th best hard rock song of all time by VH1 based on a public voting in 2009, although the song did not show up in a revised list from 2013.
At a televised performance of VH1 Storytellers, Idol said that he had attended an event where Mick Jagger, Keith Richards, and Ronnie Wood of The Rolling Stones were taking swigs from a bottle of "Rebel Yell" bourbon whiskey. He was not familiar with the brand, but he liked the name and decided to write the song. The song was co-written by guitarist Steve Stevens. The instrumental introduction, which sounds like a combination of electric guitar and electronic keyboard, is performed by Stevens on guitar alone, who intended it to sound this way. Stevens states that he was inspired by acoustic guitarist Leo Kottke's style. In 1984, music magazine Cash Box wrote that the song "combines the tough swagger and high-powered drive of 'White Wedding' with the decadent dance focus of 'Dancing With Myself.'"
๐ฅ๐ฒ๐ฏ๐ฒ๐น ๐ฌ๐ฒ๐น๐น ๐๐๐๐ฑ๐ถ๐ผ ๐ฎ๐น๐ฏ๐๐บ ๐ญ๐ต๐ด๐ฏ
"Rebel Yell" "Daytime Drama" "Eyes Without a Face" "Blue Highway" "Flesh for Fantasy" "Catch My Fall" "Crank Call" "(Do Not) Stand in the Shadows" "The Dead Next Door"
๐ฅ๐ฒ๐ฏ๐ฒ๐น ๐ฌ๐ฒ๐น๐น ๐น๐๐ฟ๐ถ๐ฐ๐
Last night a little dancer, she came dancing to my door
Last night, that little angel, she came pumping on my floor
She said, "Come on, baby, you got a license for love
And if it expires, I pray help from above"
Because
In the midnight hour she cried more, more, more, more
With a rebel yell she cried more, more, more
In the midnight hour, babe, more, more, more
With a rebel yell more, more, more
More, more, more!
She don't like slavery, she won't sit and beg
But when I'm tired and lonely, yeah, she gives me head
I said, "What set you free and brought you to me, babe?"
"What set you free? I need you here by me"
Because
In the midnight hour she cried more, more, more
With a rebel yell more, more, more, yow!
In the midnight hour, babe, more, more, more
With a rebel yell
More
I live in my own heaven
I collect it to go at the 7-11
Yes, I'm out all night to collect a fare
Just so long, just so long as it don't fuck up my hair
I walked the ward for you, babe
A thousand miles for you
Now who dried my tears of pain, babe?
A million times for you, for you
I'd sell my soul for you, babe
What's money to burn for you, for you
I'd give you all, and have none, babe
Justa, justa have you here by me
Because
In the midnight hour she cried more, more, more
With a rebel yell she cried more, more, more, yow!
In the midnight hour, babe, more, more, more
With a rebel yell more
More, more, more!
Ooh yeah, my little dancer
She want more
More, more, more, more
More, more, more, more
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