Holy! VDGG. Didn’t expect that! My dads all time favourite band that he passed on his love of to me. Seen VDGG a fair few times and Peter Hammill many over the years with him and we share great memories of Hammill’s music. It started as a bit of a joke because his voice and their musical style was grating, dissonant and overtly theatrical to me, but once it clicked, I got the bug. A truly unique talent and a gentlemen beyond the music. Nice to see you react and comment on these tracks!
@Olive-gd3wn2 ай бұрын
VDGG is one of the must in progrock!
@Raed9114 ай бұрын
The most avant-garde, progressive, yet melodic track I’ve ever encountered, and I’ve wrapped the discography of Crimson, Zappa, Floyd…etc. This track is so haunting, yet relaxing; at least to my ears.
@itsthatspicymeme2 ай бұрын
Man-Erg is one of my favourite songs of all time. I remember looking for if you had reacted to it beforehand and was a little saddened to find out you had not so I am glad to find this months later.
@dionisispilihos20665 ай бұрын
The most amazing thing about VDGG is that no-one can do a cover as many do with other rock bands. It is impossible to reproduct the original feeling. VDGG is something more than music!!
@Gizzlefitz6 ай бұрын
Man Erg is one of the greatest dramatic songs of all time. For any genre. The ending is epic.
@kevinmuzerMetalMind646 ай бұрын
VDGGI 👍 Sou do apes
@grahamnunn89986 ай бұрын
Pure genius and so influential on so many very different musicians.
@grayjohn63325 ай бұрын
and Childlike Faith in Childhood's End.
@robertochiang80575 ай бұрын
I've always loved the way Peter singing stile follows the lyrics meaning (instruments do it also) but this time he did it GREAT!!!
@ronjm9455 ай бұрын
The comparison to Genesis is well founded in my opinion. They were both label mates on Charisma Records and both were contemporaries. I believe that early Genesis was similar to Van der Graaf Generator. Peter Gabriel’s writing was along similar lines but the other members were not quite as experimental although equally as talented.
@shadowsandlight71255 ай бұрын
Thanks so much for featuring this album. I hadn’t heard it in decades. It’s more powerful than I remember.
@tenebr1sm6 ай бұрын
Godbluff is a MUST listen
@whig016 ай бұрын
World Record too.
@tenebr1sm6 ай бұрын
and Still Life :)
@olli59765 ай бұрын
Godbluff is one of the most intense music albums ever recorded.
@thewal1ofsleep5 ай бұрын
My favorite VDGG record.
@sspbrazil3 ай бұрын
Still Life is my favorite by them.
@TonyBailey-xf5tn6 ай бұрын
The best album I have ever heard by the best band I have ever heard. I have been listening to it regularly for over 50 years and it just blows me away every time. The original version just has Lemmings and Man-Erg on side one. Still Life next, please, Doug.
@Rowenband5 ай бұрын
Oh yes Still Life and Godbluff please.
@danward73065 ай бұрын
Crap please dont compare to genisis
@Rowenband5 ай бұрын
@@danward7306 What do you mean ? Who compared with Genesis. No comparison possible. These bands are too different. VDGG were much more experimental then Genesis ever was. Genesis has a sense of melodies that VDGG didn't. Why compare. These are two great bands. For my part I prefer VDGG because it touches me like no other band. That's not a reason for me to say they are better. I just wish you don't compare either. And don't say it's crap. It may be crap for you, and then what ?
@stephenvarty1915 ай бұрын
@Rowenband yes we are all different with different tastes. Personally I can't stand ELP or Genesis but I wouldn't call them crap. I just find them boring.
@Rowenband5 ай бұрын
@@stephenvarty191 That's exactly the point. Thanks for your message.
@pierpaolosciola2697Ай бұрын
Devils and angels, bad and good, Hell and Heaven, sweetness and anger, .. and all it is in between. This is VDDG. It's life! All merged in the same time.
@grahamkey849618 күн бұрын
Killers, Angels, Refugees...
@neiljones77156 ай бұрын
Hammill is a genius, so unique and gifted.. 🙏
@Anteaterman236 ай бұрын
Yes!!! More VdGG please! All of Godbluff is a masterpiece
@DX70366 ай бұрын
Peter wanted to be as a vocalist what Jimi Hendrix was as a guitar player. You should really explore more of VDGG's music and Peter's solo material because it is all too great to let it slip and this album is one of the best of all times imo. They're like the love-child of Genesis and King Crimson , pretty famous here in Italy in the 70's and funnily enough they started to get much more notorious even in their homeland thanks to the appreciation by italian audience. As a side-note it's funny you mentioned Bruce Dickinson because he (as a lot of other singers) was influenced by Peter and Bruce also cited this album as one of his favorites (John Lydon of The Sex Pistols also was a big fan). Underrated band for sure but one of the all-time greats.
@Chentinno6 ай бұрын
Doug, these kind of reviews are the main reason to follow you. I'm a big time VDGG fan, and this particular album is mind-blowing. P.S. Watching your review and waiting for the moment you pull out the 'herbal supplementation' 😅
@Rowenband5 ай бұрын
This band is the most amazing ever, IMHO, and with such meaningful lyrics. Hammill helped me through my hard times in life. He, maybe, saved me a few times.
@TheB3Nut2 ай бұрын
Look up Van Der Graaf Generator Live at the Paradiso, it's on YT. It's a tour de force, and their traversal of Peter Hammill's diabolically-poetic solo track "Gog" (originally on his "In Camera" solo record) from that date is absolutely spine-tingling and harrowing in a good way. Dark and brilliant art. The trio was firing on all cylinders the whole night...
@bongodroid6 ай бұрын
"Still Life" is also one of their greatest albums but perhaps 2% more radio-friendly.
@seghj6 ай бұрын
2% haha very good...."Still life" is my fave and it is indeed quite more normal than this one. Not as psychotic
@frankfriedlos37216 ай бұрын
Yup. "Pilgrims" is actually quite a cheerful, uplifting song. By PH's standards anyway.
@richardkarbowski52245 ай бұрын
Still Life is possibly my all time favorite album. But VdGG and PH solo have so many great albums, with basically no bad ones. I am an admitted fan boy of the highest order, just to be clear.
@neilparnell9673 ай бұрын
@@frankfriedlos3721My Room is quite pleasant also and shows that VdGG have a softer side - occasionally.
@realrael3550Ай бұрын
Searching for diamonds in the sulphur mine Leaning on props that are rotten Hoping for anything, looking for a sign That I am not forgotten;
@raymondhill24415 ай бұрын
When you get 4 musicians together with so much talent,there's only one outcome
@richard_wenner3 ай бұрын
What a wonderful life you must lead to spend so much time before turning this record over and playing this side (given your response to 'Lighthouse Keeper'). Great to watch your response as usual.
@pigonthewind79085 ай бұрын
I really hope to see more Van Der Graaf
@nonamateur4 ай бұрын
one of my favorite albums of all time. thank you!
@deancarter92106 ай бұрын
'Man-Erg': the most moving hymn to our divided human nature I know of.
@neilparnell57125 ай бұрын
Nice to see that VdGG is still relevant today. Man-Erg is a true monolith of the prog world. At time I prefer it to APOLHK but it is a very close call. What a truly monumental album this was, and hymn is such a great description as Hugh Bantons organ in a lot of places is definitely very uplifting.
@karllux-d6g2 ай бұрын
Hugh Banton, Guy Evans, David Jackson, Peter Hammill. Wow!
@grahamnunn89986 ай бұрын
That wonderful version of Theme One was used as the closing theme to Tommy Vance's Friday Rock Show. This was essential listening on a Friday night to us UK rock fans.
@lemming99845 ай бұрын
I'd listen to Vance occasionally, but it was a little too much hard rock for me! I really liked Alan Freeman who introduced me to Genesis, VdGG, ELP and many others (early/mid 70s).
@countzero11365 ай бұрын
Right on! - TV on the radio - Good times. John Peel too - We miss them both
@Rhialto-the-Marvellous5 ай бұрын
Theme One was composed by George Martin and he went on record stating that he despised VDGG's version - personally, it is sublime!
@lemming99845 ай бұрын
@@Rhialto-the-Marvellous I read somewhere many years ago that Martin actually approved of VdGG's cover!
@ditmavic29 күн бұрын
I always wondered where this tune came from! I use to tape the show on cassette, plus on occasion the Saturday rock show with Alan (fluff) Freeman. Still have loads of them left, I'll have to dig them out and have a listen!
@silentgnome6 ай бұрын
One of the best albums ever made.
@wendellwiggins37765 ай бұрын
GREAT! Never heard the story about the title. LOL! Loved your analysis! Surprised that I missed this Reaction until now! Pawn Hearts is my ultimate VDDG. For 1971, it is truly an amazing feat. I'd say that they were already above the curve even then and why this was not going to reach huge popular success. I didn't hear it until I was ready at 17 in 1973 to appreciate it. This album is dense & takes you into some very surprisingly strange and mysteriously dark & melodic places seamlessly & brilliantly. Hammil is incredible vocalist
@ianp90865 ай бұрын
Some of the more challenging prog but I always loved the organ and sax combination and on Godbluff they really rock with that.
@JoanneTelling16 ай бұрын
Try 'A louse is not a home' from PH's solo album 'The silent corner and the empty stage.' My favourite song of his.
@KB.9686 ай бұрын
That is a great song! One of my favorites from PH's solo albuns.
@David-c3s4q6 ай бұрын
This album was huge in Italy apparently. I've no idea what that says about the band or about Italy, but it's pretty cool.
@samuelecallegari61175 ай бұрын
I'm Italian and I don't know either. Now music tastes here are flattened to the American ones but at the time prog rock was big here.
@eximusic5 ай бұрын
Van Der Graaf was one of the last prog bands I was introduced to in my teens. The instrumentation, heavy on keyboards and woodwinds, is unique for the genre and time. And Peter Hammill's unique songwriting comes through in both the Van Der Graaf work and his solo work. Intense and not relaxing music, but rewarding.
@robertochiang80575 ай бұрын
VDGG sound was built around two keyboards, sax and drums (no guitars or bass), that was an unique sound on rock.
@eximusic5 ай бұрын
@@robertochiang8057 well there was actually guitar, and guitar on Pawn Hearts. Hammill played keys and guitar. AND . . . Robert Fripp on Pawn Hearts!!
@robertochiang80575 ай бұрын
@@eximusic oh, yes, and there was some bass also (by Hugh). What I mean is those weren`t central to the way they build the group sound (thinking of rock sound as guitar and bass based)
@kenl20916 ай бұрын
Though I'm subscribed, I don't watch too many Daily Dougs unless I'm particularly interested in the tracks being played. This was a must. On some days Pawn Hearts is my favourite album and W is a VdGG track that usually slips through the cracks as it wasn't on the original LP. All four of these are magnificent. I usually consider Man-Erg to be in 11/8 though 5 and 6 works just as well, I suppose. One of the interesting things about W is the play with the phrasing of the vocals - almost like Frank Sinatra used to do (a quick Google tells me this is called rubato) so there's my headline - Peter Hammill, the Frank Sinatra of Prog.
@robfractal68206 ай бұрын
VdGG the greatest original prog rock band who didn't have to be guitar (hero) based which is why many people didnt appreciate their music. Thanks Doug!
@soggytom6 ай бұрын
The parallels to Genesis are real- Pawn Hearts, The Least We can Do and H to He were produced by John Anthony, who also produced Genesis' Trespass, Nursery Cryme and Foxtrot. He also did a couple of Peter Hammill solo albums. You mentioned Paul Whitehead- he also did the covers for all the albums mentioned by both bands (except The Least We Can Do). And of course, both bands were on the Charisma Records label.
@thomasott61845 ай бұрын
i appreciate that you compare VdGG to Genesis. I am a great fan of early Genesis, too. But when it comes to the real thing, i have to say that VdGG is, by far, the deeper thing, in every aspect. Both Peters are vocalists beyond everything, but the real difference lies in the fact that all VdGG musicians are "beyond everything", which does not apply to Genesis. Of course, Genesis were much more able to be "acceptable" to i wider audience, which VdGG did not want and did never achieve. The simple fact ist, that VdGG existed in a musical sphere that no one beside them dared to approach.
@soggytom5 ай бұрын
@@thomasott6184 I wasn't, and haven't compared the music at all. I love them both, for very different reasons; some of which you just pointed out. I was just informing Doug (and hopefully others) of some of the surprising parallels between the two groups, but none musically.
@soggytom5 ай бұрын
@@thomasott6184 Another non-musical parallel- both groups got their starts with their main members still in school. A quick first album for both, disbanding, then re-forming with a different label and different music.
@neilparnell57125 ай бұрын
@@soggytom And they toured together as part of the Charisma label ''Six bob tour'' along with Lindisfarne.
@soggytom5 ай бұрын
@@neilparnell5712 I'd pay six bob for that.
@giuliogrifi77396 ай бұрын
This band deserves much, much more airplay by the army of reactors !.
@hilmarkoerner26036 ай бұрын
Thank you for the reminder about this beautifully complex music. Now going back into my library to listen to more.
@DavidImiri5 ай бұрын
Glad you liked this Doug - more VDGG please! I would go next to the Still Life album, if you have to cherry-pick, the track Childlike Waiting for Childhood's End. Pawn Hearts is the peak of their fantastic early period, and many consider it their crowning achievement, but others (like myself) find their middle period at least as good, maybe better, certainly more refined and mature. But it's like comparing Supper's Ready and The Lamb for Genesis - hard to pick really. Masterpieces all, anything off Godbluff is greatness as well, or The Quiet Zone/The Pleasure Dome. Or Hammill's solo album The Silent Corner of the Empty Stage. Magnificent music, I think you'll love it.
@peterfhere94615 ай бұрын
Theme One was written by the Beatle's producer, George Martin. The original (but not this version) was played on the BBC Radio One radio station immediately before the station was lauched in the UK.....
@giuliogrifi77396 ай бұрын
Listening to records like this thru a good stereo system from the '70s was (and is)...pure joy...compact discs, digital platforms, etc... just can't compete !!!.
@stevestevens11546 ай бұрын
This album is right up there with Genesis Foxtrot.
@neilparnell57125 ай бұрын
Thank you for saying that, it is also my opinion that Foxtrot and Pawn hearts are 2 of the best prog albums ever, no matter how different they are.
@Olive-gd3wn2 ай бұрын
@@neilparnell5712They contains both the 2 biggest prog pieces.Supper's ready and A plague of lighthouse keepers.
@MoviesNStuff6 ай бұрын
VDGG is perhaps my favorite band (and Hammill's solo work) Albums like Godbluff, Still Life, The Silent Corner and the Empty Stage, In Camera, A Black Box (or at least the Flight Suite) etc.
@kj18596 ай бұрын
All of them... XDDDD
@bobfoale30006 ай бұрын
W is a pun (double-you). Similar to Man-Erg and Mirror Image (from the live album Vital and also one of Hammill’s later solo album), split personalities is a recurring theme in Peter Hammill’s songs
@Mr.MsSoundFactory-k6m6 ай бұрын
Yes sir you got it ..... Peter is the greatest!!!! (double you) always split.
@grahamnunn89986 ай бұрын
Listen to Vital today, boy that is intense!
@bobfoale30006 ай бұрын
@@grahamnunn8998 I was there at the Marquee for the 2nd of the concerts that make up that album.
@grahamnunn89986 ай бұрын
@@bobfoale3000 and lived to tell the tail! I understand the Ham is a really lovely guy which highlights what an amazing performer he is.
@jakelm4256Күн бұрын
@@Mr.MsSoundFactory-k6m Peter is one of the best lyricists not just in prog history, but rock history. But it’s despite this particular song. The double-you pun is a groaningly silly and bad.
@vman3656 ай бұрын
If you enjoyed listening to this album, try the previous album 1970's "H to He, Who Am The Only One" At least side 1 of the album. It took me a long while to actually appreciate this band's sound and Peter Hammill's vocals but once it clicked, I was hooked. Thanks again for your assessment of Pawn Hearts (side 1). Great job and much appreciated!
@acarbonbasedlifeform706 ай бұрын
Amazing! Actually one of my top 5 70's records (along with Red, Lizard, Wish You Were Here & Dark Side of the Moon). Peter Hammill is my second favourite musician after Robert Fripp. I'm immensely happy that you are listening to this Doug!
@HerbalistGuybrush5 ай бұрын
We might be the same guy.
@Chamomileable6 ай бұрын
The inversion between "What cause is there left but to die?" and the individualist "What choice is there left but to live?" has always stuck out to me on this album. We're all so easily driven to wanting to call it quits but we're the most capable things on the planet of change when we realize that if we continue on we aren't damned to hatred and failure.
@neilparnell57125 ай бұрын
God- - all these marvellous comments still coming so recently about a 1971 album is amazing. You are so right about the sentiment in the lyrics, it is just so sad that the masses are incapable of the change of heart exhibited in Peters masterpiece. The Lemmings will either change or be doomed to their fate.
@stephenvarty1916 ай бұрын
My favourite album by my favourite band.
@HerbalistGuybrush5 ай бұрын
I walked the pacific crest trail in 2017 - the highest snowyear of history- and was so much alone in the snows of northern california always listening to godbluff and pawn hearts. It became a kind of spirtual retreat for me to listen to the album. I listened to it 100 times or more and it always stays interesting.
@paulwaide6201Ай бұрын
What a great experience that must have been!
@markphelps756 ай бұрын
Peter Hamill is another unsung genius, like Tim Smith of Cardiacs.
@leproghead6 ай бұрын
Love Cardiacs.
@neilparnell57125 ай бұрын
Very true and the similarity is apparent to me in their obtuse lyrical styles and completely original musical footprints. I doubt they ever met, but I wish they had. RIP Tim.
@jstock23176 ай бұрын
Exploring the space is what VDGG does best! such range and always great instrumentation and vocals! VDGG and Hammill as "solo" together have like 20 great albums! very very very good! like Yes good!
@webkahmik6 ай бұрын
I'll bite: Least We Can Do, H to He, Pawn Hearts, Still Life, Quiet Zone, Vital, Trisector, Do Not Disturb, Fool's Mate, Chameleon, Silent Corner, In Camera, Nadir, Future Now, Ph7, Black Box, Sitting Targets, Patience, Fireships, Thin Air. That's 20, though it could easily be 40 in my admittedly prejudiced opinion.
@jstock23176 ай бұрын
@@webkahmik it's a good top 20 list! 😆
@patvanderreest74166 ай бұрын
What a treat! I know some people don't like his voice, but frankly, as a price of admission to experience Pawn Hearts again, I'll gladly pay. One of the archetypical prog bands, for sure.
@grahamnunn89986 ай бұрын
I love Peter Hammil but some days I am not ready and his voice scares the cr@p out of me! 😅
@halmycroft1946 ай бұрын
Another track worth doing but it's a deep cut is the version of Squid/Octopus recorded live in the studio for the Pawn Hearts sessions... it's a jam of two tracks from very early on smooshed together. It's also 16 (approx) minutes of the best music ever put to tape.
@bobfoale30006 ай бұрын
Before the release of the first VDGG album (The Least We Can Do Is Wave To Each Other), David Bowie was singing in a style similar to Anthony Newley. Hearing Peter Hammill encouraged him to expand his singing style
@petermalik25366 ай бұрын
Ahem, that was their second album...
@bobfoale30006 ай бұрын
@@petermalik2536 First album! Aerosol Grey Machine was recorded first, but released in America after The Least We Can Do. It wasn’t released in Europe until 1974 and not in the UK (where David Bowie was living) until the 1990’s. (It was also recorded as a Peter Hammill solo album - it was Mercury Records decision to release it as VdGG - one reason they didn’t release it in the UK)
@paulwaide6201Ай бұрын
Something awry there because it was recorded in 68 and I have a copy that my brother bought in the UK circa 1973
@bobfoale3000Ай бұрын
@@paulwaide6201yes, recorded in 1968 (as a Peter Hammill solo album) to release him from the contract he signed with Mercury. It was released in USA only (as VDGG) in 1969 - although I always understood it was released after Least We Could Do (1970). The European release was 1974 but doesn't appear to have been released in the UK (according to Discogs) until 1997 on Peter Hammill's Fie! Label. That's not to say that export copies were not available in the UK prior to that.
@korbal616 ай бұрын
Many thanks Doug. You made my day with this reaction.
@soggytom6 ай бұрын
That's cute, Doug, you starting a sentence with "Normally..." when discussing VdGG. I got a good chuckle from that.
@soggytom6 ай бұрын
They did have songs that leaned toward 'normal'. "Lemmings" is not one, however.
@mauriciorosas81704 ай бұрын
VDGG is The Best there is in All Of Creation....And So It Is......
@relativetimeworx84595 ай бұрын
"You know, I've listened to bands whose music strikes me as immediately commercial..." - checking my Bingo card and I did not have that one as one of the possible first sentences from Doug after listening to this album...!
@enricopaoli11835 ай бұрын
Man Erg is one of my fave VDGG songs, along with Childlike Faith in Childhood's End.
@spidersfan1004 ай бұрын
Thank you for this, Doug. One of my late Father's bands, grew up with this. Thank you, God bless.
@electricwizard30006 ай бұрын
Congrats for finding this. It's good music. *Also: Definitely in the Genesis wheelhouse, maybe even more proggy, but on a Hawkwind budget. P.S. You might also enjoy some interesting krautrock, and freak folk/psych stuff like Gong.
@whig016 ай бұрын
He will need to hear the Gong trilogy at some point.
@nbnewman6 ай бұрын
Back to my youth ... I remember when this came out and we listened agog to it. "Man Erg" is possibly the most concise statement VdGG ever made, from the 'normalcy' of the opening chords onto the way out 11/8 section. I don't want to repeat anything that anyone else has written so I'll write a few words about 'Theme One', again purchased as a single with the weird and wonderful W on the other side. Several years ago I found (presumably on KZbin) the original George Martin version of his tune. I was quite surprised to discover that VdGG didn't add that much; the drums and bass are ropey on the original, but massed trumpets play the tune and are quite majestic. Banton/Jackson/Evans turned the orchestral sound into rock.
@chris-j5f1s5 ай бұрын
The first album by VDGG I ever heard, back in '71. Totally blew me away. The highlight for me is Man-Erg, which is literally my favorite song of all time.
@Tommy-he7dx6 ай бұрын
Can't wait till you discover "Egg - Symphony No.2" off their self titled first album :)
@acarbonbasedlifeform705 ай бұрын
Great recommendation!
@jelk11885 ай бұрын
Nothing like them before or since. Let’s hope their uncompromising expression lives on and is listened to for decades to come.
@neilparnell57125 ай бұрын
We still speak of them 50 odd years later and I'm sure the enigma will still persist for many years after our passing.
@Nikioko6 ай бұрын
VDGG is one of my favourite Prog bands. And Pawn Hearts with the epic A Plague of Lighthouse Keeper is one of their best albums (Godbluff is my favourite).
@Chewyy6 ай бұрын
I was waiting for this, awesome
@painless4655 ай бұрын
I heard John Lydon( Johnny Rotten) based his singing style on Peter Hammill. He was a big fan of VDGG
@halmycroft1946 ай бұрын
An 11/4 metre when speaking about seeking balance but struggling with it is also really compelling: do you fall on the side of the 5 or the 6? It's the tension of the song. Also, as a minor reference: Refugees was the title of a track off the first VdGG album. About how much Peter Hamill missed his uni friends Susie (Susan Penhalgion, later to he an actor of minor UK fame) and Mike (not sure of him and his eventual direction but a cellist).
@halmycroft1946 ай бұрын
(First *proper* VdGG album. Aerosol Grey Machine probably shouldn't count)
@bobfoale30006 ай бұрын
@@halmycroft194 Aerosol Grey Machine was given to Mercury Records as a Peter Hammill solo album (although all the, then, members of VDGG appear on it), to release the band from a contract Peter had signed that the rest of the band disagreed with. Mercury released it, in America only, after The Least We Can Do and credited as a VDGG album. Its first European release wasn’t until 1974. According to Discogs the first UK release wasn’t until 1997 (on Peter’s Fie! label), but I’m sure I can remember seeing it in UK record shops before this (but that could have been imports in 2nd hand record stores)
@nbnewman6 ай бұрын
Mike McLean
@MrCuddlyable5 ай бұрын
I believe you meant Susan PENHALIGON who appeared in the soap opera Emmerdale as Jean Hope in 2006, and her film appearances include Under Milk Wood (1972); No Sex Please, We're British (1973); The Land That Time Forgot (1974); The Uncanny (1977); Paul Verhoeven's Soldier of Orange (1977) and as Lucy Westenra in Count Dracula (1977). A very pretty lady who in her time was dubbed "The British Bardot".
@guidosarducci2095 ай бұрын
The middle sounds a little like the extended middle of Moon Child on The Court of the Crimson King. I bet that is one of the songs Fripp is on.
@johndrx1655 ай бұрын
My cousin had this album back in the early 70's. I had to get it when I saw it later. Very strange, but super cool. I still have my album in perfect shape. There is a video of them playing some of this live. Amazing!
@Eduardo-Ferreira19826 ай бұрын
Hey, Doug, maybe you would like to know that Hugh Banton recorded his interpretation of the Brandenburg Concertos. (released on Fie, as well. Peter's label.)
@marcoborroni21673 ай бұрын
A humble suggestion from Italy (don't know if someone else already mentioned it...): maybe "W" must be intended as "double you", being this "doubleness" of human beings' nature the theme of the entire song (indeed, a major motive in the whole Peter Hammill's lyrics, especially in those times: as for example in "Man-Erg"). Anyway, many thx for your work Doug! Marco from Italy 😊
@markdrechsler56606 ай бұрын
I prefer this side, to side two. I dig the saxophones.
@raymondhartmeijer93006 ай бұрын
29:17 "But stalking in my cloisters hang the acolytes of gloom" That reaction haha
@jimbrentar6 ай бұрын
some inhalable refreshments go well with this
@lemming99845 ай бұрын
Originally, before the CD re-issues, side one was just Lemmings and Man Erg. 'W' was the b-side of the Theme One single. The version you played was the 'first version' from the box set - different recording from the single version. (trainspotter, moi?)
@robertochiang80575 ай бұрын
Remember L.P.s could only include about 20 min each side.
@1183newman5 ай бұрын
Fantastic reaction of a brilliant band, now you have to do their other great album 'Still Life' in the future. 'H(Hydrogen) To HE(Helium) Who Am The Only One' is also fantastic.
@mescalineformule46 ай бұрын
We need more Magma review ! Please !
@Gizzlefitz6 ай бұрын
This was a trip in 1974. I first heard it on LSD and was mesmerized. Still is a trip, through flashbacks.
@mcwulf256 ай бұрын
Yes, the same thinking that went into early 70s Genesis compositions. But rawer and perhaps more jazz. Fish of Marillion fame apparently modelled his voice on Hammil's.
@MrCuddlyable5 ай бұрын
I was with the earliest incarnation of the Van Der Graaf Generator when we began as students in Manchester, UK. The closest they came to popular accessibility was their album "The Least We Can Do is Wave to Each Other" that I recommend you listen to. Congratulations on your research into "Theme One" ! This was indeed composed by George Martin who also composed the double string quartet on "Eleanor Rigby" and the piccolo trumpet solo on "Penny Lane", which led him to be considered a candidate as "the Fifth Beatle". I think you can hear how enthusiastic the VDG were about "Theme One" - they played their version exuberantly on stage and there were some tensions about their recording it viz the copyright issue while BBC used it as a trademark for their new "Radio 1" and "Radio 2" channels, and that it has no vocal involvement by Peter Hamill without whom the VDG wouldn't exist.
@n-Chantreuse6 ай бұрын
Heard a snippet of this at Headstones in Terre Haute. Came back to buy it later. He said it would, "Kick my ass around the room a few times."
@n-Chantreuse6 ай бұрын
The part that I heard was Man-erg, and anything in 11/8 is going to get my attention
@jamescpotter5 ай бұрын
For some peculiar reason, I regard Pawn Hearts as one of the best "prog" albums. This album is definitely dark yet it weirdly uplifts. Pete Hammil is progs best vocalist bar none! DOUG! If you want to hear something from 1975 that is Prog POP, listen to Kayak and Royal Bed Bouncer, especially two songs back-to-back: Bury the World and Chance of A Lifetime. These guys (from Holland) were really good! Thanks for the VDGG!
@Mark_Williams3003 ай бұрын
Hard to dance to is the best under statement I've heard all year
@ansfridaeyowulfsdottir80956 ай бұрын
19:33 That was the theme tune of Alan Freeman's _"Saturday Rock Show"_ in the early '70s. _"Not 'Arf!"_ I used to listen religiously when my parents and sisters were out shopping, hoping to hear Led Zeppelin, Yes and so on. I was too young to buy albums in those days! {:o:O:}
@lemming99842 ай бұрын
Fluff is the reason I fell in love with Prog. First heard Crimson, VdGG, Genesis ELP, Gentle Giant etc on his Saturday show. I can't remember Theme 1 on his show, but Mountain's Nantucket Sleighride jingle still gives me shivers when I hear it!
@yes_head6 ай бұрын
More from VdGG, please.
@pauldover1403Ай бұрын
Hi Doug, I'm surprised to see how little of VDGG's music you've reacted to. I know that there is an almost limitless number of great bands for you to consider but this band is exceptional in all of their different phases right through to the present. Having said that I was pleased as ever to hear your thoughts on this side of the album. I have to admit that I am an ignoramus where the technical side of music is concerned but I do always enjoy your explanations. I'd just like to make two further comments, firstly, that strange, rhythmic section of Man-Erg, which always makes me think of a steam engine or steam locomotive slowing down and speeding up, I don't know whether it has this effect on anyone else. Secondly, the first VDGG recording I ever bought was that Theme One/W single which always intrigued me.
@gregvanblair9096Ай бұрын
In the VDGG discography I always loved Still Life. (Though for live lp "Vital" was always a top contender of my favorites, along with Gentle Giant's Playing the Fool and Camel's A Live Record)
@darijogalic-mt9yq6 ай бұрын
bruce dickinson said that was his first lp that he bought
@arqoo19076 ай бұрын
If you like this as an alternative take on prog rock, you should try listening to music by an italian prog band called PFM (or Premiata Forneria Marconi) of which my personal favourite album is Jet Lag, from 1977
@neilparnell57125 ай бұрын
Brilliant band. Photos of Ghosts and The world became the World are incredible.
@marcoortolani42856 ай бұрын
thanks Prof. Helvering, I'm not a musician but know music theory as well. marco
@coolusername5886 ай бұрын
Legendary album.
@grantwilliams26506 ай бұрын
Awesome video! I’d love to hear your takes on the album that came right before this one: H to He, Who Am I The Only One in the future, it’s basically on the same level as Pawn Hearts, especially song 3 and side B
@thomasmcd58626 ай бұрын
For more VDGG check out Still Life and Godbluff!
@kevinmcdowell92933 ай бұрын
Love this album. Try listening to "Lost" from H to He. Another song that is full of emotion.
@mintyfresh49876 ай бұрын
As soon as "Theme One" started, I was struck by how much it sounded like something from Zappa's "Hot Rats" lol...!
@kevinallen4743Ай бұрын
Damn US & Canada get a bonus track! Hopefully you liked this enough to seek out 'Still Life' & 'H to He'? This and they are my holy trinity of VdGG albums with so much great work.
@halmycroft1946 ай бұрын
Oh hells yes this was very much my favourite album as a young music nerd and continues to be so as an older music nerd.
@mrddcass65405 ай бұрын
Top prog album for me. Their next one Godbluff is worth a listen too, more straightforward.
@pedrozappa6 ай бұрын
Peter is the real poet of prog rock. What an artist.
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@mcwulf256 ай бұрын
Saw the band a couple of years ago. No sax but still a great performance by the 3 of them. They included Lemmings in their set.
@SteveJ09666 ай бұрын
Theme One wasn't on the original UK vinyl (as you note, now I got to your commentary), but was on the US pressing, which was a swine to get hold of. It was used as the theme to a BBC radio show that got a lot of young rockers on the right path back in the day, the Friday Rock Show. It was kind of to rock and metal what John Peel's show was to alternative music. Just listen to Guy Evans' percussion there, wow. Had the pleasure of seeing him and Peter Hammill in concert together at the Queen Elizabeth Hall in London in the early Eighties. Outstanding. You might be interested in a "trilogy" of albums masterminded by Robert Fripp, featuring collaborations between himself, Peter Hammill, Peter Gabriel and Daryl Hall, namely Fripp's debut solo album, "Exposure", Peter Gabriel II (aka "Scratch") and Daryl Hall's "Sacred Songs". See the Wikipedia entry for Exposure for more detail than I have space to go into here. P.S. Darn it Doug, I was about to go to bed then I saw you'd released this and I couldn't not watch. Always fun seeing musicians' brains fracture and reform as they get their heads round the time signatures at play on VdGG albums. Have a good one man,