Please do a whole series of “badly explained” tutorials. Reminds me of the “for Dummies” book series (which I find helpful).
@billpeet19762 жыл бұрын
I absolutely love this video, precisely *because* you approach it from an artist perspective, not so much a technical one. Makes soooo much more sense to my left-side brain. Compression can be a weird concept to wrap one's head around, and your explanation 'clicked' much better for me. Now I feel better prepared to go to the other channels to learn more.
@AnneKathrinDernComposer2 жыл бұрын
I'm glad this is helpful! I definitely tried to give the explanations a different spin than the more technical channels since as composers we approach things from a writing / musical perspective. I only see these things as tools that are part of my writing and orchestration / instrumentation to get the overall sound I want.
@paulstatezny41852 жыл бұрын
@@AnneKathrinDernComposer Bill is 100% right, you over-emphasized your lack of expertise. This was super helpful. 👍 Thanks!
@sykromsmile63032 жыл бұрын
Thanks so much for your kind support and wonderful reviews..
@joshsalinas2062 жыл бұрын
“Sir, what’s your name?!” 🤣🤣 Lovin’ it!
@percussiveseer4152 жыл бұрын
Who else got really confused looking at their Discord at 6m58? Joking appart, it was a well-explained overview, and it came at a perfect timing, so thank you! Also thank you for the other ressources, when I get good with what you explained over here I'll know where to head next for mixing stuff! (not going anywhere for composition stuff though!)
@vigilant5452 жыл бұрын
Great job! We need more "badly explained" examples just because it's tied to musicality, which other people miss and only scratch the surface with technical insight.
@daveknight79572 жыл бұрын
Excellent presentation!!!! Very clear. Compression can be tricky. Very helpful.
@AnneKathrinDernComposer2 жыл бұрын
Thank you, glad to hear that!
@Evangelionism2 жыл бұрын
The lesson and demonstration I most appreciate here is the A-B comparison between uncompressed and very compressed audio. I want to integrate parallel compression into my own work! Thank you so much, Anne-Kathrin! ⚘🙇🏽♀️
@MBynum2 жыл бұрын
One of the most straightforward explanations on compression that I've seen so far. I always read on forums on the argument of whether to use compression on orchestral strings to preserve the dynamics that comes from their sound. Outside of percussion do you prefer to compress by individual instrument tracks or on a group bus? Hope to see you do more videos like this. Reverb would be since as I'm trying just starting to try out two reverbs on songs.
@jonasherzog48052 жыл бұрын
Dankeee! Mega gut erklärt und vor allem auch verständlich! Mach bitte weiter so, freu mich schon auf das EQ Video🙏🏻
@Anduril4512 жыл бұрын
You're absolutely right. In the mix is really excellent at his thing, as you are in your domain. Why isn't all KZbin like this?!
@charlesyateschalfant2 жыл бұрын
There's no other way to describe you...... You're just the best. Love all your videos.
@velvetsound2 жыл бұрын
Loved the opening sequence too. 😀 Fun video, thanks.
@hisroyalness22 жыл бұрын
WELL, YOU SEE, YOU DO INDEED KNOW WHAT THE VIEWERS ARE LOOKING FOR, BECAUSE you are doing it so beautifully as it's YOUR PERSPECTIVE from which you come as a composer that looks for a FINAL product that is PERFECT, and therefore must have these elements enacted to YOUR specifications, and NOT just from an audio guy perspective. YOU have an ARTISTIC element to not only create, which is much more than just a mix-dude, AS YOU are the one that looks for the total package of ARTISTRY that absolutely must come through as YOU see it. ~ I LOVE YOUR COMPREHENSIVE STYLE OF DELIVERING THE MESSAGE, as again it's' from a perspective or YOUR ARTISTIC and CREATIVE ability and talent, far more than an engineer might posses. WE FANS and me for sure, love your own teaching style and superb information that is unique to your amazing work in all of your projects. TOTALLY EXCELLENT ON ALL FRONTS. KEEP DOING IT ALL JUST AS YOU HAVE. IT'S AMAZING just to have YOUR information placed on KZbin and for you to take the time and concern to give-back to the "out-there" audio people or composers, end others in the areas of your industry. In other words, THANKS for doing what you do, in just the way you do it.
@situtv2 жыл бұрын
Now I understand the ratio in compression. Appreciate your explanation.
@AnneKathrinDernComposer2 жыл бұрын
Happy to help!
@nappashow2 жыл бұрын
I was cracking up... love the sense of humor. Everything was super approachable too. Thank you.
@dsanj47452 жыл бұрын
It's nice to see a tutorial from someone doing film score / cinematic work. There are scores (pun intended) of videos out there that seem tailored for the techno / rock / EDM crowd and, while I have no problem with those, it's refreshing to see and hear things from a different perspective. I understand that the principles of mixing (eq, compression, limiting etc.) are applied the same way (and for the same reasons) across genres. Not hearing the same damned drum loop for 18 mins certainly has its perks! Great content!
@adrianodagenova69352 жыл бұрын
How about a video on cycling to the seaside in the morning! (Love your work anyhows)
@fabiofanelli60302 жыл бұрын
I am from Italy and learning piano (try to learn...) I must say that you too have a good way explain your topics. I understand each word and concept you say. You are great!
@harrisfrankou23682 жыл бұрын
Gregory Scott has some amazing videos on compression. Good channel. Great channel here. I like the Kush AR for slow fat compression. But they are all great. In the mix is good. Dan Worrel too. Good recommendations know them all.
@ToroneMusic2 жыл бұрын
Thank you for this (not) badly (at all) explained overview of compression. That's a very good introduction to those technics. I definitely check In The Mix channel.
@AnneKathrinDernComposer2 жыл бұрын
Glad you liked it!
@nitroanilinmusic2 жыл бұрын
To add to the recommendations, Dan Worrall is a fantastic source of mixing information (and his tutorials on the FabFilter channel too)
@AnneKathrinDernComposer2 жыл бұрын
Yes! I love Dan's videos as well! :-)
@rgallitan2 жыл бұрын
Half the time Dan's content is way over my head, but I watch anyway for his soothing delivery, hoping I'll absorb at least some knowledge by osmosis. And his "I won the loudness war" vid is amazing.
@nitroanilinmusic2 жыл бұрын
@@rgallitan I feel his videos on FabFilter cater more to beginners.
@jeroenfigee2 жыл бұрын
FabDupont should be on this list (fabulous Fab) His channel is : Puremix.
@djfull44422 жыл бұрын
@@rgallitan Dan's content stops to be over your head if you connect some dots before. Best to watch in this order: In The Mix (Beginner) > Mixbus (Intermediate) > Dan (Advanced)
@kilohertzmusic20212 жыл бұрын
Best. Tutorial. Ever! Thank you
@JohannesRiedlMusic2 жыл бұрын
This is a fantastic explanation. Straight forward and on point. Also the track(s) you are shared sounded very awesome. I do some mixing regularly and when I started out, finding the right compressor and/or the right compression, was a nightmare. Your demonstration makes it very easy to understand. Also the fact you talked about Multiband and Sidechain Compression makes it even more worth watching. And I think everything above that knowledge you shared, like the difference between Opto vs. FET vs. VCA vs. Tube Compressor, is nice to know but not mandatory to get the job done (like you would say it 😜). At least not if you are mainly a composer. But to know how and when to use a compressor can be very helpful and for that, this is a fantastic video. Very well done.
@joegrint62802 жыл бұрын
Love the graph - I think I finally understand compression!
@AnneKathrinDernComposer2 жыл бұрын
Glad to hear that!
@Pax300012 жыл бұрын
Awesome! It was helpful! Especially the section were you explained side chaining. Keep up the great work!
@AnneKathrinDernComposer2 жыл бұрын
Glad to hear that! Thanks for watching!
@Pax300012 жыл бұрын
@@AnneKathrinDernComposer You're welcome!
@samstengler46382 жыл бұрын
Thank you, very good tutorial. People ask me about this kind of thing enough that I'm glad you put together the very high level, basic summary of dynamic compression. I will use my own rendering of your graph the next time I need to clue someone in. As a bonus, I've now found another KZbinr I can watch - Michael Wynne at In the Mix...
@tanukibrahma2 жыл бұрын
Maybe the best overview of compression I've seen. Enjoy the coffee!
@AnneKathrinDernComposer2 жыл бұрын
That's good to hear! Thank you!
@jofamusic2 жыл бұрын
Posso dire che la tua umiltà nell'esporre i concetti dell'aqrogomento trattato, in questo caso l'uso della compressione, mettono in primo piano la tua grande professionalità, Sei brava, complimenti.
@anatomicallymodernhuman51752 жыл бұрын
This is super helpful! I'm a recording engineer with a little media composing experience. I've used parallel and sidechain compression on many pop and rock tracks but never thought to use them in orchestral. I guess I assumed it wasn't legit. Thanks for waking me up. Now, was your explanation of compression technically correct in every detail? No. But it gets the idea across just fine for musical purposes. Good job.
@TonyThomas100002 жыл бұрын
Really good overview. Parallel compression was part of the old Dolby A noise reduction system and the technique was used my NY engineers for mixing and mastering. That is why it is often called "NY Compression".
@bartnettle2 жыл бұрын
Before the video starts I thought I'd give my definition of compression. " A compressor is a "voltage turn it downer". You can determine when it begins to turn it down (threshold) and when it resumes from turning it down(release), even how quickly it does it's "turn it down" (attack) and by how much it turns it down (ratio) so you can push more voltage into it to be turned down and then make up for gain lost from turning it down."
@petermcateer13542 жыл бұрын
This was compression for musicians, and not compression for technicians. In my opinion this was not 'badly explained'. Well done, and thanks!
@DallasCrane2 жыл бұрын
Wow! That parallel compression trick is so cool! I need to figure out how to get this built into a template.
@johanneschristopherstahle3395 Жыл бұрын
Great video. Only advice I miss is to try out different compressors. Even plug-ins do sound different from one another and it's worth just trying them out. Sometimes you find one that you just feel much more comfortable with than other plug-ins. I think often people complain about not understanding compression, but maybe they just used the wrong tools. For some people it might be great to be able to change every detail and manually set attack and release times, the knee and so forth. Others might be much happier with a simpler design and still be able to get great results. Of course, if you want to use a compressor to shape the transients, you will need to understand what attack times do and it might help to know before hand how different types of compressors (FET, opto,...) do respond to the signal. But most of the time that's not necessary.
@rgallitan2 жыл бұрын
As I've said before Anne, you are quietly one of the funniest creators on KZbin. That whiteboard section had me in stitches (the music!) 😂😂😂 Quick question on parallel compression: at what point are you sending out the duplicates? Does every track have a parallel or are those groups/stems/whatever? Previous explanations I've seen of parallel compression seemed like they were doing it just once to the whole mix, but you had a lot of faders going there.
@AnneKathrinDernComposer2 жыл бұрын
Thanks for watching! You can put the parallel compression wherever you like depending on how much control you want to have on the individual elements. As long as you're not sending the reverb through it, you're good. I go over my own setup in my template videos so that might clear things up for you.
@davidbraid84292 жыл бұрын
Thank you for doing these films - also your recommendations to the other sites. I find your films always so helpful - especially because of their direct and practical approach. Well done (and on your excellent music of course!)
@b_elliott12372 жыл бұрын
Compression, the proof is in the pudding. In this video dialog and music work together perfectly. As the video plays along musical elements enter without interfering or distracting == compression done right. Too often in KZbin vids the music drowns out the dialog or the music is simply a distraction. Not at all the case here. Since this video nails it, I will include it as a reference for dialog with music. All along I have used LA's The Gunfighter (Best Short Film) which btw is a hoot in case you missed that production. Thanks for putting this up!
@piratealleyvideo50722 жыл бұрын
Just saw " Love Classified"...great job. The music added a depth to the characters that the script didnt have time for...the part where the sister goes and visits the artist brother has great music support...it made the sibling relationship a lot deeper...you can tell shes realizing that shes growing a broader perspective on their lives right there and then. Enjoyed it...nice work
@AnneKathrinDernComposer2 жыл бұрын
Thank you! So glad you enjoyed my score for that movie - it was fun to work on!
@bonniecorralmusic2 жыл бұрын
I really appreciated hearing about this from your perspective. It helped me better my knowledge of the basics. Can't wait to check out In the Mix. Am I correct in saying that for most film scores, even though you'll be sending it off to the mixer, you do some of your own compression and EQ beforehand? And these effects are built in to what you send the mixer?
@AnneKathrinDernComposer2 жыл бұрын
Yes, all premix effects are in the stems that go to the mixer. The only exception would be reverb - we usually take that off before sending the material to the score mixer. Essentially, the rule is: The stems have be the exact same as the stereo reference minus the reverb.
@waynefaram23332 жыл бұрын
Great. Watched ‘In the Mix’ and others too. When is EQ coming?
@jgallagher36482 жыл бұрын
BTW, have you seen any of Joël Dollié's channel? He has a lot of great tips on mixing for orchestral scores. He also has an in depth course which I found helpful.
@indiefilmcomposer2 жыл бұрын
I have waves platinum and it works well for dynamic multi band compression and other post tools, yep we learn by doing the better the sound going into post the better end result ! Great video, thx for sharing
@AnneKathrinDernComposer2 жыл бұрын
Thanks for watching!
@blue-balance2 жыл бұрын
Thank you. Your explanations are wonderful to listen to, and super helpful!
@raffaelebossard4708 Жыл бұрын
Hi Anne-Kathrin! Great videos, great tutorial, as always! Thx for this! One question: in terms of saving CPU power: would you recommend to do the paralell compression with the for example complete string group, rather then putting a compressor on each instrument group of the section? Maybe a frequency based parallel compression? Thx! Best to you, Raffaele
@michaelfarrow46482 жыл бұрын
Good description of compression! I tend not to use much compression except for solo instruments - much like your demonstration. As far as tying the mix together: Since Big Lebowski, I have used a studio carpet - rug actually - to tie the mixes together 🤣 But seriously, I don't generally compress the mix busses on scores and leave that to the dubbing mixers. As I said, compression can be very useful for solo instruments to keep them from disappearing and then overpowering - so it just sits in the right spot. Thanks for your videos!
@AnneKathrinDernComposer2 жыл бұрын
The dub mixers don't remix the music though. They might clean up a frequency buildup here and there or make some room for other things but musically they don't touch the mix. So any compression wanted on the music for musicality's sake will have to be done in the score mix already.
@Siile_2 жыл бұрын
The MWTM channel is just snippets from their long format videos. The real content is on their website where you can get a subscription, like pureMix or URM. Well worth it, this stuff will get you much further than any plug-in you'd spend the same amount on. Alan Meyerson has a few hours worth of video on MWTM, not to mention all the other incredible mixers.
@DJKennethA2 жыл бұрын
this was great actually. I've never fully grasped the concept of compression so I appreciate it. It really helped. Any chance you have done or would do a video on articulations in an arrangement / how to effectively use them?
@AnneKathrinDernComposer2 жыл бұрын
I'm glad this was helpful! The articulation topic is a bit too broad to cover since it's always dependent on the piece and there are infinite combinations to choose from.
@DJKennethA2 жыл бұрын
@@AnneKathrinDernComposer Thanks! That absoutely makes sense.
@horndude772 жыл бұрын
Don't worry about bad drawings (which they weren't). Some of the best explanations to concepts I've had were through rough drawings.
@DirettoIZM2 жыл бұрын
Great video - I thought your graphic was very helpful and illustrated your explanation well. Appreciated!
@AnneKathrinDernComposer2 жыл бұрын
A shaky graphic that at least served its purpose... ;-P
@anders_wall2 жыл бұрын
Brilliant. Thank you for sharing. I personally would give attack and release a bit more thought. One can really sculpt a sound by keeping or removing the attack. I understand that it is more of a sound design thing than for orchestral mixing, but nevertheless. I know that KZbin comments are soulless so please please forgive me if I’m mansplaining, definitely not my intention. I would never be able to explain, anything, as well as you do. Keep up the good work and keep sharing.
@LightsandMotion2 жыл бұрын
I really love mixing myself as I write, and having it done it since the very start of my composing career, I almost view it as a part of the writing process. The lines are definitely blurry since that sonic footprint can make a huge difference. it depends on the genre of music that you're writing in of course. Anyway, really enjoying your video content, please do keep it coming! // Christoffer
@AnneKathrinDernComposer2 жыл бұрын
I see it the same way to be honest. Mixing and shaping sound is part of the process for me. I don't understand anyone who wants to deprive themselves of all the creative opportunities that lie in playing around with technology. There are simply things acoustic instruments and pen & paper can't do.
@calebritchie10692 жыл бұрын
This was so helpful to me 😭 Thanks so much!
@AnneKathrinDernComposer2 жыл бұрын
Happy to hear that!
@GlynRBrown2 жыл бұрын
Some great tips, thank you 😁. Just curious, are you sat on a bouncy ball ? ha!.
@yaoguangtang1759 Жыл бұрын
Thank you for recommending such a good learning resource.
@martingravel11572 жыл бұрын
Lol… I like your sense of humour! Please, keep these « badly explained » coming! ☺️
@normonali-composer71812 жыл бұрын
If this qualifies badly explained compression, I will take that any day 🙂. Oh, ...and I'm stealing your parallel compression setup :-). Many thanks as always!
@AnneKathrinDernComposer2 жыл бұрын
Go for it! Thanks for watching!
@vachila6432 жыл бұрын
For the first time....I actually can grasp what compression is actually doing....I always thought it was just volume automation or smth Thank you!! I'll check out in the mix PLEASE, what is the song that plays in the background at 22:47 It's so pretty ✨
@AnneKathrinDernComposer2 жыл бұрын
So glad this was helpful! The song is "Alone" by Emmit Fenn.
@WizardOfArc2 жыл бұрын
parallel compression is my jam :D
@DPiano2 жыл бұрын
Thank you so much! I like the way you teach... By the way, I really loved your drawings :)) Never underestimate yourself ;)
@AnneKathrinDernComposer2 жыл бұрын
Thank you! It was a bit tricky drawing without blocking the camera so straight lines just weren't in the cards... ;-P
@jamilheide7138 Жыл бұрын
Vielen Dank für die Tolle Erklärung ^^
@niacinbiotin2 жыл бұрын
Hi Anne have question: I frequently find myself hitting 0db when I add more instruments. And when the percussion comes in, I definately hit 0db and start to clip. Even without percussion I sometimes clip to 0db. How can I avoid that? And when I try to aviod it my whole piece becomes so quiet. Throwing compression to master ruins the quality. What should I do?
@AnneKathrinDernComposer2 жыл бұрын
It sounds like your template doesn't have proper gain staging applied. I go a little bit over that in my template videos but there are also entire videos dedicated to gain staging in various DAWs. I'd check those out. Nothing is more annoying than constantly running out of headroom. What also helps is having proper routing / bus channels set up so the volume can be easily controlled if the signal gets too hot.
@unoaotroa2 жыл бұрын
From what you describe, I think you should analyze the following points and account for them in your production process. When working with multiple instruments, in addition to adequate gain staging, you have to keep in mind these problems and their typical solutions: a) Frequency buildup between instruments. It happens when too much sounds occupy the same frequency range. Which can be solved in various ways, like: having your instruments cover different frequency regions; arranging with enough silence between instrument parts; and filtering out frequencies that are not necessary from each sound for it to be appreciated, most commonly done by using hi-pass/low-pass filters and equalization with shallower band Q. There are also more advanced techniques that use the previous principles like dynamic equalization and side-chain filtering. a) Having instruments with super loud peaks. This will cause the average loudness of your sounds to be lower because the peaks will reach the clipping point (0dB) easier. For sounds that are both equally percussive and harmonic, this can be solved by using two compressors in series: the first one should be set to have very fast attack, fast release, and medium/high ratio, with only the peaks of the audio signal breaching the threshold; and the second one should be set to medium attack, slow release, and low/medium ratio with the whole signal almost always breaching the threshold. The aim of this approach is to first reduce the loudest parts of the signal aggressively and then stabilizing the signal as a whole. This will allow you to turn down sounds without them feeling too quiet or to turn them up and not be overbearing. This technique works both with individual sounds being processed by separate instances of the compressors or by sounds being processed jointly in a sub-group by a single instance of the compressors. More advanced techniques that use these principles include using parallel compression as the first stage of serial compression; and/or applying the second stage as part of a mix bus processing scheme. The previous techniques should always be applied in context as there is no magic combination of parameters that will work with everything. That is why having a good reference in all stages is crucial: while dialing the processing, listen to affected sounds in conjunction to non-affected ones; listen to other productions that inspire you, gain-matched to your current one; apply strategies to account for flaws in your monitoring system; and regularly verify how your work sounds in different kinds of consumer devices. I know this is a lot of information but if you start experimenting with the things I mentioned and research how they work, I can assure you, your audio will reflect the sonority you are looking for. Good luck!
@johanneschristopherstahle3395 Жыл бұрын
You probably just have pretty hot (loud) signals. That's often the case with virtual instruments. Usually you should aim for about -18dB. That's kinda the standard nowadays and what most plug-ins will expect to get. When noise was still a big problem, you always tried to run the signal as hot as possible before clipping, so you are as far away from the noise floor as possible. But modern digital recording does not need this anymore. Actually many DAWs don't clip anymore if one track exceeds 0dB. But you have to make sure that the master bus stays below 0dB. If you don't have the time for proper gain staging, reducing the volume on the main bus might do the trick. A compressor or limiter on the main bus can save the day as well. Waves L1 and L2 are great choices if you aim for a loud mix. There's a freeware limiter that behaves almost identical called W1 Limiter. Hope this helps.
@pjdahmen2 жыл бұрын
Thank you for the great Tutorial
@AnneKathrinDernComposer2 жыл бұрын
Thanks for watching!
@dafingaz Жыл бұрын
Incredible!
@J-MLindeMusic2 жыл бұрын
...8 years of using Cubase and I never even thought about using the pencil tool to draw volume envelopes into the audio track themselves.😅
@AnneKathrinDernComposer2 жыл бұрын
Yeah, Dom Sigalas taught me that... his channel is a continuous Cubase goldmine. In every video I learn something new... :-)
@KhaledAbdelmonemMusic5 ай бұрын
Beautiful Lie Theme 12:30 I Love It So Much
@citizenworld80942 жыл бұрын
this girl makes applying compression sound like watching an episode of queens gambit. Nice lady.
@banterbanter2 жыл бұрын
Your accent is still the best ever 🎶🎵🍻
@HhonerSun Жыл бұрын
Nice intro❤
@septemberwalk2 жыл бұрын
what settings do you normally use for parallel comp? I think most people use very fast attack and release
@refurbishedmessages26502 жыл бұрын
Thanks for the tip about parallel compression! I am thinking about the statement to use the dry signal to compress and add reverb later . So if I create a MIDI mockup with a sample library like BBC symphony orchestra, I should turn down the reverb (knob) for all instruments, then add compression and then add a reverb plugin to create the illusion of a hall and that all instruments are in the same room, right?
@AnneKathrinDernComposer2 жыл бұрын
Correct. I'd generally recommend using a third party reverb instead of the one in the sampler. The ones that come within the samplers are certainly fine but usually the third party reverbs (even the ones that come with the DAWs) are often much better and allow for more mixing control.
@johanneschristopherstahle3395 Жыл бұрын
If you do parallel compression, you would typically use the uncompressed signal to feed the reverb, because you (usually) want to retain the natural dynamics of the signal in the reverb. On the other hand, if there's a track with quite extreme volume jumps, you might think about compressing it individually or doing volume automation, because you don't want to have extreme volume jumps being send to the reverb either. As far as I know parallel compression has been intensely used in Motown music and spread from there to other genres. They often would use it on vocals and EQ the signal before sending it to the compressor, boosting the high end to make sure the vocals would cut through in the mix. The compressed signal on it's own would sound terrible - overcompressed and harsh - but it works so nicely in the mix.
@refurbishedmessages2650 Жыл бұрын
@@johanneschristopherstahle3395 Thanks a lot for the explanation, makes sense :-)
@marcsidneymuller73982 жыл бұрын
ich mag deine Intros :),Thank you for ur videos and ur quicktips, but izotope with there upgrade policy... not with me anymore
@kristianandreasen32302 жыл бұрын
I would recommend catandbeats for learning everything about mixing and mastering
@nobbynose42542 жыл бұрын
I learnt stuff thanks :)
@RockmannMusic2 жыл бұрын
2:40 I see it that way. I like your content and personality. Coming from a musically barren, a dystopian country due to its ongoing being-way-too-beige condition (with the exception of Rammstein of course), driven by will, skills and smarts, arriving and surviving in Lost Angeles is already a story and it shows. But I'm not a fan of "I have no idea what his name is" (says it all, doesn't it ?). I think this well mannered man and any music being played on his channel is boring af : ) Just to widen the horizon of options: For the ones who like infotainment with enthusiasm that comes from a slightly neurotic place, Guy Michelmore's channel might be a place worth visiting . . . and for someone who likes sophisticated music & tech education embedded in upper middle class allure might find a new one-sided friendship with David on Mix Bus TV.
@bijanbonyadi17872 жыл бұрын
Nice
@RocknRollkat Жыл бұрын
Parallel compression is like Richard Wagner in a box.
@sonicstoryteller2 жыл бұрын
Your so kind and honest but Iam lol the intro was funny hello and welcome what are you doing hear go somewhere else basically lol dear me I found this video very helpful thanks Anne your a diamond best wishes Phil UK England 👍🙏
@DavidKudellMusic2 жыл бұрын
This is click bait…I came here to see compression BADLY explained but it was actually explained very well. Dislike. 👎 Btw, I totally stole your parallel compression setup and it’s awesome.
@AnneKathrinDernComposer2 жыл бұрын
Lol, so I FAILED?!? Oh well... I'll try to do worse next time. ;-P
@AdamElteto2 жыл бұрын
I just realized you are bouncing so much because you are sitting on your Swiss ball!
@AnneKathrinDernComposer2 жыл бұрын
Is it called a Swiss ball? I used to get shoulder and back pain from regular chairs so I switched to an exercise ball which keeps me moving around more and is better for my posture (though way less comfortable to sit on).
@johanneschristopherstahle3395 Жыл бұрын
@@AnneKathrinDernComposer When I was a kid I used to sit on one of those when sitting in front of my father's computer. Spend so many hours there I still can sit on my knees on these things hands free. Not for as long as back then though. 😂
@richdewhittaker17462 жыл бұрын
Sounds good to me! (pun intended). Compression aside, don’t forget to ride those faders folks. I’ve watched so many viddi mock-ups from composers over time…and those poor faders just sit there…. static…. sad …. lonely…. in a lifeless dark dystopian world. 🎚🎶✨