Concertgebouworkest - Ammodo Conducting Masterclass - Session 3

The complete registration of the second session of the Ammodo Conducting Masterclass with Iván Fischer.
Interview with Martijn Dendievel (pre-recorded)
Martijn Dendievel - Symphony No. 4, Mahler
Corinna Niemeyer - Symphony No. 4, Brahms
Jaume Santonja - Symphony No. 5, Beethoven
Katharina Wincor - Symphony No. 41 (Jupiter), Mozart
Interview with Iván Fischer (pre-recorded)

[@dannymaseng6785]

A truly modest teacher. A surreptitiously wise and forceful teacher with the most gentle manner. Bravo!

[@raphaelhorowitz9594]

❤ I am listening for a long time since the beginning of this master classes for young conductors and middle-aged conductors or not that young. It’s amazing to listen in by listening be able to see what’s going on the explanation of each master contactable teachers is wonderful and is Danniella Gatti, the contact and said that what you hear you can see how well it works. If you put your mind to it works out the way as well. There is so much, I’ve learned from all that empathy to understand the players. It’s just an amazing lesson for even every day of our life, how to live in how to listen how to act and the rest. If you can do it in music you can do it with everything in life, you do your world will be a better place things to that, and thank you again for the conserving about in the wonderful orchestra, and of course the muscle contact us. Thank you.

[@raphaelhorowitz9594]

Katarina, you are amazing the way you do it. Thank you so much and thank you to you nice to official

[@adriverschoor4975]

WOW this is SUPER interesting and véry interesting!! Thank you sooooo much for organizing this and posting it! Fisher is a génius conductor. And a gréat téacher as well!! Last but not least, the Concertgebouw Orchestra, the bést ensemble in the world!!!

[@davidsecour1372]

These are incredible. I think it's amazing that young conductors have this opportunity to learn while working with the Concertgebouw. Thank you for recording the sessions and making them available. I also think it's oddly appropriate to use Beethoven's 5th. Everyone knows it because it's played so much. Orchestras might be tired of playing it or are so used to playing it one way that the conductor "follows" them. So, it is important for the conductor to maintain the energy of the music and communicate with the orchestra in order to achieve their interpretation. Brave tutti. I am looking forward to watching the last session.

[@Tigran-Shiganyan]

Thank You ! Thank You ! Thank You Very Much for the wonderful opportunity to enjoy this master classes 🙏!

[@semrabahcivan8627]

Thank you for wonderful lessons.

[@tatianababut-conductor]

Just GREAT everything!

[@haniyekian1786]

these sessions are really fabulous , thank you !

[@sebastiaoedsonmacedo7950]

Fisher is phenomenal

[@Concertgebouworkest]

Apply to participate in the Ammodo conducting masterclass with Fabio Luisi and the Concertgebouworkest, taking place from 27 to 29 June 2022 at The Concertgebouw in Amsterdam. Apply through Muvac: bit.ly/3rjhyLJ. Deadline: 16 December 2021.

[@adriverschoor4975]

Martijn is a great talent!!!

[@alfonsoperezlopez907]

1:06:48 what is the second clarinet in the yellow shirt doing lol

[@kestrel4733]

I have no idea but it looks like it was something with the contrabass bassoonist nist bc he performs a similar action. Interesting little moment caught!

[@jakenowell5211]

12:22 is where is starts

[@Walther-p4s]

1:00:08

[@romeovashishthviolin9384]

52:30

[@넋-i2m]

note to self 2:05:00

[@medievalmusiclover]

Carinna is the Best! Congratulations! Nobody else is whatching the conductors when they are conducting. It is just rediculous.

[@Robert...Schrey]

A misuse of the orchestra.