Convert log to rec.709 automatically with RCM | DaVinci Resolve Tutorial

[@curtisjudd]

Wow, Avery, this is the clearest explanation of RCM I've encountered! Nice work!

[@averypeck]

Thank you Curtis!

[@gdrocker93]

Finally someone who knows what they're talking about.

[@daVinzyVisuals]

You could have sold this information. It is Gold. It seems I just watched a world-class professionally made tutorial for free. My Best Wishes, Start a Patreon Page, you deserve your beer/coffee, rather more.

[@petrub27]

it's in the davinci manual; read it

[@daVinzyVisuals]

@@petrub27 If it were up to you, there would be no teaching profession in the world. No Schools or Colleges, just Libraries.

[@petrub27]

@@daVinzyVisuals no no, you are talking about selling this information where it is already for free in the manual

[@xNox72]

@@petrub27 There's value in explaining this information - admittedly already in a manual - the way he does. It's much more interactive and accessible.

[@elephantgrass631]

@@petrub27 That's true. When I opened the PDF it had animation, illustrations and examples that I could easily jump around on a timeline to. It's obvious that KZbin is a dying platform that people don't use because of the rise of the new technology called books. The rest of these idiots on this thread are crazy. Books are the future and free online streaming platforms are on their way to die.

[@lakeone777]

Timeline Colorspace Tipp: When working with LOG Footage (Example: S-Slog V-LOG), you shout set the Timeline Colorspace to SLOG etc too! Then Timeline Luminance will be set automatically set (SLOG-2 for Example is above 1500 Nits) even when you use some other LOG Material in the same project. But not when using REC 709 stuff. Choose a big Colorspace for Timeline gives you more values in grading and better Luminance. When you expose Slog correctly, you need at least 1500 NITS of Luminance

[@OKLAHOMALOVE2]

The crazy thing about this is I knew of this but how you explain everything helped me to totally understand. You are so good at these tutorials. Not only that, but I can see amazing growth in you videos. I want to tell you thanks a lot for all you do AP. We really appreciate it.

[@averypeck]

Thank you Justin! Glad these videos can help!

[@gibblsworthiscool]

Dude your understanding of Color is absolutely blowing me away!

[@D_L_J_83]

Hi Avery, thanks for this video. Would you be able to make an updated video for the current Resolve? I can’t seem to find some settings that are mentioned here.

[@CaseySchneider]

Dude! The way you explain your videos is so professional and informative. Not only that, I love how you not only explain how to do something but why we should do it that way and the cherry on the top is how you go even further to make an example of alternatives that may not be as good. Your videos are so good we need more!!!

[@adamtemple9417]

What a youtuber actually show the correct way to color grade, no way!

[@RAWVENTURES42]

RCM is a life saver, but you are a life improver! Your tutorials made me approach DaVinci with little to no understanding of the colorization process, and now my work looks way better than before, all thanks to you! You should start a Patreon account so people can support your future tutorials :)

[@averypeck]

Wow, thank you Alexandru! Glad I could help!

[@jameswinston5369]

Man! Instructional beast. So rare to see this kind of eloquence of instruction. Thank you!!!!!

[@koalaofdeath2045]

So... basically RCM is like applying Color Space Transform to every clip on your timeline except you don't have to do it manually. This is great. Fantastic actually. THANK YOU. I hope you see this since it's two years since you posted this. Also, please keep making tutorials!!

[@julienmercier9221]

As a french amateur, I'd say that this video is way over every other one I could watch up till there, than you for giving away such knowledge and professionalism !

[@ahmadfauzanperdana5703]

Oh. my. goodness. You literally have the best tutorial I've ever watched. Thank you for sharing this!!

[@Parrott65]

Hey Avery! I just came across your page about three weeks ago, because I decided to start learning Davinci Resolve for exclusive Color Grading. Vegas Pro is a great NLE, but the color grading in it is minimal and restrictive. So, I took this time during COVID-19 to really study and watch hours of tutorials and training videos on Davinci Resolve. You have been a massive help in learning how to do things here. I applaud you and hate that we haven't seen much from you in over a year. Please come back!

[@averypeck]

Thanks for watching and congrats on making the switch! I have several tutorials in the works currently that will be released fairly soon!

[@averypeck]

Thanks for watching! If you liked it, and want to help this channel grow a little, feel free to share this video with others who'd like it too! Also, many of you have been asking some great questions, so I've compiled the most common questions and answers here: Q: What exactly is ACES? What's the difference between that and RCM? A: Without getting deep into technical details, ACES is a color management system for the entire post-production pipeline. So the editor, VFX artists, colorist, etc. all use ACES to pass off files to each other and do their work. This makes sure that the footage is being viewed and interpreted correctly no matter who is working with it. There are some subtle downsides to using ACES as a colorist though, which I mention at the end of the video. RCM on the other hand is a color management tool that's just for the colorist. So it doesn't help anyone else in the post-production pipeline, but the trade off is that it's better integrated into Resolve, and provides a little more control. Q: Why is RCM making my shot too bright and lifting my shadows? A: Sounds like an issue with tone mapping. Note that if you just turn on RCM without activating tone mapping, your shadows will generally get lifted (bringing out all that noise), and highlights will get blown out. I also forgot to mention in this video that tone mapping and gamut mapping are new features in Resolve 14, so if you're using earlier versions of Resolve, those features won't be there. Q: How do I retain all of the information from my original log footage? Is it gone once I convert to rec.709? A: RCM is non-destructive, so all of the information in your original footage is still there. The correction process with RCM will feel and perform similarly to making corrections before a rec.709 conversion LUT. RCM just enforces a cleaner and more consistent workflow that's tailored a better to professional grading. Just make sure to set up your tone mapping settings, as not doing so will give some weird results. Q: How do I deliver my images for the theater in DCI-P3? A: Grade the production to your liking in rec.709, then change your output color space to DCI-P3 for the theater deliverable. Luminance mapping should not be adjusted if you're grading in rec.709 and converting to P3, it should only be set at the start if you're grading in P3 to begin with (most projectors are 48 nits). Many colorists try to find an actual projector to grade with, since the response of projectors and monitors is significantly different. Even after the color space conversion, you'll find the "character" of the grade changes when projected, so many like to do some final tweaks in an actual theater before the final export.

[@TLD]

Avery Peck hey man great stuff. would love to get in touch. Where can I find ya?

[@JoeSchroecker]

He Avery, one more question: Usually afaik it's custom to grade with "LOG controls" before then applying the LUT converting from Log to rec709 and after that only grade nodes using "Primary Wheels" control, because they are mapped this way. Which control is the one that should be used with RCM, because you mentioned they get remapped internally?

[@averypeck]

@@JoeSchroecker Good question. It depends on your working color space; you can use the LGG wheels if your timeline space is set to rec709, or the log wheels if set to something like Arri Log C.

[@ivanlondon]

Hey, thanks for all the info. Would you be able to point us where to look for activating tone mapping?

[@joachimschranzhofer5566]

Just found your tutorials Avery. They are soooo much better than those you find usually on KZbin. You are very knowledgeable and straight to the point. In other videos there is 15 minutes of blabbing and 30 seconds of real info. In your tutorials it's the opposite. Keep up the good work!

[@riojiang9377]

I mean, dude, you deserve more subscribers...I watched your video about skin tone, and I just tried this method with some of my footages shot on GH4 Vlog-L...It was mind-blowing...I used to use LUT to color correct Vlog footage, and it was never very satisfying. Plus a lot of people say shooting log in 8-bit is not ideal. But man, this method that you introduced, just changed everything...Thank you!!! I am sharing your video with my friends :)

[@borolo222]

Rio Jiang hi, is there vlog-l on the list?

[@SpirusFilms]

The single best colorist and grading educator on the Internet. Thank you for your videos!

[@SimonPageVideo]

Without doubt, the best, clearest, well paced, well explained and professionally produced tutorials for Resolve. Thank you so much,

[@oneone7studios]

One of the best tutorials I’ve seen so far. Amazing job

[@yalafilmsdavidjwoodall9201]

WOW! Very Exceptional Explanation of RCM with less dribble about how smart you are but simplified definitive steps to mimic the process, done in 12 Min KUDOS!!! "SUBSCRIBED"

[@JonathanHeresOficial]

OMG .. you should make a complete coloring course. From a to z .. put a price on it and let me buy it .. you are AMAZING at teaching.. please upload more stuff.. please!!

[@Kenslyfresh]

Avery you are the #GOAT of KZbin grading tutorial, lol. I already knew the basic all of RCM but now I know exactly what I’m doing and no more guessing.

[@HomeWalkVirtualTours]

Probably the most useful video I’ve found in the last 2 years. Feel like I’ve stumbled across some secret society. Why have I never heard of this process before? Thanks Avery

[@dismasedward2307]

I have never seen a you tuber with great davinci tutorials like you, you make me understand how Davinci work fast than anyone can't mention them but you're the best. Asante sana na karibu Tanzania

[@seleem_abouzid]

i can only find a Professionals in old videos on KZbin .... Thanks Avery that is so wow to me that i can't find pros in these days in other youtubers

[@JohnJonesRocketCity]

Wow dude this explanation helped me tremendously! This was way better explanation than a course I paid good money for.

[@Rijjunion]

Your Video Avery is an amazing quick but very professionally focused look behind professional DIT matter! Thank you very much.

[@onel810]

dude, words can't explain how i'm thankful for your tutorials. God bless and more power.

[@storyfirstfilms5983]

YES agree! the clearest explanation on the planet - thank you very very much Avery

[@carboomtv1479]

I have watched this tutorial a number of times..It is a masterpiece!

[@videoslice2683]

wow this was totally awesome! Definitely the first person who correctly explained a good slog3 workflow in davinci. That Nits thing has been killing me for weeks! Everything in the rec709 space looks like I shot it 10stops to bright! Thanks so much

[@bobbysmith1645]

This guy sounds like he actually knows what he is talking about. Nice videos.

[@CaseySchneider]

Dude! The way you explain your videos is so professional and informative. Not only that, I love how you not only explain how to do something but explain why we should do it that way. The cherry on the top is how you go even further to show examples and even alternatives instead of just the steps to carry out the task. Your videos are so good we need more!!!

[@AlanChunPhotography]

Having just started creating videos on a serious basis over the last couple of months I was beginning to get a bit disillusioned with all the LUTS and LOOKS everybody professes to make you footage look great. To the point I have been avoiding shooting in log. But with this little gem I feel like I can now start to explore it properly. I have just used this technique on some footage I did as a test a month ago. When I originally did it I got so frustrated I just left it. This time around it took me no more than 3 minutes to get the look I wanted. Thank you so much for sharing this!

[@averypeck]

That's great to hear Alan! Glad it was so helpful!

[@lifescape9847]

You should release a full blown online course for the masses. Im new to video and video editing and by far youre the best teacher I found

[@dudepersonvids]

This is one of the most helpful and informative things I have ever learned about color grading in Resolve. I noticed the options for RCM before but never considered the difference between using them and using LUTs, especially since the conversion LUTs I always use (if at all) are the ones that came with Resolve anyway. I feel silly wrangling with making LOG footage look "Rec. 709ish" for so long now!

[@eddu4361]

Probably one of the best videos in this area for DaVinci Resolve

[@electronicbox6990]

I just cant explain why there are negative feedback ?!!! It is one of the best explained and helpfull videos and the best part is , that is free. Amazing info Avery, thumbs upp!!!!

[@outbackatl]

There is no doubt that anything you involve yourself in will be successful. It is very recognizable when someone has that "it" factor. VERY NICE! THANK YOU!

[@CristianCalhoun]

Avery, you are a genius. I don't even understand how somebody can be so well-prepared, focused and concise at this young age. It makes you really exceptional. I'm constantly drifting towards DaVinci (from Premiere) because of you. Thank you for your excellent contributions! :)

[@averypeck]

Thank you Cristian!

[@CristianCalhoun]

Please, don't disappear, Avery, continue teaching! :) Looking forward to your next video!

[@TheJoessef]

Wow, great work, please keep this channel alive and post more, we really can learn a ton from you.

[@GeorgeAtanassov]

Thanks for this. Good explanation of RCM. You can do this on clip to clip bases by using color transform plugin. Also matching cameras this way is not as accurate as I think you let viewers believe. Say you shoot two different cameras, say C300 and C300mkii. Trust me in an interview setup where both cameras have the same object in frame this will only get you so far. You’ll still need to do some HSL and WB adjustments. Another VERY important thing for most new people to understand is that log profiles come with a specific color space that you can change in camera or can’t change in camera. Example would be 5D4 and C300mkii. There is also color matrix which can not be compensated for via this method. I am not trying to be negative but just trying to point out the other nerdy stuff. NB. Many computer monitors are actually sRGB which is super close to rec709 however new iMacs are actually P3 color space. That being said a monitor can be calibrated to different color spaces and depending on the monitor might or might not be able to “display” the targeted color space fully. Brightness is also very important when it comes to grading. The monitor can be calibrated to a collar space and a specific brightness value. If the brightness value of the screen is drastically changed then the calibration is not accurate anymore. For example grading something on 100 nits and 500 nits will most likely result in a very different contrast when it comes to the grade. This can be extremely important when you’re dealing with lots of shadow detail that has a noise in it. All I’m saying is be careful with your display’s brightness and be consistent. Hope this helps and doesn’t confuse ;). Thank you for you hard work on the video.

[@youngman44]

Just starting to get into Resolve and Color Grading. This was phenomenal. You are such a great instructor with such clarity, information, and logic. Phenomenal.

[@77dris]

Wow, this is excellent! Nobody else has ever mentioned this on anything I've watched before.

[@petrhlavac5299]

The most valuable info I found on YT about DR. Thanks.

[@BorjaLlorensMerelo]

Dude, you have to take advantage of this situation. If your channel is on hype, youtube helps a lot and your videos will show on Recommended tab! growing up even more

[@riddles981]

This was a major help! Why would anyone not like this video?! Thank you Avery ❤️

[@marvinmbugua650]

You have the best Davinci Resolve tutorials. Thank you so much for the videos and continue making more like this. Am so pumped to start color grading in Resolve now

[@Rafaelinux]

You have a way with words and video that makes knowledge go straight from KZbin to your head. You're great at it, man, keep it up!

[@CsabiKremser]

Very well explained. Easy to understand, even for non-experts like myself.

[@osea142]

2 years late, but amazing content none the less, very informative and greatly appreciated.

[@JasonToddRoberts]

Wow, thanks! I have been trying to understand color space conversion for a month. I even took some resolve masterclasses, color correction classes and nobody covered RCM.

[@fiveshorts]

These are the best color tuts I’ve found to date. Thank you. Keep em coming.

[@MotoPoradniki]

Literally every single video, answers one or more questions I had. 🙌

[@smoak888]

how do you not have 100,000 subscribers??? these videos are awesome. keep up the great work!

[@averypeck]

One day hopefully... :) Thanks!

[@muazified]

this is a really good video, I would like to add a tiny comment that might be helpful to people, when you said that most cameras shoot in rec709 that is not always true many popular cameras shoot in sRGB which is supported by resolve and I use it all the time in RCM mode and mix it with all types of footage with no issues.

[@vince5474]

One of the best tutorials ive ever watched. Its easy, well edited and the tempo even for me as a beginner is not too fast or slow. Thank u so much.

[@BorjaLlorensMerelo]

You are a legend, most useful channel of davinci resolve. im gonna keep supporting everything you upload!

[@averypeck]

Thank you Borja!

[@902MediaUK]

Dude, you you just brought me into the game, been trying to figure out this conversation thing and the way you explained it was awesome. Thanks man.

[@kevinkelly8301]

Good day sir. I have a bmpc 4k and have been really struggling to grade my footage,but now with your teaching it's becoming alot easier. Thank u very much.

[@BjornThorud]

This is by far the best explanation I've ever seen on RCM. Thank you so much for sharing this jewel of information!

[@averypeck]

Thank you! Glad you liked it!

[@nickalot]

Dude, thank your for the tutorials. They are perfect. Clear and concise, and easy to understand. LOVE IT. Can't wait for more!

[@bengordon9589]

Thank you Avery, I second Sigfús and Jamie's request for an update for Resolve 17!

[@marin_real_estate_photography]

Really nice video, Avery. I had been reading through the resolve manual and this is what I THOUGHT it was saying, and your video just kind of confirmed how it worked. Thanks again for posting this.

[@alejandraoreluyo2705]

YOU'RE THE BEST, MAN!!! Outstanding video.

[@maximoremedios]

Wow, what an excellent way to explain RCM. Everything Avery says in this tutorial is correct. Top notch. Would you consider doing a tutorial on ACES? Many thanks

[@aj2009ification]

Wow thank you, 8 bit canon log was falling apart with luts this makes it pretty flexible - achievement unlocked

[@MathiBA]

Very clearly explained about RCM. Thank you!

[@jonathanmasters2178]

We need more videos man! This channel is one of the most helpful out there

[@mrmillsartstudio]

Yessss!!! This is a great video, thank you for sharing your knowledge!

[@natsunil4589]

wonderful!!! really it is unbelievable how good your videos are... there are so much other KZbinr for correction/grading with hundred thousand of subscribers but they have no chance against you!!! hope for more stuff!!!

[@averypeck]

Thank you so much!

[@tubeman1983]

How is RCM different from colour space transform? And how are those two different from the conversion from log to rec709 you get when you use the colour match feature alongside the colour checker passport for video? Great tutorial, thanks! :) 👍

[@zerocontentTV]

Yeah that was my current question as well. Because usually, I just use colour space transform to transform everything

[@tomasgomez1906]

@@zerocontentTV Same

[@leyzafilms3862]

Watching this in 2021 and just blew my mind. Thank you for the tutorial

[@CameronGallagher96]

Your tutorials are off the charts! Amazing stuff keep it up!

[@alexandredebellefeuille4671]

Your tutorials are perfect.

[@wahyugunawan7784]

Your explanation really good. I like all of your videos. Thank you for sharing.

[@Screenbite]

I am so happy that I came across this channel. your knowledge is massive and you explain things in such a clear way! keep up the amazing work. I see many more subscribers in your future.

[@stalman]

This was great, I’ve always hated the inconsistency of LUT transforms

[@chrisvandermeulen4579]

is this feature only available in the studio version? For some reason it will only allow me to add in export gamma and colour space but no inputs in the free version.

[@cahlajthepoetmc9746]

Thanks for the information and explaining the RCM well.

[@joshchristiansen9602]

Awesome tutorial, very informative and simply put. Thanks, looking forward to more of your videos!

[@OtayMedia]

This info is very helpful. Since owning a bmpcc 4K it introduced almost a whole new workflow thus a new perspective on how I shoot. So hoping into resolve was also a challenge in working it into my workflow. This definite helps take a load off of my shoulders with coloring and I can’t wait to try it out on my projects. Thank you for the info!

[@MrJemabaris]

Really glad I just stumbled upon your tutorials. Great stuff, please keep them coming!

[@voradorlinux]

You are truly a lifesaver! This just do in one flow what I try to do while wasting hours of tweaking and fiddling. Thank you Sir, you have a fan! 🍺😌 Cheers!

[@o0BlakeNoble0o]

Avery this is amazing. Great work and excited to see future videos.

[@mohit10390]

Hey I like your all tutorials It's clear & simple to understand Thank a lot

[@hash.264]

wow finally I found a best channel on youtube thanks for ur tutorial do more bro... ur really awesome...

[@nicholasandre]

Avery you should do a full blown colour grading tutotial series. From start to finish. People would pay for it! Myself included!

[@BasicFilmmaker]

Perfect explanation and great visuals. Well done.

[@averypeck]

Thank you!

[@Ghassan.albalushi]

amazing work as usual soo far the best explanations found online honestly speaking!

[@musicnonstop1945]

unfortunately, the settings are now different in Resolve 18 , its does show some of these parameters anymore under color management, YRGB Color Managed :(

[@FoivosP]

you are so good at explaining, well done man! if we can have a video about the differences between aces and rcm it would be great. thanks again

Thank you for this video, how does rcm work in davinici 17, color management looks a lot different in 17

[@dubstepzsi]

You are amazing thank you i was looking for a video just like this to exaplain this process now i know :) Love you...

[@zillaman0916]

Incredibly valuable information!! You have no idea how much you just saved me from beating my head against a wall 😂

[@AlexTran]

this is gotta be the best explanation video I've every watched! THANK YOU!

[@YuliaAnggraeniPost]

Very thorough explanation. Really helpful!! Thanks mate!

[@unnivversal]

Pretty stoked I found your videos, learning a hell of a lot!!

[@KAREKINFPV]

This is a must watch to anyone grading footage. Great video!