Crt Sojar Voglar: Simfonija st. 2 / Symphony no. 2

Moja druga simfonija. Zaenkrat moja najobseznejsa skladba, saj traja okoli 25 minut in je napisana za velik orkester. Prva izvedba je bila 23. aprila 2009 kot zmagovalna skladba ob 50-letnici Simfonikov RTV Slovenija, pred tem pa jo je isti orkester posnel z dirigentom En Shaom. Zelim vam prijetno poslusanje!
My second symphony. It is my largest composition so far, lasting 25 minutes and using large orchestra. It's first performance took place in April 23rd 2009 as a winning piece for the 50th anniversary of Slovene Radio Symphony Orchestra and was recorded under the baton of Chinese conductor En Shao. So here it is! I wish you pleasant listening!
Naslovi stavkov / Movement titles:
1. Introdukcija / Introduction 0:01
2. Akcija 1 / Action 1 6:59
3. Igra svetlobe / The Play of Light 10:41
4. Akcija 2 / Action 2 19:27

[@chancellorsheevpalpatine]

Ljga črta. Svaka čast!

[@Tevatron044]

I love the intro with the contrabassoon. I couldn't distinguish it with my spare ear buds. The moment the basses come in after the cellos, I felt the power you were trying to express in the voices with the tam-tam, cellos, basses, and Contrabassoon.

[@freethemind1019]

A work of urgent conviction, skillfully orchestrated but with the utmost concision and restraint. For me, its austere but driving dynamism speaks profoundly to our current global Zeitgeist.

[@Ayokalyb]

This is remarkable.

[@Tevatron044]

You found me. I'm kidding. Although I am not always a fan of critics, it actually makes me happy to know that we share similar opinions. You should be proud of yourself. A piece that has many people admiring the same thing in unison is quite an accomplishment. Congrats.

[@kuang-licheng402]

nice

[@SLOVENEMUSIC]

Interestingly, the critics pointed out the same at the premiere performance. :)

[@matejandjelic8350]

Dramatična, skrivnostna, a ob enem uravnotežena, nepopustljiva. Poslušalcu pusti zelo močan pečat, ne moraš iti ob njej kar mimo. Vse je dovršeno in ob enem posebno, nevsakdanje. In k sreči brez uporabe modernističnih oprijemov.