DANCE CHOREOGRAPHER REACTS - XG MOVE #1

[@pedrorcardo]

20:30 YES! We do appreciate everyone involved. The whole crew behind this group is doing an amazing job, and we know they are doing this because they are really passionate about this project, and how proud and thankful they are in being part of this. And the girls are treated with care and respect, they are not just puppets doing what a company tells them to do. XG is a big and beautiful family that shares the same dreams and goals.

[@jess_holyfield]

Love this!!! So excited to be a support in this way!!

[@gabrielamota6374]

it would be so cool for you to watch the version without the masks, to see their facial expressions and stuff

[@jess_holyfield]

I’ll be watching more of them in the very soon future for sure!

[@530MAIDU]

Excellent Choice…they’ve been in training for five years so when I watched this I believed that they were a Dance Crew…later I only found one or two reactors who had the assumption that they were a girl group from a certain agency and would be debuting. I just loved their energy and powerful look 👀 for female dancers. I became a fan after this was recommended by You Tube. Now, I’m an Alphaz…I love this Xpop Group. 🙋🏻‍♀️🎌🎼💃🏻🎶🙌🏽🐺 * Sadly their first leader left the group just weeks prior to their “Tippy Toes” debut.

[@jess_holyfield]

They are pretty great so far and I’m excited to learn more about them!!

[@K-Choi]

XG would totally survive a Kinjaz choreography

[@jess_holyfield]

I would definitely agree!

[@Allen_Alphaz_XG]

Thanks❤

[@jess_holyfield]

Thank you for being a part of the discussion!

[@mr.alphaG]

❤

[@jess_holyfield]

Thank you for taking time to watch!

[@ako8357]

Puppet Show is the only XG choreo that Sienna hasn't worked on and I think having that through line in your choreography from pre-debut is a big asset for the girls. She's a great choreographer, knows their skills, knows how to showcase them and frequently works directly with the XGALX creative director Renan (who co-choreographed Puppet Show, GRLGVNG, Heesonoo X-Gene, Left Right, and Mascara). Same as Seventeen and Choi Youngjoon/Team SAME. Part of ATEEZ's disconnect as rookies is that it was just choreography - they're brilliant performers so they always sold it well but it didn't feel like _theirs_ until they linked up with BBTrippin (with the notable exception of Pirate King, choreographed by them). Also I'm noticing a theme in your analyses of dancers not using their backs properly for support and structure. Not a dancer, but would using their upper back more also help with efficiency or protecting against injury?

[@jess_holyfield]

I couldn't have worded it better myself! Completely agree! To answer you question about using the upper back vs lower, a lot of dancers have been "trained" to use the lower back (young individuals who are super flexible compensate over the years by using the lower back when that can be a potentially dangerous place to compensate for since that part of the back isn't necessarily MADE for the flexibility) so I have been trained through acrobatic Arts to guide dancers into.using their upper back because that part of the back is made for more of that type of workload!

[@ako8357]

@@jess_holyfield We need more teachers like you in kpop! There are a distressing number of back injuries for such young dancers