What would Oasis sound like in each of the 7 modes?

[@y2kona]

only david could get me to listen to wonderwall 7 times

[@DavidBennettPiano]

😂😂

[@luislopeztejeda5558]

nailed!!!

[@deantodd8103]

🤣 🤣🤣🤣🤣

[@calzone.mp3]

so true, it’s a great channel

[@TheTrumpReaper]

Is it OK for Wonderwall to be my second fav Oasis song? (I am not an Oasis fan).

[@joermnyc]

“So anyway here’s Wonderwall... in Locrian.” Crowd flees for the hills.

[@daydays12]

Not at all. Not me , at least.

[@captyonah1378]

You win the internet.

[@MoolsDogTwoOfficial]

Nah man I love Locrian mode.. well only if the bass is a half diminished chord.

[@Genviro]

@@MoolsDogTwoOfficial Same. It just portrays emotions/states of mind like insanity so well, while still actually sounding like music. Locrian and Dorian are, by far, my favorites. They have such unique qualities.

[@SeymourClearly2]

That Locrain mode was horrible - I love it!

[@justinatest9456]

That Major version sounded surprisingly good for a first listen. And for only changing a single note, that Lydian version was literally a whole new song. Crazy.

[@thesingingaccountant1]

Agree it's crazy. I guess it's because not many songs use sharp four and most have normal four... But still

[@Jaykay1029384756]

To be fair, he didn't just change the original chords to lydian, but completely altered the chord structure

[@artrogers3985]

Yup. Music is crazy. That’s why we love it.🎸

[@rdspam]

That one changed note is played just about every other note in the song, plus a pedal tone was added on every chord - that’s a quite significant change. Mixolydian, in contrast, changed…hmmm..I see one changed note, near the end.

[@WhitbyStuff]

I concur. The major version (bar that one note) is better imo.

[@xitheris1758]

Lydian: "This feels too good to be true." Ionian: "Things are actually great, and I'm genuinely happy!" Mixolydian: "The scars haven't faded yet, but I'm happy again." Dorian: "Times are hard right now, but I have hope." Aeolian: "Things haven't been okay, for a while, and... I'm not okay anymore." Phrygian: "Nope! That's it! Screw this! I'm done!" Locrian: "I'll never taste sweetness again until I drink antifreeze from your skull."

[@ayyymacaroni]

This is how I remember the modes now, thank you

[@scalesconfrey5739]

I wish I could save youtube comments to a personal collection. In lieu of that, I have to resort to a screenshot.

[@YouCantThink]

Super Locrian: "Currently in the mental asylum, how 'bout you?" Super Lydian: "I had too much ❄ I'M F-CKIN TWEAKING"

[@adretter]

Original Aeolian (Minor) (Pentatonic): 0:45 Ionian (Major): 1:24 Lydian: 2:54 Mixolydian: 4:02 Aeolian (Minor): 5:54 Dorian: 7:00 Phrygian: 8:50 Locrian: 11:26

[@frédéricchopinFan.9479]

Thanks

[@SA-ff9uc]

Thanks, cuts out the pointless rambling.

[@shlarpy]

​@@SA-ff9uc brainrot

[@Baile_an_Locha]

Locrian sounds like what Noel might have come up with if asked to write the theme tune for a Scandinavian crime drama.

[@that44rdv4rk]

accurate.

[@johnchastain7890]

I, too, thought of a scary movie: Hitchcock, horror, serial killer, monsters.... I loved it!

[@geetbehera3593]

That’s the early opeth sound

[@esteban.r11]

Mixolydian wonderwall could’ve been a huge hit. Epic in a Hey Jude kind of way, which is also in mixolydian

[@mebamme]

So Paul McCartney and Liam Gallagher both sang popular songs where a word describing a 24-hour period is sung with its first syllable a semitone lower than what's usually notated in sheet music. That has to be one of the most niche things for two people to have in common.

[@zak3744]

This sounds like it should be a question in a really hard-core pub quiz. 😄

[@oravlaful]

what's the song paul sings?

[@Erlewyn]

@@oravlaful "Yesterday"

[@Rene-uz3eb]

To my ear neither Paul nor Liam sing a semitone lower

[@oravlaful]

@@Rene-uz3eb so youre saying david lied

[@robertmariano]

I love these types of modes videos, the analysis makes me appreciate both the song and music theory even more. Great Video!

[@DavidBennettPiano]

Glad you like them!

[@Fire_Axus]

your feelings are irrational

[@ChezburgerLeaf]

? You posted the same reply on other comments@@Fire_Axus

[@adamev]

I always wait in anticipation for the Locrian mode in these vid. I imagine a movie where someone is about to meet an untimely end.

[@thesovietunion9542]

fr it’s like if Andy was hit by a car in toy story

[@ADCmusicProducing]

The fact that you explain and show how you actually change the notes to change modes just makes my Life better

[@frankvaleron]

Great video. Dorian is clearly the mode that fits the melody most naturally

[@TundieRice]

I would 100% argue that the original verse of the song that he’s using *is at least partially in Dorian.* Even though the IV chord he’s listing is a sus4 and therefore has neither a minor nor a major third, try to imagine either one as a major or a minor chord, and B7 sounds much *much* more fitting than B minor 7… I’m not able to do a full on musical analysis of the recording, but I can at least *totally* hear a B major tonality with some of those B7sus4 chords, especially since sus chords kind of want to resolve back to the non-suspended version of the chord most of the time. Obviously, the song isn’t 100% in Dorian at all, considering there’s a D chord in the song that would come from the Aeolian mode, but I definitely hear a Dorian feel to that first verse, even if David isn’t transcribing it by default. So I feel like that’s the reason that Dorian sounds the most natural. Just replace the B7sus4 chords with B7s and you don’t even have to change anything else, lol.

[@jamielamb4624]

​@@TundieRice I agree, it's much more Dorian than minor. When I think of the progression, I think of it as being the same as the Boulevard of Broken Dreams progression, just more interesting chords lol.

[@steevmsteevm]

It's in Dorian in the verse, but it switches for the pre-chorus (And all the roads) and in the chorus (because maybe). I actually thought the video would go into this, but it kinda skips over it and none of the versions are actually the original one. Not only does a B7 work better than Bm7 as the final chord, it sounds really good if you play a B11 IMO (at least, when playing it as a loungey piano tune). That gives you the fourth and seventh from the original 7sus4 chord, with the major third thrown in there as well.

[@alicialexists]

Agreed.

[@Piktor201]

Chapeau! This is surely one of the best explanations of the modes I've seen so far. 👍

[@DavidBennettPiano]

Thank you 😊

[@weirdghazt]

Ranking them 1. Lydian 2. Dorian 3. Mixolydian 4. Ionian 5. Aeolian 6. Phrygian 7. Locrian

[@thomasfioriglio]

This was really interesting. I had learned about all those scales but to hear them put into practice over one song and back to back, really helps to hear the differences. Thanks for sharing.

[@BakerVS]

The mixolydian and dorian versions still sound like something Oasis would do. Lydian and phrygian sound more like a Pink Floyd song.

[@odarkeq]

Dorian really fit the lyrics, but I felt the most groovy with the mixolydian. Fully agree with you.

[@Fire_Axus]

your feelings were irrational

[@panriso]

I found the melodies very similar to Little James, from their SOTSOG album.

[@psychonaut689]

Pink Floyd often use Dorian

[@TheRealJayguar]

What a great way to learn more about modes. This was very cool. Thanks for sharing this!

[@jacekmaraj1774]

Major scale is brighter , but feels more menacing and sounds like a threat 😂

[@aghastlyghost]

Bloody better be the day.l

[@eyesofchild]

I felt the same. I guess the confidence of the scale with the descent of the melody line are at odds with each other.

[@Jimmyjames738]

This is a great video David. Wonderwall is such a great and identifiable placeholder song to show the tonal qualities of each mode. 👍

[@adrianguntherkeedle6860]

So brilliant when you use a concrete melody like this, so you can fully appreciate the tonal differences the modes create. I've know about modes and have learnt the scales but seeing them in use like this is something else.

[@rubberface1424]

And now let's rewrite Oscar Wilde's classic into an even darker version: Phrygian Gray.

[@campospt2414]

Locrian Gray

[@rubberface1424]

Yes, but I daren't even think it.@@campospt2414

[@psychonaut689]

💀

[@rainbowrotcod]

HA!!!!!

[@JonWilsonPhysics]

Yeah but have you met his sister, Lydia Gray?

[@Andysmusicaljourney]

Finally somebody explaining the use of modes in a way that I can really hear and grasp it properly.

[@BishopJimmy]

I’m a bassist who kinda knows music theory but also doesn’t. This has probably been the best video I have ever seen explaining the modes as something musical rather than just a set of notes, hopefully if I consider this I’ll be able to make something I actually like the sound of, rather than making something I know should be theoretically possible.

[@lawrencetaylor4101]

Merci, another awesome video. I practice my modes scales in that order that David lists since it makes more sense that playing them as they occur in major keys.

[@raularenaza3230]

I don't know if this is easy for all those with armony studies... BUT for the ones that we don't, this is just an open windown to knowledge and understanding. BRILLIANT VIDEO! well done David!

[@DavidBennettPiano]

Thank you!!

[@lljf]

3 things you should know about David Bennett Piano: He doesn’t like the Beatles His middle name is Bennett and his last name is Piano He hates modes, but Locrian is his favorite

[@vermillion2023]

thats true

[@P_B_FR]

As Mr D B Piano, I can confirm all of those

[@lljf]

I forgot one: His sponsorships have no relation to his content

[@elrincondelocutre9884]

You forgot that he dislikes Radiohead

[@captainalex8003]

@@vermillion2023 It really isn't.

[@StephenJohnWhiting]

Great idea for a video - really enjoyed it!

[@JesseDishner]

This is fantastic, like a musical multiverse... in each different universe the songs are the same but in different scales and so completely different. Love it!!

[@kaitlyn__L]

Dorian to me always sounds like travelling. Or perhaps a montage of industry doing its thing, workers pouring out of a revolving door. Like… it’s bright but also restless. Definitely one of my favourite modes (and dorian flat-2 gives me that “in a hurry, making stuff happen” feeling even more!)

[@Fire_Axus]

your feelings are irrational

[@josephclarke6770]

Mixolydian sounded genuinely fantastic

[@TheStickCollector]

Perfect to find out how each mode operate

[@craigburton4447]

Mixolydian works really well, doesn't sound as awkward as major and lydian

[@TigerRogers0660]

David, what an amazing excersise!! This sure helps to understand the modes better.

[@DavidBennettPiano]

Glad you found it helpful 😊

[@condolcezza5850]

Locrian surprisingly sounded really good

[@kittycatpilot]

it was fucking sick yeah

[@remco2777]

Brilliant video again David, yours are the best in actually hearing what the modes sound like

[@DavidBennettPiano]

Thank you 😊

[@DanielGBenesScienceShows]

I love these multi-mode breakdowns!

[@Stoneador]

Interesting how changing that C natural to C# changed the beginning just enough that even the minor scale version sounded a little off

[@Inequities]

Best thing I’ve ever seen on KZbin

[@DavidBennettPiano]

Fantastic!

[@Inequities]

@@DavidBennettPiano David, while I have you here, have you ever heard the band Guster? I think they are probably the most catchy “music theory” American bands ever. Beautiful melodies, Counter melodies galore, harmonically perfect. Just curious! ❤️

[@Jeremyak]

I really enjoy these modal comparison videos.

[@adriancadena2887]

This is the video that finally got me to understand modes lol. Amazing job!

[@Elfaz95]

I was wondering why the minor modes still sounded off at the beginning. Good to know I’m not losing my mind

[@kaitlyn__L]

same lol

[@morphin4200]

Piece of music at the end is just beautiful and amazing

[@syukoshiomy]

love this video. i really appreciate the use of a song that doesnt perfectly fit the modes. when i write i tend to limit myself to the rules of whatever scale i find myself in and it hurts for making some things stick and sound unique when they could be. this song gets played so often it's also nice to be reminded of how good it is on a detailed level.

[@WilhelmHand]

Excellent lesson/lecture and exceptional choice of music to accentuate points.

[@justinmiller9169]

Great explanation of the modes. Please do more videos like this.

[@abc3631]

Voice getting modulated as per the mode is what blows my mind, more than anything else.

[@barsliw]

It’s funny but no matter which scale is used melody stills owesome. Hell of a masterpiece. But still analysis…have no words 👌

[@jonnuanez7183]

Locrian Wonderwall is fit for an 18th century Romanian castle

[@Reebus.LCU.]

Really enjoyed that mate. Great video ✌

[@DavidBennettPiano]

Thanks 😊

[@Clarity-808]

What a cool video! Thanks David

[@matcoffidis1135]

Amazing how changing a few notes changes the feel and mood of the song so much...

[@pianomanenproceso]

Wow, this is one of the best videos I’ve ever seen that clearly explains this topic, and with a fantastic sort of examples too. Thank you, David!

[@DavidBennettPiano]

Thank you!

[@barbelarmbroster6524]

Yeah, I asked for more fun with a song in different modes. Thanks! I will surely enjoy the video!

[@edpp3687]

This video is brilliant. What an excellent way to teach modes

[@dayradebaugh]

This is an excellent video for one who is trying to understand music. I've always wondered what the differences in modes are, and this is an excellent illustration. Good job!

[@gabewolfmusic]

The chords in the Dorian version are just like the ones in the chorus of Mad World. Who knew that a modal change could relate two wildly different songs... really cool!

[@santiagomaldonado1153]

Today I discovered your channel, you're the best 🙌

[@OKTA_TEK]

while i was already familliar with the theory and sound of the 7 modes, i sincerly think that this is the best video on the internet to make anyone hear the different colors of each one

[@luismarquez5038]

6:09 That DMaj7 sounded brutal.

[@oravlaful]

absolutely love these videos you shove songs into all of the modes

[@b00ts4ndc4ts]

The Phrygian scale gets used all the time with dance music like techno or hard house.

[@thomasgorniak7192]

also in heavy metal, specially thrash metal. the flat9 is the signature interval used for the 'anger' mood, so to speak.

[@b00ts4ndc4ts]

@@thomasgorniak7192 nothing like a bit of aggressive thrash metal on the headphones when I am running late for work, gets me there every time.

[@statueofliberty1132]

Do you have any examples of EDM songs in phrygian? I think I'd enjoy those

[@kenreeve32]

Learning music theory should not be THIS fun! Great video.

[@luigiscazzari4724]

Thank you for the video, experimenting with modes is a fun way to put music theory in practice.

[@mindmeld12345]

This was great! Please do it for other songs

[@ShaynAlmeida]

This is oddly amazing 🙌🏽🔥👍🏽 Thanks for putting this together, it really helped 🙏🏽

[@eluherlu]

Woah I need that mixolydian in full version!

[@DavidBennettPiano]

😊😊

[@kiereluurs1243]

'Wonderwahaaalll...!'

[@Scra2zyBass]

Oh my gosh… the Lydian one was actually beautiful, not kidding.

[@captyonah1378]

This was so enjoyable to watch!

[@psychonaut689]

That Dmaj7 chord in the aeolian version sounds gorgeous

[@NomeDeArte]

Love the concept of the video. Really useful.

[@DavidBennettPiano]

Thanks!

[@jacekt8161]

The aeolian version has such a satisfying resolution that it almost makes me cry 🥹

[@jukelong3494]

Awesome video on modes. Thankyou for showing this with context to enhance my understanding.

[@DavidBennettPiano]

Glad it was helpful!

[@MacSour]

Beautiful, I loved all the modes

[@icannotchoose]

Could you try a version with the modes of melodic and harmonic minor? I'd love to hear what a pop song sounds like in mixolydian flat 6 or lydian dominant!

[@Fire_Axus]

your feelings would be irrational

[@jared_s2]

this is very cool. all students learning theory should watch this to see why theory teaches understanding of music's moods.

[@davide2.07]

Lovely video, David- I absolutely adore Lydian, especially in this video.

[@HeyBulldog-Beatles-Tribute]

Thanks David. To have made the choice of this very very popular melody (that everybody in occidental world has in ear, even non-musicians) is a good idea, I will share this and hope that some friends of mine and family will understand the link between modes and emotion. :)

[@pilp]

Love your videos David, you have to talk about Franz Ferdinand

[@samuelhornmusik]

Fantastic, thank you! A very entertaining kind of education!! Cheers :)

[@trevordavies2829]

Thank you Certainly a repeat listen. Well done.

[@MizuRino]

It's a brilliant content! It explained so much to me (the modes are not that hard). Thank you!

[@joerghaas08]

Bravo! Great Video and Explantation, David. And wisely chosen song.

[@WillhiteStephen]

OMG I love it in the Locrian scale! Now I want to check out other music in the Locrian scale.

[@UandMisterG]

Excellent! big thx!

[@JulianDale94]

I’ve heard that the sound of puking is usually in Locrian

[@davidvernon3119]

Yeah… the “i don’t believe” bit sounds really good in major😊

[@ChandLiu]

That Lydian sounds wonderful

[@composer7325]

Very interesting, thank you, David.

[@ramsesgomez3652]

Mixolidio 😮😮❤ suena increíble

[@martonlistar]

Awesome video, thank you very much!

[@tsopanaras]

Amazing work!

[@RedDogMamaHD]

It's so hard to catch up on today's KZbin videos and listen to NFL Football games! 😜 I guess I will have to listen again tonight!!!! 😘😊

[@jjeanedoe]

Great video!

[@tuongnguyen6630]

It’s a hard song to master, David, and you did it! Bravo! I really like the swift fingering. I would play the left hand a tiny bit softer on the chords. I guess it’s a personal preference. That’s easy said but hard to achieve while you are trying to maintain a steady chord rhythm for this powerful song.

[@diecast4556]

12:30 music at the end...so good..whats the title of the music?

[@autumnsphere7581]

Im learning so much, thanks

[@jeremiahlyleseditor437]

Wonderful Video. A big help as far as instruction.

[@arklowrockz]

I think the Phyrgian mode is what Danny Cananaugh from Anathema uses to write a lot of his songs (and it is bloody fantastic I might add).

[@rome8180]

I personally always thought of "Wonderwall" as in Dorian. I get that it's indeterminate. But when you play that IV chord (the Bsus) as a major, it sounds much more natural than Bm. In my opinion, the major chord is implied even if the third is never played or sung. I was actually surprised that for your Dorian version you didn't just keep the original chord progression but lower the sus4 to a 3rd. Am I missing something? Wouldn't that have worked and been less of a radical change?

[@haidynwendlandt2479]

Listening to all of these versions does make me like the original Wonderwall so much mofr