Death Don't Have No Mercy: Essential techniques

  Рет қаралды 1,956

Scott Ainslie

Scott Ainslie

Күн бұрын

This is a brief, impromptu video to reinforce a lesson I gave yesterday via Skype.
I often will cut a video upon request as a memory and practice aid for my students. A new technique, a new lick, a new chord form, can be lost to living memory too easily, and a short video like this one seems to be gratefully received and useful.
You'll find more on private Skype lessons with me at: cattailmusic.com/music-instru...
My Patreon page is: / scottainslie
Every subscriber, regardless of their level of subscription has access to the entire archive of material there. It is not a place where the very wealthy get the cool stuff and everyone else has to make do. Un-American? Yeah, i guess so. But no one ever said that capitalism would render us a civilized society...

Пікірлер: 11
@jayclement17
@jayclement17 Жыл бұрын
Always great to hear you, Sensei. I look forward to exploring these interstitial licks. ❤
@scottainslie
@scottainslie Жыл бұрын
Jay, how I love that you use the word 'interstitial.' LIke 'interdigitated' these are elegant words that neatly communicate complex ideas
@jayclement17
@jayclement17 Жыл бұрын
@@scottainslie it’s what words are for, right? Thank you. :-)
@scottainslie
@scottainslie Жыл бұрын
Indeed! @@jayclement17
@aljohnson3010
@aljohnson3010 Жыл бұрын
Thank you Scott..😊
@scottainslie
@scottainslie Жыл бұрын
Glad you liked it. You are most welcome…
@goranpetrovic1714
@goranpetrovic1714 4 ай бұрын
❤❤🤘
@mccypr
@mccypr 11 ай бұрын
Thanks! I saw a live performance video of you on Jake Wildwood’s KZbin channel. 😎
@scottainslie
@scottainslie 11 ай бұрын
Jake’s quick! And a sweet cat…s.
@jimsliverootsculturemusic
@jimsliverootsculturemusic Жыл бұрын
Beautiful guitar! Can you tell us what you've got there?
@scottainslie
@scottainslie Жыл бұрын
This is a 1934 Gibson L-50, a guitar I first heard in Louisiana playing Cajun music brilliantly. I asked my friend who owned it if I might see it, and it sounded more like Robert Johnson’s recordings than any guitar I’d ever played. I asked for first crack at buying it if she ever decided to sell it. The instrument was given a second life by Harry Becker, an amazing friend and brilliantly inventive guitar repairman. It is very handsome, isn’t it?
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