Denez Prigent (Breton folk singer-songwriter, Lisa Gerrard, MDF). Don't forget to subscribe.

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Fairfaxcitymusic & Mellotronweb

Fairfaxcitymusic & Mellotronweb

5 ай бұрын

This is my conversation with Denez Prigent. It took place on 2/10/2024 from his home near Paris.
Denez Prigent (Breton pronunciation: [ˈdẽːnes ˈpriːʒẽn(t)]; born 17 February 1966 in Santec, Finistère) is a Breton folk singer-songwriter of the gwerz and kan ha diskan styles of Breton music. From his debut at the age of 16, he was known for singing traditional songs a cappella, and has moved on to singing his own songs with techno music accompaniments. He has performed in France as well as internationally and has recorded seven studio and two live albums.
During his childhood, Prigent lived with his father in Le Relecq-Kerhuon and spent his weekends at his grandmother's, in Santec.His father, a primary teacher, raised him speaking French, although he spoke Breton fluently, because he did not see the point in teaching Breton to his son. Denez thus discovered the Breton language at his grandmother's, along with its natural harmony and the tendency of Breton speakers of that time to sing written or improvised songs. While in secondary in Brest he preferred listening to Breton songs on his portable audio player than concentrating on his studies.
At age 14, Prigent was taught kan ha diskan by Alain Leclère,[5] himself a former student of Manuel Kerjean, whose other students include Erik Marchand.Two years later, in 1982, he sang with Alain Leclère in festoù-noz. In the Kan ar Bobl, he won the first prize in kan ha diskan in 1987, the first prize in new singing in 1988 and the first prize in traditional singing in 1990.
In 1988, driven by his passion for the Breton language, he became a Breton teacher in Carhaix, during which he was regularly invited in traditional music festivals such as the Tombées de la nuit (Nightfalls) and the Festival Interceltique de Lorient. In 1991, the city of Rennes invited him to participate in the "Voice of Asia" festival due to take place in its newly twinned city of Alma Ata, Kazakhstan. Surprised by this invitation, Prigent wrote a satirical song, "Son Alma Ata" (later included on Sarac'h) about the incongruity for a Breton singer to be sent to perform in Kazakhstan.
In 1992, Prigent sang a cappella during the Transmusicales, in front of an audience unused to this style. He subsequently left the band Daouarn with which he had sung in festoù-noz. He performed in the Montreux Jazz Festival, the Francofolies, the Midem, the Printemps de Bourges, the Coup de Cœur francophone in Quebec, the Mitte Europa festival, the Celtic Connection festival in Scotland, Expo '98 in Lisbonne, and the Eisteddfod festival in Wales.
In 2000, Denez Prigent released his third album, Irvi. This title is the plural of the word erv, i.e. a foam path, meaning a path, only usable at low tide, that links a tidal island to the continent or to another island. The song Hent-eon (foam path) describes the wish of a man from Lesconil to be buried in such a path so that he will be watched over by nature. This idea of a link between two worlds, between life and death, also appears in Daouzek huñvre, where seven lost spirits clothed in flesh walk in line on a foam path.
Like in Me 'zalc'h ennon ur fulenn aour, Denez Prigent wrote all the lyrics, except those of the traditional song E ti Eliz Iza, on the bonus CD, and most of the musics, again using both traditional instruments and electronic sounds. The latter are more discreet than on the previous album; Irvi thus sounds less jungle and more new age. The main invited musicians are the jazzman Louis Sclavis, the viellist Valentin Clastrier, and the uilleann piper Davy Spillane.
For the first time, French lyrics appear on one of Prigent's albums. They are told by Bertrand Cantat on Daouzek huñvre, whose structure is reminiscent of the twelve series of Ar rannoù. The other voice that can be heard on this album is that of Lisa Gerrard, the singer of Dead Can Dance, on Gortoz a ran (I await). This song, the first one in the album, is part of the soundtrack of Black Hawk Down, a film directed by Ridley Scott.
The next album, Sarac'h (rustle), was released in 2003. Lisa Gerrard is again invited, as is Yanka Rupkina, the soloist of the Bulgarian State Television Female Vocal Choir, Karen Matheson of Capercaillie, and the Sami singer Mari Boine. Also appearing are the Dónal Lunny on the bouzouki, Nabil Khalidi on the oud, and Farhad Bouallagi on the violin. Although this album uses electronic sounds, the music is mostly performed on traditional instruments.
Discography
(1992) Ha daouarn (cassette)
(1993) Ar gouriz koar (new version released in 1996)
(1997) Me 'zalc'h ennon ur fulenn aour
(2000) Irvi
(2002) Live holl a-gevret!
(2002) Black Hawk Down - Original Motion Picture Soundtrack (Gortoz a ran)
(2003) Sarac'h
(2011) Denez Best of luck chap"
(2015) An enchanting garden: Ul liorzh vurzudhus
(2016) In unison with the stars: A-unvan gant ar stered
(2018) Mille chemins
I am very grateful with Julian Barges for helping out with the translation during the interview.

Пікірлер: 5
@athorvallal
@athorvallal 5 ай бұрын
Mad tre, Gourc'hemmenoù Denez ha d'an holl! Mersi braz!
@Salternal-briceamo
@Salternal-briceamo 5 ай бұрын
Great interview
@malt5010
@malt5010 5 ай бұрын
Ce serait triste si nous n'étions qu'un canal, un tube, qui déverse le ciel sur la terre. Pourquoi ce que nous exprimons de beau ne serait pas plutôt ce que nous sommes au plus profond de nous, l'essence ultime de ce que nous sommes... Le chant de Denez ne vient-il pas du coeur de son cœur puisqu'il est unique..
@newdenez6285
@newdenez6285 5 ай бұрын
Il a voulu dire une énergie divine qui passe par le prisme de notre individu pour la métamorphoser selon notre vision du monde unique pour chacun d'entre nous.
@malt5010
@malt5010 5 ай бұрын
@@newdenez6285 Oui certainement. Le divin est-il extérieur à nous, en nous, probablement les deux à la fois... Dans la solitude et les grands espaces il apparait omniprésent. Il me semble... Bien à vous.
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