Der Freischütz Ernst Kozub Arlene Saunders Edith Mathis Hans Sotin Gottlob Frick Hamburg

[@kodden]

Увертюра 00:01 Вступление 02:24 лейтмотив Самьеля 03:10 ГП тема злых духов 03:32 ГП тема Каспара 04:12 I ПП тема Макса 04:48 II ПП тема Агаты I действие 09:08 Интродукция. Хор "Победа" 10:28 Крестьянский марш 11:59 куплеты Килиана "Королем стрелков я избран" 24:20 Вальс 25:33 Речитатив Макса "О, сколько горя и томленья" 26:41 ария Макса "Ах, бывало, возвращался я так радостно домой" 33:30 Песня Каспара "Что б мы были без вина?" 37:47 Финал. Речитатив "Да! Да! Погибнуть должен он" 38:23 ария мести Каспара "Он аду в жертву обречён" II действие 46:07 ариетта Анхен "Если юноша красивый станет мимо нас гулять" 50:41 речитатив Агаты "Ах, Макса не увидев, не знать мне сладких снов" 51:50 ария Агаты I "О, мольбы мои, летите, до небес святых дойдите" 56:25 ария Агаты II "Сладко сердце трепещет, прямо к милому летит. Счастье мне звездою блещет, радость мне судьба сулит" 1:06:40 Сцена в Волчьем ущелье III действие 1:21:58 каватина Агаты "Толпою ходят в небе тучи" 1:28:03 рассказ Анхен "Однажды бабушке приснилось" 1:30:37 ария Анхен "Взор свой ясный в час прекрасный не напрасно ль омрачаешь?" 1:34:34 Хор подружек невесты "Приносим мы тебе цветы и ленты голубые" 1:38:12 Хор охотников "Что лучше охоты?"

[@alina_bykova17]

Спасибо Вам огромное🎉

[@walterbenjamin1386]

Thank you!

[@ЭллаЧернышева-м3ь]

Спасибо добрый человек!

[@lamento_momento]

Святой человек, спасибо огромное!

[@ilkodimov4307]

My dad Fritz Henker. soloist was playing from 1954- 1979 Hamburger Philharmony and he had a lot of tickets for me ! I saw the Freischuetz twice and my dad loved the opera and , while telling me the contens , always lauphing about the moment, where its craching in the dangeon ! Great cast ! I saw all of them !

[@peterkratzke952]

Beneidenswert 👍😊🎼🎹🙏

[@Franz-X-Bauer]

Ich kann mir diese tolle Inszenierung immer wieder ansehen/anhören - brilliant Gottlob Frick - Wahnsinn - der tolle Baß des Ermiten am Schluß - läßt mich als Baß-Sänger immer wieder vor Neid erblassen.

[@lillischneider6667]

absolut! und auch edith mattis ist einfach fantastisch!

[@walterbenjamin1386]

@@lillischneider6667She is indeed!

[@contraltissima]

was für eine tolle Tenorstimme! was gäben wir heute für so einen Sänger!

[@henkerfastwalker]

I saw this opera at the Hamburger Staatsoper1968,same cast .I was lucky, I had to go all the time. I loved it ! My father sat in the orchestra with his bassoon ! A great Staatsorchest, seven were philhaimonikers . My father Fritz Henker, one of them great opera! Great singers !

[@sigridgaede1385]

Always grateful to hear Kozub sing; especially "durch die Felder durch die Auen"... Thank you for sharing!!

[@fritzullrich]

Er war einfach grossartig!

[@peterkratzke952]

​@@fritzullrich👍😊🎼🎹🙏

[@НатальяСивцева-и2й]

Увертюра - С dur 00:00 Увертюра C dur ТВ1 тема леса 01:00 Увертюра ТВ2 тема Самьеля 2:24 Увертюра ГП1 тема Макса 03:10 Увертюра ГП2 марш, тема Каспара 03:32 Увертюра ПП1 тема Макса 04:12 Увертюра ПП2 тема Агаты 04:48 1 АКТ хор “Победа” - D dur 09:08 1 АКТ ария Макса “Ах бывало возвращался” - Es dur 30:44 1 АКТ песня Каспара “Чтоб мы были без вина” - h moll 33:30 1 АКТ ария Каспара “Погибнуть должен он” - D dur 37:48 2 АКТ ария Агаты “О мольбы мои услышьте” - Es dur 50:42 2 АКТ сцена в волчьей долине 1:13:00 3 АКТ каватина Агаты “Толпою ходят в небе тучи” - As dur 1:22:00 3 АКТ хор подружек “Приносим мы тебе цветы” - C dur 1:34:34 3 АКТ хор охотников “ Что лучше охоты” - D dur 1:38:12

[@PatrickStar645]

22:03 "It's HIM! Its the madness!! I hear him!! HE HAS COME FOR MEEE!!!"

[@axeltevaganar1803]

Thanks

[@TG-to5nf]

+PatrickStar645 To The Top with you Sir

[@aleksandramakari]

I totally died when i read this comment! LOL! R.I.P. Van Winkle

[@carlorozyclemente1999]

looking for timestamp. not diesappointed

[@dbalkoo1987]

Do you know the true meaning of Der Freischütz? Samael ;)... i havent that much fun in ages hahaha.

[@congrang]

This is by far the best Der Freischutz performance I've ever watched

[@c0ckbubbles]

МСС(ц)МШ имени сами знаете кого представляет Увертюра: Вст1 - 00:01 Тема пожилого леса - 1:00 Вст2 - 2:24 ГП1 - 03:10 ГП2 - 03:39 СП - 3:52 ПП1- 04:12 ПП2 - 04:48 Разработка - 5:26 ПП реприза - 7:12 Кода - 7:51 I действие Вальс - 24:20 Ария Макса - 26:41 Песнь Каспара - 33:30 II действие Ария Агаты - 51:54 Финал 1:07:12 III действие Хор девушек - 1:34:34 Хор охотников - 1:38:12 p.s. Прошу Дяковать

[@onedrushka6689]

Спасибо Артур

[@СофьяСелянко]

Щиро дякую)

[@МарияБессонова-о9б]

Харош

[@КаринаТер-щ5э]

@@СофьяСелянко о..........)))) Решила переслушать))

[@robertevans8010]

This performance puts all Opera performances these days to shame! Fine Cast all singing beautifully and the Chorus magnificent!

[@peterkratzke952]

Dem ist nichts hinzuzufügen. Ernst Kozub,Arlene Saunders,Edith Mathis, Gottlob Frick, Franz Grundheber, Toni Blankenheim..was für ein Ensemble! Alle, ausnahmslos Alle sind Stars, aber sie fügen sich auch nahtlos ins Ensemble ein. Und ja, wann erlebt man einen solchen spielfreudigen Chor, der so schön klingt. Leopold Ludwig ist ein sehr guter Dirigent gewesen, der den Laden zusammenhält. Bravo. Die Inszenierung, das Bühnenbild und die Kostüme (Jäger und Bauern visuell klar getrennt, weil auch musikalisch getrennt, im 1.Akt) Die Personenführung, die Stimmung..es ist eine einmalige Produktion. Vielen Dank für das Einstellen. Arlene Saunders war auch eine sehr, sehr gute Strausssche Danae. Sie bewältigt diese hybride Partie mühelos und man versteht jedes Wort. Es gibt einen Mitschnitt unter Mackerras mit ausschließlich englischsprachigen Sängern, hochprofessionell und heute in dieser Qualität undenkbar.

[@darklordjackal1742]

17:22 "First Lieutenant Rip Van Winkle, do you know how Der Freischütz ends? Kaspar, having trifled with the Black Huntsman Zamiel, is whisked away to hell for his sins. His corpse is then thrown into a ravine to be eaten by wolves. Prepare yourself, First Lieutenant, for now, Zamiel comes to collect you." - Major Best quote in hellsing

[@EJAXK13]

Alucard: Those who dare impersonate the dead, are judge to join their ranks.

[@gamejunky6345]

+Sigmatron Alucard: ch ch ch check your privalige!!

[@maiyabraun1150]

Увертюра Вступление: Тема риторич. вопроса - 00:01 Тема леса - 1:00 Тема Самьеля - 2:24 Гп (т. адских сил) - 3:10 Сп (т. Каспара) - 3:52 1Пп (т. Макса) - 4:12 2 Пп (т. Агаты) - 4:48 I действие Крестьянский марш - 10:29 Песня Килиана - 11:59 Лендлер (вальс) - 24:20 Сцена и ария Макса: 1р. "Ах, бывало возвращался" - 26:41 2р. "Уже ли небом я отринут" - 28:41 3р. "Как бывало в час урочный" - 29:32 4р. "Да, ад сковал меня цепями" - 30:47 5р. Тема Макса - 31:15 Песня Каспара - 33:30 II действие Ариетта Анхен - 46:07 Сцена и ария Агаты: 1р. "Ах, Макса не увидев" - 50:41 2р. "О мольбы мои летите до небес" - 51:54 3р. "Сколько звезд, как ночь прекрасна" - 52:55 4р. "О благое проведенье" - 53:28 5р. "Все молчит, все спит вокруг" - 54:33 Тема Агаты из увертюры - 56:38 Сцена в Волчьей долине - 1:06:40 III действие Рассказ Анхен - 1:28:03 Ария Анхен - 1:30:37 Хор подруг - 1:34:34 Хор охотников - 1:38:12

[@СвятославКимаев-ж2э]

Дякую!!

[@Balmung115]

1:38:15 - can we all appreciate that this is easily one of, if not the best, renditions of the Hunter’s Chorus? It’s very tasteful and, man, everyone sounds fantastic.

[@silviatortorella9769]

Hervorragende Versión ! GroBartiger Gottlob Frick, wünderbare Edith Mathis, groBer Heldentenor und auch die Sopran, in so eine schwerige Arien !Bravo tutti! Und vienen Dank! ❤

[@freddykisback123]

came from Hellsing , stayed for awesomeness

[@bogdansecula1337]

Einfach genial, ewigen Respekt .

[@nataliashmatko3055]

Absolutely fantastic performance. Thank you very much for uploading.

[@Victoria-jb2ke]

I came here after playing hunters chorus on my clarinet for a solo... LOVE IT!!!

[@michsturge]

I've loved this film since I first saw it in the last 70's. The production is on a lever of quality and respect for the work, given the terrible stagings that seem to be the vogue, I doubt if we shall ever see their likes again. Kozub is wonderful as is everybody else. I can hardly express my love for this opera in words. I can easily see how it appealed and influenced the young Richard Wagner, who was to transform opera completely.

[@robertevans8010]

Ernst Kozub a very fine Singer!

[@libbysingsmezzo4679]

Very nice production and great singing from top to bottom! A shame this opera isn't presented more often these days.

[@ThePatsend]

deux cents ans et pas une ride, cet opéra est merveilleux

[@catherinedarsouze6064]

Anyone loving this Opera long before Hellsing? Pleaaaaase! Sure we can't be disapearing fossils......

[@jkircher314]

Catherine Darsouze I don't even know what Hellsing is .....

[@IAMDRMERVRENBARRON]

jkircher314 Hellsing is an over the top series of Novels (and Later Animated series, Both a hurried one that got split off from the main story because the novels weren't written fast enough, Much like the Game of Thrones series, and Later a revised animated series based entirely on the novels) based around Vampires, Hunting Vampires, The Protestant and Catholic church, and Illuminating the night sky with the burning embers of Europe. It's bad, but, in that weird area of, It's so bad, it's good, but not so far that it's "So bad it's worse", that it gets a cult following.In short, try reading it online, The story's a big shonky, But the art is nice and it's a good tacky pulpy read. The reason it's connected this opera is because of the singing of a certain character named Rip Van Winkle. who enjoys singing it, and it was used partially as the soundtrack to parts of the OVE animated series.

[@jkircher314]

IAMDRMERVRENBARRON Thank you very much for this thorough explanation.

[@jkircher314]

IAMDRMERVRENBARRON I think this is the Hellsing aria 0:17:23

[@machopi]

Catherine Darsouze I've enjoyed seeing The Marksman in an actual opera house. Sure's nice the animu fanboys to pick up on something beautiful and cultural while watching not-Dracula (kek) tear shit up.

[@КонстантинС-ц2ю]

Увертюра 1 акт хор «Победа! Победа» 9:10 куплеты Килиана 11:59 Ария Макса 25:38 куплеты Каспара 34:28 Ария Каспара 37:45 2 акт Первая сцена. Ария Агаты 50:43 Вторая сцена. Волчья долина 1:06:38 3 акт. Первая сцена. Каватина Агаты 1:21:59 Вторая сцена. Хор охотников 1:38:13 Вторая сцена. Финал: появление отшельника 1:51:29. Заключительный хор 1:56:36

[@akatsukigrl1990]

This is my favorite opera of all time. Best performance ive ever watched!!

[@fizzbronson4279]

Gottlob Frick, best Kaspar ever!

[@MultiHornman]

How much do I love this, I can't even count the ways.

[@vonzigle]

Nice rendition of the Wolfs Glen scene.... Those horns get me every time!

[@84Martin]

Superbly authentic, wunderschön!!!!

[@duncanrichardson2167]

Indeed splendid cast (singing and acting), excellent production, marvelous conducting.Although my preference for video TV or films of opera is full stage view i.e. no close ups.I like to imagine I am seated at the opera house, front of first balcony.Nonetheless 5* for this, thank you jkircher314

[@moiraclegg3380]

It was magical to see Gottlob Frick as an actor, after hearing him so often with just audio. Greatest singerI have ever heard. Incredible that this Kaspar ruffian could be THE Hagen of all Hagens, Prince Gremin, Gurnemanz, and could break your heart as King Philip!

[@marcoklaue]

Ännchen and Agathe get such great arias in this opera. I'm surprised they're not heard more frequently at soprano recitals...

[@hadtit]

Preciosa producción, me ha encantado, la conducción insuperable.

[@lsmith145]

Wagner himself said that this opera was “the most German opera of all operas”

[@samotaku9293]

HELLSING ULTIMATE BROUGHT ME HERE,I LOVE RIP VAN.

[@mrpankau]

My goodness, Gottlob Frick is even more amazing than I thought.

[@matthissjendrisch5247]

Ich finde die Oper sehr gut und höre oft ,zu Sontag oder bei Spaziergängen in der Natur.😊

[@sonyakinsey4376]

Wonderful performances. Arlene Sander was great as Agatha, and Gottlob Frick and Bernard Minetti were also great. The whole cast was obviously experienced and knew how to act with out the opera over acting that you sometimes see.

[@Hexmeyer]

Thanks, S. As ever, so many great treasures.

[@ric55]

Excellent and true comment, Hexmeyer.

[@wei-minglee2077]

序曲是眾多歌劇中最出名的一首，經常是音樂會的曲目之一。第三幕的獵人合唱更是一首膾炙人口的歌曲，輕快又豪放，法國號的吹奏與雄壯的合唱效果極佳。

[@emilkp3352]

So underrated opera... it sounds Mozartian and a few minutes later Wagnerian... great arias and magnificent choruses... and the last scene in Act I, so mysterious...

[@j.j.4708]

"Du weißt, dass meine Frist hier abgelaufen ist!" "Morgen." "Verlängere sie noch einmal mir!" "Nein."

[@2alberich2]

"Ich bringe neue Opfer dir!""Welche/!"

[@2251813]

Possa dio preservare questo capolavoro dai registi contemporanei!!!!

[@thesingsongsam]

Vielen Dank für die Video. I would have liked to see the German subtitles so I could follow it. Can't always make out the dialogue! but great. Much appreciated.

[@Dylonely_9274]

Truly amazing, I love the melodies !

[@herbertheyman6726]

One word description. Greatness.

[@JnGArtimation]

Max: So, can I still write her letters? Hermit: No. Max: Frichen...

[@tomberbers]

great cast.

[@finylvinyl66]

+tomberbers Especially Gottlob Frick, one of the great basses.

[@frejr100]

Классная штукенция! Обожаю "Волшебного стрелка"!

[@JoePortly]

I adore this opera. And this rendition is superb

[@jacobcoleman8250]

Anyone else look this up after hearing Rip Van Winkle sing it on Hellsing?

[@darklordjackal1742]

Jacob Coleman 17:22 YES

[@MeowSau]

+ender reaper I dont even know what Hellsing is...

[@jacobcoleman8250]

MeowSau It's an anime about a vampire that hunts other vampires.

[@ewaldseiland8558]

"It's an anime about a vampire that hunts other vampires." "Then Nazis show up and destroy London" Lol, what an awesome plot!

[@victor7480]

Ewalds Eiland vampire Nazis *

[@Myologus21]

I completely agree. It is funny to see how the musicians, especially in the case of baroque musique, look for an "archeological" study of the instruments, performance habits etc of the past, whereas stage directors seem to find the more distant from the original intentions of the authors of the librettos the better.

[@raphaelthedeathangel5754]

ich mag die oper und bin 15! Die meisten Jugendlichen finden sowas bescheurt doch man muss es sehen! Eng: I like the opera, but im 15 years! the most teenagers think thats it redicoules, but i think that u must see it!

[@davemorgan6013]

+Raphael the Deathangel Haha, I also was a big fan of the Freischütz when I was a teenager as well as a hardcore Wagnerite!

[@pataillancesobad4017]

Raphael the Deathangel Haha, ich mag die Oper auch echt gerne, wenn ich groß bin möchte ich umbedingt in eine ganz große Gehen!

[@Quotenwagnerianer]

Die Wolfsschluchtszene war das erste was ich hiervon gehört habe. Da war ich 7. Ich war hin und weg.

[@wlrlel]

@@davemorgan6013 Was? 😅

[@fritzullrich]

Es ist so wichtig! Danke für Deinen Kommentar

[@christophewash6206]

This female crew are absolutely lovely ☺️

[@alexanderbluthgen7311]

Gottlob Frick - für mich einer der genialsten Sänger, die jemals lebten

[@Franz-X-Bauer]

Dem schließe ich mich voll an. Habe alles gesammelt, was von ihm auf Tonträger Videos erhalten wurde. Schau mal seine Ballade "Die Uhr" an.

[@marcusc9931]

Caspar is such an awesomely hammy villain :)

[@kleineratte7678]

I visited this opera in my hometown of Hamburg when I was young ... I wish I had at that time already appriciated opera instead of thinking "Boh, this is so booooring because it's opera"

[@valky666]

I think the Ur-version presented in the Dresden-semperoper kills that one with ease :) Though we had a lot of different version in 'socialist' Germany, but righter after the unity the show in Dresden was awesome. Yet, thanks for sharing this masterpiece!

[@mateuspereira9288]

1:28:04 WHAT A SOLO

[@linaivanova8080]

ВЕЛИКОЛЕПНО! Рай для ушей!!!!

[@thomaslwilson2840]

Great video. Weber helped Wagner learn to compose by giving him Weber's copies of Beethoven symphonies. Obviously Wagner learned something!

[@opheliamoanna3166]

Couldn't say it any better! :D

[@MadanaBhatKhandige]

Am I the only one who's noticing an unmistakably clear importation from Mozart's symphony no. 40? (In the overture).

[@ThePatsend]

I fear so my friend

[@emilkp3352]

In which moment?

[@checha212]

- 💙 Увертюра (с. 6) [ C dur, c moll ] 💿 Действие I Сцена 1 (Площадь перед шинком; Макс сидит один на авансцене у стола, перед ним кружка. В глубине сцены шест с мишенью, окружённый народом. Раздаётся выстрел, и последний остаток мишени разлетается в куски.) 1. Интродукция 9:09 (с. 22) ❤ Крестьянский марш 10:28 (с. 28) (хе-хе-хе) Сцена 2 (Макс вскакивает, вытаскивает охотничий нож и бросается на Килиана. Общая суматоха.) - /Что вижу, возможно ль так забываться? 14:25 2. Трио Макса, Куно, Каспара с хором /Ах, день настанет! 17:22 (с. 35) Сцена 3 Куно, Каспар с егерями уходят. Макс, Киллиан.. - /Ну и душа старик лесничий! 24:03 3. 💙 Вальс и Ария Макса /Nein! 24:19 (с. 52) Сцена 4 Возвращается Каспар - А, товарищ, ты здесь! 32:34 4. Песня Каспара 33:29 (с. 63) - /Уже уходишь ты? 35:53 5. Ария Каспара /Погибнуть должен он 37:40 (с. 65) 💿 Действие II Сцена 1 (Комната с двумя боковыми входами в доме Куно. Оленьи рога и тёмные обои, изображающие сцены из охотничьей жизни, придают всему несколько старомодный характер и показывают, что некогда это был княжеский охотничий домик. Посредине закрытый спущенными занавесами выход на балкон. У одной из стен прялка Энхен, у другой большой стол, на котором стоит зажжённая лампа и лежат белое платье и зелёные ленты. Тут же цветочный горшок с белыми розами. Энхен, стоя на лестнице, вешает на стену портрет предка Куно; у неё в руке молоток. Агата в белой блузе кладет себе на лоб повязку.) 6. Дуэт Агаты и Энхен /Ну, держись 41:06 (с. 75) - /Где Макс? 45:42 7. 💙 Ариетта Энхен (полонез) /Я не пуглива 46:07 (с. 85) - Болтают 49:52 Сцена 2 Агата одна 8. 💙 Ария Агаты /Ах, Макса не увидев 50:40 (с. 91) Сцена 3 Вбегает Макс - /Вот наконец и ты! 58:52 9. Трио Агата, Энхен, Макс /Как? Что? 59:54 (с. 103) Сцена 4 (Волчье ущелье. Водопад. Бледный полный месяц. Приближается буря. На переднем плане засохшее дерево, разбитое грозою, которое как будто тлеет. Вороны, совы и другие лесные птицы уселись на деревьях. Каспар без шляпы и верхнего платья, но с ягдташем и охотничьим ножом складывает круг из чёрных камней; внутри его он кладёт череп; неподалёку лежат орлиные крылья и приспособления для отливки пуль.) 10. Финал (хор невидимых духов) 1:06:38 (с. 117) 💿 Действие III --11. Вступительный акт (с. 147) Сцена 2 (Комната Агаты. Агата в подвенечном наряде стоит перед аналоем.) 12. ❤ Каватина Агаты /Толпою ходят в небе тучи 1:21:58 (с. 152) [ As dur ] Сцена 3 Входит Энхен. - /Хорошо ты спала? 1:27:13 13. Романс и Ария Энзен 1:28:01 (с. 155) Сцена 4 14. Народная песня (хор девушек) 1:34:33 (с. 164) Сцена 6 (Живописная местность. В княжеской палатке знатные гости. В стороне от неё - егеря и загонщики; позади них сложены затравленные олени, вепри и т.д. В палатке за столом Оттокар, на нижнем конце стола Куно. Близ Куно, но вне палатки, стоит Макс, опершись на ружьё. С противоположной стороны Каспар прячется за деревом.) 15. 💙Хор охотников 1:38:12 (с. 168) 16. Финал 1:41:22 (с. 173)

[@Quotenwagnerianer]

Also Frick sieht in der Aufmachung verdächtig aus wie der Räuber Hotzenplotz. ;)

[@petatap]

Damit ist er trotzdem das Highlight dieser grottenlangweiligen Inszenierung. Aber: sehr gute Sänger!

[@庫倫亞利克]

31:44 Am I the only one that finds the devil covering his face the moment Max utters the word "God" amusing?

[@bathtubbarracuda2581]

But Samiel is not Lucifer, he is one of the archangels still serving God, sent specifically by Him to tempt humans into sin.

[@庫倫亞利克]

@@bathtubbarracuda2581 I'm not well-versed in demonology, but perhaps either Weber or whoever's in charge of this iteration decided to take on a different interpretation (that Samiel is a full-blown demon; that Samiel in Der Freischutz is not the same character as Samael in traditional demonology; etc).

[@EinFremderAusElea]

This production is surprisingly good in the depiction of evil. When Kaspar sings of Bacchus, it's like that moment in Trainspotting, when that blond guy is told that heroin is better than sex. And Samiel stands aloof as man grovels ever deeper, choosing to be a worm in return for having what cannot be had, the ultimate mockery of those, who don't understand that. It's happening on a large scale.

[@Victor-ew8fr]

always liked the wolf's glen scene later listened to this when in university good bedtime music lol never seen van helsing though i've watched a ton of anime love it

[@gamejunky6345]

Its just hellsing

[@wigster600]

Could someone add some subtitles to this? Would love to be able to understand it.

[@MeowSau]

Im german and sometimes I dont understand either :D Adding subtitles would take forever, sadly :( But great that non german speakers are interested in things like that ! :)

[@waterkant999]

who in the world speaks english...learn german

[@AlphaverseCosplay]

Im in der liebe mit dieser!! Wenn es nur bekannt waren..

[@josemariafabianrodriguez7050]

WUNDERBAR, 3амечательный, MERAVIGLIOSO, MERVEILLEUX !!!

[@nathanoliveira288]

1:04:30 Glorious

[@julianoascari9956]

22:04 the best part ahaha : ). And just if you came here before hellsing caracter rip van wikle.

[@jshaers96]

If anyone has read the book 'Ring Resounding' by John Culshaw, about the recording of Solti's Ring Cycle, he refers to someone he just calls 'Our Siegfried'. He wanted this tenor for the role of Siegfried because he was a great singer, but he was also a bit of a lazy dope who couldn't learn the role no matter how hard they tried, so he ended up being replaced by Wolfgang Windgassen. It later came out that 'Our Siegfried' was Ernst Kozub.

[@r.p.1929]

Kozub was in failing health at the time, Which he kept to himself. It might have played a factor in his inability to learn the role at the quick pace Decca wanted him to. Kozub died age 47 in 1971.

[@randywolfgang4943]

It was Kozub who was hardly infailing health since he lived ten more years and performed much in that period. It was his laziness and stupidity that threw him off the Siegfried. The Decca team tried to help him learn the part and even Hans Hotter tried to help but they just ran out of time. A shame really since he had the voice

[@ironcladstudios971]

59:55 "Guess what I just caught....I just caught you....Rip...Van....Winkle.."

[@kaesebrot73]

Fantastic performances, costumes and set design. Why don't they show the Freischütz like this at opera houses anymore?

[@michsturge]

This is probably the best Freischutz video of all. Kozub, Mathis, Krause and Frick are equal to the best; Saunders is perhaps not quite on that level, but she's good nevertheless. The only competition is the video of the reopening of the Dresden Semperoper in 1984 or 1985 with a great cast and conductor. Reiner Goldberg is the Max and he's in top form.

[@sarahbooklover3029]

Ich glaube nicht das ich mir gerade wegen Musik diese ganze Oper anschauen muss😭

[@annettengelmann9460]

Ich auch

[@uffo03]

I COMPLETELY agree with Natty Preme ! We all should stop going to opera as long as stage directors' dictature will continue

[@kellerhewen8776]

sincerely, thanks for the suggestion, but one can only buy something if one has money. So i still wish the uploader had included the english subtitles

[@sebthi7890]

Grundheber als Kilian: eine echte Edelbesetzung

[@dRoy8364]

Crap, if only I spoke German.

[@victor7480]

Dales Kane I do and some words are hard to understand lel(mostly when they sing) ....but that's opera ...u get s script if u lost the past ...but this is KZbin ...I don't think anyone will do it for a 2hour long opera lol

[@moiraclegg3380]

@@victor7480 I am trying to improve my elementary German, just so that i can watch German opera without needing to keep checking the libretto. Very much worth the effort!

[@ewaldseiland8558]

Wunderschön!

[@bayreuth79]

It seems to stand between Beethoven and Wagner. Weber imitates one and influences the other. I still say that Wagner is the greatest: Parsifal! My God!

[@erwinmoegi]

Does anyone know where or how to get English subtitles!?

[@servit0r]

Hellsing part starts at 17:20 RIP Van Winkle

[@themall1969]

I'd be glad to download this... I can't find any version of Der Freischütz available to download =/

[@pega17pl]

Very tragic opera with three victims: Kaspar (dead), Max and Agathe (married).

[@benjamin91025]

pega17pl spoiler

[@christophewash6206]

I’m watching this working initially for an opera history class. The discussion is on Webern and the use of dialogue. I hint a little bit of admirable jealousy from Wagner. Are there subtitles in English anyone?

[@9e557]

Date : 1968

[@carlorozyclemente1999]

59:54 "Alucard: GUESS WHAT I JUST CAUGHTTT?!!"

[@Siberekk]

i love this part 56:47 sooo much

[@karlsonkab51]

Krause and Sotin were really great singers and singing actors. Are there any filmed versions with Kurt Bohme as Kaspar ?

[@petatap]

Gottlob Frick!!!

[@qqqquito]

Could anyone hear "Invitation to the Dance (Aufforderung zum Tanz)" from the overture?

[@anonymusum]

It´s only the same style. But melodicwise there is no connection.

[@Pet471028]

Dear Mr jkircher, let me congratulate to your collection. May I suggest to you a beautiful hungarian opera to insert, that is Erkel Ferenc's Hunyadi László. It is from the early XIX. century, and as good as any Donizetti or Rossini "number". You will enjoy it, I am sure. It can be found on You Tube, unfortunately without E. subtitles, but the story is simple and one can read it in Boyden's book on operas. Best wishes: Oem Pet

[@_._Akay]

wie bin ich hier gelandet?

[@annettengelmann9460]

Für die Schule

[@gemstone212121]

Wolf's Glen 1:06:35

[@pega17pl]

gemstone212121 Always an almost impossible challenge to stage directors. Surpassed only by Rhine at Ring of Nibelung.

[@cxqu3087]

Wer muss sich das auch für den Musik Unterricht ansehen 🤣🤣

[@annettengelmann9460]

Ich