This was made in the early 50's. I studied with Masson in '56. He was very influential in my own playing. We became friends as well. Alan Raph
@philosophicallyspeaking64632 жыл бұрын
Alan Raph! I love your playing! You, Sir, are significant, and your playing bears further testimony to your mentor. Therefore your comment is high praise indeed.
@alanraph94332 жыл бұрын
@@philosophicallyspeaking6463 Thank you. I think Masson's playing of the 2 dances is definitive.
@_the_bomb7 жыл бұрын
Truly breathtaking. I'm a trombonist just starting my freshman year of high school. I listen to this to inspire me, and to keep my ego in check. As I watch this video, I find myself in the presence of legendary composers and fellow performers. It never fails to amaze me
@PosauneundPapier8 ай бұрын
4:02 I think is a reference to Tommy Dorsey's "I'm getting sentimental over you" since it was likely a popular song at the time and in France, jazz was considered important music.
@SuperJox12 жыл бұрын
I enjoyed this. His interpretation can't be wrong since the composer's at the piano ;)
@francescoverzillo26983 жыл бұрын
Wonderful!!!
@giovannipierdomenico95142 жыл бұрын
bellissimo
@frankrehak14 жыл бұрын
MAGNIFIQUE
@AtlantaRagtimeBand7 жыл бұрын
Jaw dropping trombone playing.
@pedromanuelsierracordoba60616 жыл бұрын
the best
@elementalmusic525412 жыл бұрын
i play a bolero and love it!
@trombonepenguin14 жыл бұрын
It sure is interesting to listen to the different interpretations of the (for lack of a better word) "gliss" markings at the beginning. They're not even played in this recording. Was that marking added later or something?
@willr38912 жыл бұрын
Idk but it’s bussin bussin
@PosauneundPapier Жыл бұрын
Funny splice at 0:56
@nickgamer9314 жыл бұрын
best part is @ 0:57 (The high 'F')
@thomasburtable13 жыл бұрын
... he plays a G at the end...wtf..
@AtlantaRagtimeBand7 жыл бұрын
and makes it sound easy
@dylanle82396 жыл бұрын
@@AtlantaRagtimeBand but an f is written and b flat to G just sounds weird
@AtlantaRagtimeBand4 жыл бұрын
@@dylanle8239 Understood. The composer didn't seem to mind.