Did Rembrandt employ etching techniques in his oil paintings?

Rembrandt was a master in the art of oil painting, but what techniques did he employ to create his masterful etchings? During my trip to his house in Amsterdam, I had the opportunity to record a video of a rare demonstration featuring the techniques he developed to create his prints. The methods I witnessed during the demonstration reminded me of some of the techniques he employed for his oil paintings. Was Rembrandt borrowing etching techniques to develop his oil paintings? Find out the answer as we tour the Rembrandt House Museum and discover the artist’s printmaking techniques.
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#oilpainting #etchingtechniques #rembrandtechnique

[@LuisBorreroVisualArtist]

Subtitles are now available.

[@nidhishshivashankar4885]

Great timing on this video, was just in the library yesterday studying a book about Rembrandts etchings

[@ozymandiascakehole3586]

I gave one of these courses at the teylers museum in Haarlem, glad to hear you enjoyed your time in the netherlands! Did you visit the Frans Hals as well?

[@cuentamedenuevo7399]

Qué disfrutable video, Maestro Borrero! Gracias por compratir esta experiencia tan bonita. Amo al Maestro Rembrandt! Qué buenas sus observaciones y las asociaciones entre sus técnicas de dibujo y de pintura.

[@56m6]

Quien sabe ver descubre la extrapolación de las dos técnicas muy acertado

[@ronaldmoravec2692]

Art Institute of Chicago has a room with around 100 paintings, 3 horizontal rows on 3 wall. I walked in, took a 5 sec look around and walked up to what I thought was the best. Portrait signed by Rembrandt.

[@stephenspiteri_zunkus]

Very interesting. Thanks!

[@phillipmurphy842]

Luis, wonderful video and demonstration.

[@leslieromero6610]

How did he achieve the scenes that look like one continual line that's connected all the way through. Trees, house, wagons, all connected

[@JuanFecit]

¡Gracias por el aporte, Luis Borrero! Yo nunca he podido hacer una buena tinta para impresión de huecograbado; he intentado con aceite muy espesado al sol (en diferentes grados de secado y de viscosidad) mezclado con negro de humo, pero, aunque en apariencia se ve y se siente como una buena tinta para grabado, no da buenas impresiones. Tengo entendido que las recetas originales, incluso las que usó Gutenberg para imprimir tipos grabados en relieve, llevan algún tipo de resina (quizás similar a la trementina), pero no he dado con una receta para prepararla. Por ahora debo usar tintas de uso comercial tanto para grabado artístico como para serigrafía, litografía, etc.

[@LuisBorreroVisualArtist]

Gracias por compartir tus experiencias Juan! Esto es un buen tema para investigar la formulas de tinta de grabado utilizadas por los maestros.

[@QQQQQman]

Check out the work of Balthasar Denner I have never seen such realism and quality not even Rembrandt comes this close to utter perfection in the rendering of the human face.

[@KleberFacchin]

Thanks for sharing valuable information! I'm looking for some translation of manuscripts by Theodore Turquet de Mayerne that talk about painting technique of 17th century painters, but I only found a very expensive book. Do you know any translated text of this manuscript?

[@shuvoDhar.5537]

Great❤❤❤

[@rachel18809]

Who was the rude person who said "please" in a nasty way after the tour guide said "I'm sure I don't need to explain this" referring to beeswax. He was just doing his job. Some people annoy me.