Piano Masterclass 1987, Koninklijk Conservatorium 's Gravenhage
Пікірлер: 27
@annagszasz53993 жыл бұрын
He was a guru. A real grandmaster.
@konstantinoupianist14 жыл бұрын
What a Musician..Let's try to learn from him..
@mayroni14 жыл бұрын
Thanks so much for posting this. It brought tears to my eyes. If you have any more, please post.
@BklynBeth4 жыл бұрын
Here thanks to the wonderful book, "The Piano Shop on the Left Bank." Chapter 20 describes Gyorgy Sebok and his mastery lovingly and at length
@Highinsight712 жыл бұрын
These are the conversations that are missing in SO many of the "New" pianists of today...
@SolarJakee14 жыл бұрын
I love how he thinks about music. I can't tell if she's just very nervous or disagrees with him.
@dani70005 жыл бұрын
Thank you very much for posting. Highly interested master classes.
@pianopera14 жыл бұрын
"The most difficult aspect of a master class, Sebök said, is trying to get a student to an emptiness, a still point, where (s)he can truly hear what (s)he is doing. For him, music had to flow out of the pianist, and in order for that to happen there had to be a quiet center." (From T.E. Carhart's book "The Piano Shop on the Left Bank") Btw, the pianist that is playing here is Ellen Corver.
@labemolmineur7 жыл бұрын
"Music had to flow out of the pianist, and in order for that to happen there had to be a quiet center". Thank you for sharing this. A quiet center. That inner stillness that must be achieved before music can truly start- I want that, and I am still struggling to achieve it. Will definitely seek Carhart's book.
@ganjamozart14355 жыл бұрын
Sounds very much like Zen.
@nancyvandijke34594 жыл бұрын
She obviously doesn't even listen or 'hear' what he says. She just stays stuck in her ways.
@pianomaly98593 жыл бұрын
@@labemolmineur Gee, you're very sharp, labemolmineur.
@chavakut Жыл бұрын
That's a beautiful quote
@AnirvanRay10 жыл бұрын
Is this video for common viewing? for I didn't understand one word of it ;) But I felt that its about feeling the feeling differences and playing that feeling :)
@AlphaSierra512 жыл бұрын
@pianopera Wow. Amazing. How were you able to determine the student's identity?
@DmitriBron197312 жыл бұрын
@itssevenboxes Haydn Sonata No.60 Hob.XVI:50, C major
@pianopera12 жыл бұрын
@AlphaSierra5 Because I studied at the same Conservatory in 1987. At that time, she was one of the "star pupils"...
@nancyvandijke34594 жыл бұрын
In het land der blinden, etcetera.
@pianopera4 жыл бұрын
@@nancyvandijke3459 FYI She developed into a fine pianist and is now a piano teacher at the same Conservatory.
@damoon573 жыл бұрын
pianopera do you remember her name ?
@charlytorres1077 Жыл бұрын
What’s her name? I would like to see how she is playing nowadays. Thanks in advance 😊
@KlavierEum12 жыл бұрын
She is 'sentimental' in a sense. Her mind is appropriate for 19th century sentimental music, but not for the Haydn's. Music of Haydn is clear, simple, and straightforward. Sebok tried hard to explain the difference. This kind of issue is very hard to explain. Let's just be *straightforward* when playing Haydn.
@clem47053155 жыл бұрын
And thank goodness it is, in fact, difficult to explain! I just love how great artists negotiate with words, trying so hard to explain. The pedagogical beauty here lies in 'colorful' exchange, rather than being 'precise' with the teaching process.
@wolfpsx62109 жыл бұрын
She doesn't understand anything, too bad. Accent and rubato on the beginning of every bar, and overall the music just sounds like it's played underwater.
@saltag7 жыл бұрын
Well she's not *that* bad
@joangarcia-alsina8278 Жыл бұрын
Agree...she plays the way it shouldn't be done!. Please: It is Haydn!!!
@cherieb190013 жыл бұрын
@pianopera Sebok is not really teaching anything! He is expressing his own point of view without talking about the elements of performance interpretation very carefully described in the numerous teaching teatises of the time which would have allowed the student to then be able to make her own interpretative choices !!