در گذر زمان - In the course of time

متن فارسی بعد از انگیسی
In the course of time
The most important feature in an artwork is being ingenious which is itself based on ‘discovery’ that is as important for the audience as it is for the artist. Understanding the feature of ‘discovery’ in an artwork is not possible based on predetermined definitions and criteria.
The social history of art has sings of evolution in which special artists and critics in pages of history embarked upon deconstruction in contemplation and art.
Without artists and critics explaining and critiquing the works of this era, the discovery of the artist will remain in a shadow of obscurity or other occasionally attractive impressions would be taken from it.
Therefore expressing the artist’s idea and vision is necessary for understanding the feature of ‘discovery’, in an artwork for both common and special audiences.
According to this claim, if not for Kandinsky and Bauhaus maybe abstract art and abstraction wouldn’t be understood even in later decades. As it will take 50 years for the significant evolution of Dada and one of its prominent, Marcel Duchamp whose work was at first remembered as an insult to art and an unethical thought, to be understood. He was an effective artist in the establishment of the foundation of pop art and subsequently postmodernism.
If not for Mondrian’s writings, understanding the philosophical thought behind his abstract works would probably take years. There are many examples like this, from people like Leonardo Davin chi in the distant past whose artistic observations were functional in the form of scientific notes to Van Gogh and Picasso and Dalí and so many others whose personal and Melancholy expressions have had a deconstruction use in art and life.
Therefore an artist’s individual outlook on life and the surrounding phenomenon is the basis for creating his artworks which forms and grows in the process of individual experience.
Even in the dominant ideological culture of the society, in which there is a restraint and restriction for individual experience, individual and personal outlook can be experienced in special cases. A process that can be placed at odds with costume, tradition, culture, and normal circumstances of a normal life that can only be understood by understanding its own elements and delicacy.
“In the course of time” collection was exhibited in January 2014 on the occasion of the anniversary of the last farewell of Nima Naghipour, who said farewell to life on January 11, 2013, because of progressive cerebrovascular disease.
The confrontation between the objective connection with Nima and holding pieces of his existence in the form of ashes after his death was converted to an abstract connection which resulted in 23 paintworks, 3 decoration, and a documentary through one year by which I experienced the feeling and mood of being with him in another form in artwork and my life. It expresses the intellectual and philosophical content of the issue: “in the course of time”.
“In the course of time” is a thought based on a life that is experiencing an abstract of past, present, and future in the present time. A postmodern interpretation of being. A newness that is passing the erosion of time. An aged which expresses newness and finds meaning and gets a new form through compilation and contrast with it. A process originated from difference and change, rhythm and harmony, contrast and paradox. The contrast and paradox in which you can see the trace of humans hand and mind like produce and reproduce, culture and tradition, hardness and softness, delicacy and roughness, emotion and contemplation, etc….
And this process still goes on.
Ernesto Behrouz
Translation: Nazanin Naghipour
در گذر زمان
مهم ترین ویژگی در یک اثر هنری، بکر بودن آن است که این خود مبتنی است بر “کشف” که دریافتن آن به همان اندازه که برای هنرمند برای مخاطب نیز قابل اهمیت است.
درک ویژگی کشف در یک اثر هنری بر اساس تعاریف و ملاکهای از پیش تعیین شده قابل دریافت نیست.
تاریخ اجتماعی هنر نشانه هایی از تحولات دارد که هنرمندان و منتقدانی خاص در مقاطعی از تاریخ با بدعتی بکر مبادرت به ساختار شکنی در تفکر و هنر می کنند. بدون توضیح و نقد آثار این دوره ها توسط هنرمندان و منتقدین، کشفِ هنرمند در هاله ای از ابهام باقی می مانْد و یا اینکه برداشتهایی گاهاً جذاب دیگر از آن می شد.
از این رو بیان فکری و نگاه هنرمند برای درک عنصر ＂کشف＂ در یک اثر هنری، چه برای مخاطب عام و چه برای مخاطب خاص ضروری ست.
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