It’s like borrowing chords from the key of C minor, because Eb is the relative major of C minor, which means you’re basically playing the progression but instead of resolving to Cm or Eb, you’re doing C major, which is kind of a Picardy third effect.
@tonicogsf11 ай бұрын
Exactly
@chrysanthos726511 ай бұрын
There's truth to this, but notice that there's the extra step of using root tones a third higher. Using just the relative chords (modal interchange) wouldn't involve that.
@ryan_raus11 ай бұрын
@@chrysanthos7265does it not? I might be missing something. If we move everything up a minor 3rd wouldn’t that be exactly as if we were in Eb major, aka c minor, aka modal interchange?
@chrysanthos726511 ай бұрын
@@ryan_raus It is a type of modal interchange, but with an extra leap of a third up. A modal interchange of FM7 might be Fm7, but in this example we would also move a third up, so FM7 would become AbM7, which is a bit different.
@hjones492210 ай бұрын
@@chrysanthos7265 Well, FM7 is the IV of CM. So you could substitute it with Fm7, which is the IV of Cm, but you could also substitute it with AbM7 (up a minor third), which is the bVI of Cm, so this is still modal interchange, no?
@davidrichards1295 Жыл бұрын
God bless you.
@wolfgangk1 Жыл бұрын
What a blessing... if he only knew.
@manny1359 Жыл бұрын
No……… God bless you ❤❤🤗
@onesyphorus9 ай бұрын
God bless you too
@Shadows_Lights6 ай бұрын
God Bless you all!
@OliverSchlecter6 ай бұрын
I don’t believe he sneezed
@theappraiserlady9 ай бұрын
I am not a musician. I understand nothing. I love and hear the beauty. I love jazz. More more more! Thank you.
@MeteCanKarahasan7 ай бұрын
Me neither. I just realised that is a top of the line piano.
@Fire_Axus3 ай бұрын
your feelings are irrational
@complexity55456 ай бұрын
All the gospel jazz tricks. Good one. Some people aren't good at theory. This guy is giving you some gems.
@user-dj9iu2et3r3 ай бұрын
In my mind, theory is something you just memorize.
@milesstover37242 ай бұрын
@@user-dj9iu2et3r yeah you memorize it , its when you have to apply that 'memory' into the physicality of expressing music that you hit the next layer of it. It only functions if you can both memorize/understand/apply, and also physically express within the instrument
@ARG7822 Жыл бұрын
Wow. Now I see why Barry Harris looked at the two whole scales as husband and wife, and the diminished chords as their children (minor 3rds, relative minor).
@mayanksngs Жыл бұрын
Hello. Would you please explain what you mean by that, please? Thank you.
@ARG7822 Жыл бұрын
@@mayanksngs I’m not going to try because I will confuse you, but search KZbin for Barry Harris’s 6th Diminished Scale and the Family of Four Dominants. The Chromatic Scale: “god, the creator of all.” The two Whole Tone Scales: “god created man and woman.” The three Diminished Chords: “man and woman got married and had children.”
@Tzaltochnie1 Жыл бұрын
Isn’t this is just chords from the parallel minor scale ?
@JoshWalshMusic Жыл бұрын
No, parallel minor is a minor 3rd down. ARG is right about the dominants that come from diminished. It makes this kind of sound so much more elegant to explain.
@Tzaltochnie1 Жыл бұрын
@@JoshWalshMusic that’s relative minor. ebmaj =cmin = the parallel of cmaj… anyway. I’m not sure . Barry Harris is great to. Still scary too Dive in. I get headaches while thinking too much
@DrUkeMusic Жыл бұрын
He’s got that perfect video loop game down!
@DanFlashes9910 ай бұрын
They just move the first few seconds of video to the end
@DrUkeMusic10 ай бұрын
@@DanFlashes99 clever
@KevinTPLim9 ай бұрын
@@DanFlashes99mind blown
@Charles.Wright5 ай бұрын
Shouldn't we call it a "turnaround" in this context?
@NeutralGravity11 ай бұрын
I really liked the way this loops
@RoneySmithseedoflife9 ай бұрын
This short deserves its own merch! 🔥🔥🔥🔥🎯🎯🎯🎯🤯🤯🤯🤯
@RobReischakMusic11 ай бұрын
Modal Interchange! Borrowing chords from its parallel minor scale. Sounds great!
@miki_the_little1984 ай бұрын
not really though
@UkuleleAversionАй бұрын
@@miki_the_little198Yes really. That is literally what is happening in the video.
@miki_the_little198Ай бұрын
@@UkuleleAversionYoure right, I thought the comment said relative minor, but I see that in fact it was a parallel minor, thanks
@Ofanother7 ай бұрын
This is one of the smoothest edited loops I’ve ever seen. It ends where it began where it ended
@bronzeboats2 ай бұрын
You’re a friggin genius bro. I know these are probably well known concepts, but you explain them SO clearly. Thanks!
@zzush Жыл бұрын
I think the Backdoor passing in Jazz is derived from this thing. IVm - b7 - I major
@MrBlake633211 ай бұрын
You don't have to write "m" or "major" when using Roman numerals, you just make minor chords lowercase and major chords uppercase. Also b7 in the way you wrote it could mean so many different things. Do you mean VII, like a major chord from the 7th degree? Do you mean bVII, a major chord from the b7th? Learning the proper notation is important!
@zzush11 ай бұрын
@@MrBlake6332 I meant a major chord from the b7th. For instance to approach C major, this could be done (Fm - Bb - C) :D
@animeprincess9811 ай бұрын
@@MrBlake6332"ACHUWALLY ☝️🤓" -you
@key-chain10 ай бұрын
@@MrBlake6332this is true for classical notation, however often in jazz people will just make everything all caps and put the quality after, especially in short hand like for example in the berklee harmony curriculum, what would be notated in classical notation as "iv" would be written "IV-"
@KaiJustiss6 ай бұрын
@@key-chain All the jazz musicians I know do it the correct way, "iv." If you're notating macro then you could do it like "F-" or "Fm." Doing "IV-" is incorrect and will end up confusing people you play with and result in a nasty half step rub.
@timothylee1463 Жыл бұрын
Love this so much. Needed a small break from some heaviness around me and got lost just playing through progressions and subbing in these Cush chords for the last 2 hours. Just a beautifully smooth way to color simple progressions but pull back to the same tonic. Appreciate your sharing this! It was more than just a music lesson for me today. God bless.
@tomybogadjian148711 ай бұрын
wat should i do to be able to play for 2 hours straight lol
@timothylee146311 ай бұрын
@@tomybogadjian1487 It doesn't take much! Just sit down and play! Play the stuff you like to play, then just try these cush chord substitutions.
@KevinTPLim9 ай бұрын
@@tomybogadjian1487if you enjoy it enough you can play forever… then the only limiting factor is stamina. and maybe new ideas, if you get bored. it’s good to enjoy a few things so you can swap around
@nadim.bakhshov4 ай бұрын
Possibly the best Jazz teachers online
@capbar8 ай бұрын
These chords sound so rich love it
@BenIsFiguringitOut11 ай бұрын
As a church organist/pianist, I’ve used some of these movements over the years but never knew their name. Thanks for this!
@bobbachelor5930 Жыл бұрын
Adam, can you give a more in depth lesson on this system. It's beautiful !
@mr7clay11 ай бұрын
This just adds the borrowed chords from the Aeolian mode. So if it sounds good in C minor, it'll probably work in C major.
@soulcraftloops9 ай бұрын
Learn your diatonic 7ths in all keys if you haven’t already (there’s tons of stuff on KZbin about that) then come back to this video and it will all make sense! 👌
@Melodysmic5 ай бұрын
@@soulcraftloopsthanks, I’ve been watching this video on repeat trying to figure out how moving a minor third happens at all. I guess what I’m confused about is which part of what he’s doing is the minor third, is he just doing chords WITH. A minor third, aka aeolian like you said, or is he referring to intervals? But in trying the question out I think I get it now. Now to translate to guitar. But yeah, if you have any clarification that would be so awesome! 🤘🎶
@soulcraftloops5 ай бұрын
@@Melodysmic Sure! Theory can boggle the mind at times can be overwhelming but try and simplify this concept a bit. Don't overthink the minor third too much. You only need it to establish the key you are GOING to modulate into. Here's how I think about it... First you need the progression like Adam's examples here 2-5-1 Ok so in Cmaj our 2-5-1 would be: Dminor, G7, Cmaj. Because Eb is the minor third of C, we simply move the 2 and the 5 UP a minor third to Eb. So the 2 and 5 of Eb is Fmin, Bb. So our progression now looks like this. Fmin, Bb, Cmaj. We are still in the key of C right? So instead of using Eb's tonic we go back to Cmaj after playing the Fminor and Bb. That's what he means when he is saying move everything up a minor third EXCEPT for the tonic. I think its easier to explain this when a progression starts on the tonic. So lets say we have 1-4-5-6 in the key of C. Play that first to establish the home key in your ear. Cmaj, Fmaj, G7, Amin. Then play it again starting on Cmaj then modulating to Eb's 4-5-6 ( Abmaj, Bb7, Cminor) then back to Cmaj. Basically keep that 1 (Cmaj) then pluck the 4-5-6 out of the Eb major scale and replace Cmaj's 4-5-6 with Eb's before going back to the C. When you know your scale of chords in all keys you can then replace a 4 with another key's four. But you have to know each scale very well to do it on the fly. So, per my original recommendation, learn that very well first! What's cool about this is it's not only the minor third you can modulate into. You can even modulate into say, the Flat 6! (Ab major in the key of C) I hope that makes sense and I didnt over complicate things more. Text can be hard to describe theory. But dont hesitate to ask me anything at all! Im a total nerd for it all and wont shut up about it... as you can see. Happy practicing! :)
@Melodysmic5 ай бұрын
@@soulcraftloops wow thank you so much. This definitely clears it up. Thanks for taking the time to explain that for me. I appreciate the advice, too! It’s been exciting to start connecting these dots! 🤘🖤
@DanFlashes9910 ай бұрын
Wow, this short little video is more useful than entire online courses I've purchased. Thank you!!!!
@107olivier Жыл бұрын
One of my favorite shorts so far
@umangmishra121615 күн бұрын
❤❤❤❤❤ your short lessons are really very well informed Sir
@MrBaskett14 күн бұрын
These videos have actually helped me so much with my guitar playing from a theory perspective, thank you!
@Allsystemsaredown6 күн бұрын
Me too!
@riccagiaco2 ай бұрын
JF, mind blowing!!!
@SameBrittDifferentDay11 ай бұрын
Thank you so much for this!
@val_de_mez6 ай бұрын
This is insane. So simple , yet so goddamn powerefull Thank you guys for your channel!!!!!!
@BestFitSquareChannel Жыл бұрын
You are special Adam... demystifing, opening a world of creativity. Thank you.
@Kundebeats3 ай бұрын
Thanks for all the gems you guys be putting in the world!
@Tech_Princess Жыл бұрын
that was the most seamless shorts loop i have seen
@killashags Жыл бұрын
Man this is beautiful. I really need to get a piano. I really think that would help me apply music theory on guitar better and work on chord progressions. You guys are great!
@a.drummond87457 ай бұрын
I’ve always wanted to understand the theory of borrowing chords from a different key. I am practicing this immediately
@stuartpayne318010 ай бұрын
Beautiful....
@mrsherwood259911 ай бұрын
REALLY like this channel. Stuff a guy can use.
@caswelljohnstone200 Жыл бұрын
These video shorts you do are the only thing on the internet I feel like I need to sit down and write notes on.
@clementinelives2 ай бұрын
Thank you 🙏🏾
@sathyanarayanancontour Жыл бұрын
This man deserves an award❤ it solves everything I have to ask about chords application, which was my long time doubt🎉
@kosmickatt969711 ай бұрын
You’re a genius
@strive4impact8 ай бұрын
Great job and great job making your YT short loop too!
@nekow1785 Жыл бұрын
This is wonderful man
@ted_374011 ай бұрын
THANK YOU!!!! I saw this and immediately had to try this. This just opened up so much for me to try and add!!!
@sambarker614110 ай бұрын
This is a revelation, thanks!
@jayumble83904 ай бұрын
That is wild! Thanks man!
@gobshite1232 Жыл бұрын
Great lesson.thank you
@FarsansTorraOrdvitsar2 ай бұрын
Beautiful!
@Matt-nv2qg Жыл бұрын
this needed chord structures man
@mattykeys Жыл бұрын
iv->bVii, I
@mattykeys Жыл бұрын
backdoor two five i think
@AJPMUSIC_OFFICIAL10 ай бұрын
Sounds beautiful
@JakeTheGreat2100 Жыл бұрын
Dude !!!!! I love simple thing you can apply right away thanks so much
@ALBundy739 ай бұрын
This shorts are Amazing
@alessandromelosi78743 ай бұрын
This is gold, thank u broder
@josephmenter12948 ай бұрын
Hi. Thank you for your teaching.
@lionofistanmusic73119 ай бұрын
Yall are so awesome
@philburpalooza8 Жыл бұрын
DOH!!!❤ probably just saved me two years of practice TY
@Jammonster117 ай бұрын
Great stuff! Thank you
@PhilKnowltonBand Жыл бұрын
That's essentially what the Picardy 3rd does, but in a more modal sense (minor V instead of a dominant V chord). Basically you're drawing all your chords for the parallel natural minor key accent the I chord which remains major or even Lydian if you want. And that's strictly using the diatonic application. I wonder if and how well it works applied to secondary dominants, tritone substitutions, and on. Would be interesting to experiment with!
@fungidoggo99483 ай бұрын
Love the cush chords, but it's time for you to show us the Kush Chords 🙏🏼🔥🍁
@musiccreation1198 Жыл бұрын
Thank you Adam !
@НикитаСолодков-в4с3 ай бұрын
Good recommendation
@christhaw5234Ай бұрын
Loop game is top tier!
@Joe-dj6sz2 ай бұрын
Very cool thanks mon
@danielmadrid55038 ай бұрын
Backdoor ii Vs to the next level 😮
@BeduinGrant10 ай бұрын
AWESOME!
@pierrebriquet7 ай бұрын
It's interesting that all notes in a diminished tetrad share the same functions in a tonal center. Therefore, if you transpose progression to a minor third above and make the same movement, you maintain their function related to the latter tonal center.
@aa.mirezZАй бұрын
The way I see how it works in my brain is by thinking C Phrygian. C Phrygian mode is based out of Ab major scale- Eb major scale is Ab Lydian mode. Lydian is a major mode. A is the 6th in key of C (it’s A minor) which is already Relative to C major scale, so flattening it, and playing chords out of that scale is going to give you that distinct sound due to how they relate to one another. I think of them as cousins haha.😂
@tommybeats92414 ай бұрын
this is so fire
@HURTLESSHU2 ай бұрын
A great example of this is Dave Brubeck - One Moment Worth Years
@24sevencinema9 ай бұрын
Beautiful
@erichkaanikin3555 Жыл бұрын
Beautiful! Thank you from this rock guitar player.
@alejoferreiro9149 Жыл бұрын
That also means all those Cmajor progresions can resolve on Amajor
@adamedison6831 Жыл бұрын
Transposition!!!
@klevens549614 күн бұрын
How?
@alejoferreiro914914 күн бұрын
Instead of moving everything up a minor 3rd except the tonic, just move the tonic down a minor 3rd
@alejoferreiro914914 күн бұрын
Sounds brighter, kind of picardy third
@GizzyDillespee Жыл бұрын
Oh, I get it. This is the same kind of idea as jamming in the "relative major blues scale" over a minor blues progression, and then all of the sudden everything's the same except more elegant and less painful.
@plushloler4 ай бұрын
this is great
@kensurrency2564 Жыл бұрын
really, this is beautiful. thank you!
@PilotExtremeАй бұрын
Golden
@MaxIsBackInTown Жыл бұрын
Amazing lesson and the perfect loop
@LAH092211 ай бұрын
Most def using this
@maximinotovar5798 Жыл бұрын
Awesome! Thanks for sharing
@sean-in-wnc3 ай бұрын
How in the damn hell did this never connect for me before? Thank you for providing continuous insight into the cool little progression and melody techniques that I understand on a theoretical level just based on my knowledge of theory, but never made the connections there or applied them directly to my style while I was learning that theory in the first place.
@jixal7 ай бұрын
Wowsa very cool stuff!
@danielmadrid55038 ай бұрын
Chromatic mediants are beautiful
@thomasgamingofficial47944 ай бұрын
i literally just discovered this when i was practicing playing outside keys with mt music teacher and i came up with doing a 2-5 in Eb as a false resolution 😢
@seanwholey6190 Жыл бұрын
Wow great tip! I can’t wait to start using this!
@juliodicarlo5313 Жыл бұрын
Did you do it?
@TheTylrBllmn7 ай бұрын
This could be argued to be derived from diminished substitutions because there are both minor7 and dominant7 chords spaced in minors thirds evenly across the octatonic, or half-whole diminished scale. You could do the same but shifted down a minor third!
@claudioallegri4 ай бұрын
Geniale!!!!!
@Guuness Жыл бұрын
Magical, yes.
@SanjaMarkovic Жыл бұрын
Beautiful.
@Arycke Жыл бұрын
Back door sounds so good
@gallifreyandefense Жыл бұрын
absolutely
@WalkingIntrovert11 ай бұрын
Back door 😉
@Mochi-si1bqАй бұрын
It’s the same as borrowing chords from the minor since eb major is the same as c minor
@Whoiskimb Жыл бұрын
Nice tutorial, but it’s more impressive how smooth it loops❤
@luisabaillod2068 Жыл бұрын
Sublime !❤
@applechocolate4U5 ай бұрын
The first ones sound like the break in Erykah Badu's Green Eyes
@saftu4981 Жыл бұрын
beautifully explained
@NyakzOTSD9 ай бұрын
It’s because when you move up you are using the tritones - the harmonic structure is still in tact
@wilsarino6 ай бұрын
Hey guys :) will you please detail what you just show us ? I have not got it :(
@zoran.rosendahl Жыл бұрын
this is amazing Adam!
@RebeccaDean Жыл бұрын
I love this 😭
@suppohkram Жыл бұрын
It’s kinda like a classical deceptive cadence where instead of resolving on I, you resolve on vi, but in this case it’s VI.
@largemarge1603 Жыл бұрын
@supp, Brahms 118-2.
@alexxmagicc4 ай бұрын
gonna go write some Cushy
@epw00314 ай бұрын
Bro, you are the Luca Doncic of piano!
@luisrocha269 ай бұрын
This is the first time I hear so-called "magic chords" to be actually magic
@collinstump9706 Жыл бұрын
Good loop 👍
@bryanchristopher75 Жыл бұрын
Very cool trick
@avzarathustra616411 ай бұрын
Nice
@MrDaraghkinch11 ай бұрын
This is one basic use of the diminished matrix. You can go wild with it and change any number of chords in a progression, with chords of the same quality a minor third up, or down, or a tritone away. ie: any number of minor thirds away. Mix and match and can get endless reharmonizations.