Drypoint + Relief + Monoprint! 💥

This video is about combining 3 different techniques:
Drypoint + Relief + Monoprint to achieve interesting results.
🎬 Timeline:
01:14 Introduction
2:12 Creating drypoint and relief stamps
2:49 Monoprinting background
2:58 Adding relief stamps to 1st print
5:15 Adding drypoint element
5:54 Adding relief stamp to 2nd printEnd Adding drypoint elements to 2nd print
🎨 Tools and Materials:
Drypoint plate intaglioprintm... tool intaglioprintm... amzn.to/3BoY67... tools amzn.to/4gL4vd... Printmakers Inks (intaglioprintm...)
Brayer Roller - amzn.to/3U8oWq... Yellow, Zinc White, Black, Prussian Blue, Raw Sienna, Burnt Sienna ()
Polymetaal H-35 table top presshandprinted.co... - handprinted.co... - amzn.to/3W9W3N4
300 gsm watercolour paper - amzn.to/4b6X5xB
👉 Please subscribe here - / @collagraphprinting
#collagraph
#collagraphprinting
#printmaking
Collagraphy is a really versatile printing process in which a textured plate is inked up and put through a press. Different textures hold varying amounts. of ink and print different tones. Anything with a low relief texture can be stuck down and used: wallpaper, leaves, fabrics, tapes and threads etc

[@laurasapko8424]

This is absolutely fabulous and inspiring! I recently was trying to combine drypoint with collagraph and ran into disappointments because the collagraph has an embossed edge and so does the drypoint plate and I was using wet paper so of course that’s going to happen. So my question for you is… Is your paper wet? If not, I had no idea that drypoint would print like that on dry paper.😮 what kind of paper is it all printed on? I’m also working on a Lino shape as this video popped up and looking for a background, and that idea of drypoint would make an absolutely wonderful background instead of just carving the lino for a background. So this is incredibly great timing! Thank you so much! Your abstract landscape is so so inspiring as well. I start out trying to be abstract and end up being traditionally realistic in the end, which is a bit frustrating.… But you inspired me to keep trying.😊

[@CollagraphPrinting]

@@laurasapko8424 amazing, that’s so good to hear! Yes the paper was wet, it was 300gsm watercolour paper. It does help when printing intaglio. Happy printing 🤗🙌

[@CollagraphPrinting]

@@laurasapko8424 amazing, that’s so good to hear! Yes the paper was wet, it was 300gsm watercolour paper. It does help when printing intaglio. Happy printing 🤗🙌

[@laurasapko8424]

@@CollagraphPrinting I hate to be a pest, but I am really new at this and taking a class. So do I have it right that you printed the mono print and let it dry and then wet it again before doing the Lino shapes and drypoint?