Рет қаралды 9,465
The old guard and the avant-garde are both celebrated in our latest collection, where tradition and subversion work together in a distinctly British way. The technical specificity of menswear is celebrated, with British tailoring traditions explored and experimented with, providing a new take on deconstruction.
“dunhill is not one thing, it’s many,” says Mark Weston, Creative Director. “This is my fifth show at the house and there feels like a certain kind of summing up in this collection. I am fascinated with The Blitz club, particularly Homer Sykes’ pictures of it. It was a place of freedom and individuality, a mix of cultures: performers, the establishment and art. We don’t seem to have that now, that collision. And the collision is important. The man in this collection is a cross between the preppy and the new wave, the establishment and the anti-establishment - it is not about making purely singular characters. Instead, it is about taking all those elements and putting them together, reconstructing and recontextualising. I approached the collection in terms of process - dismantling it and putting it together in a different way. It is also about how to build and engineer clothing. It is a mindset that is not lofty, but it is exciting in its technicality. In many ways, it is a new view of deconstruction.”
This is the third show with music provided by Moses Boyd, today collaborating with the poet and musician James Massiah. Valued members of the dunhill community.
RE-LIVE THE SHOW AT DUNHILL.COM