Editor Carole Kravetz Aykanian on Jumping Straight to Lead Editor

  Рет қаралды 32

Manhattan Edit Workshop

Manhattan Edit Workshop

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www.mewshop.com/ Contact: info@mewshop.com for information and inquiries on classes and events.
In this clip from episode 6 of "Talking MEWShop," Editor Carole Kravetz Aykanian shares their unique journey into film editing, starting without formal training but learning on the job. Her limited assistant work included working for National Geographic and her first feature film. Carol stresses the importance of film school connections for networking and collaboration on how she transitioned directly to lead editor from assisting.
Editor Carole Kravetz Aykanian was born and raised in France where she started her career as a modern dancer and choreographer. After moving to Los Angeles to study filmmaking, she graduated from the American Film Institute (AFI), where she received the Joseph and Olga Auerbach Award. She cut the neo-noir classic “One false Move” for director Carl Franklin and went on to collaborate with him on several projects among them “Devil In A Blue Dress” produced by Jonathan Demme. Carole also cut the cult classic “Ghost World” for Terry Zwigoff and started another collaboration with Richard Shepard for whom she cut several films among them “The Matador”.
Her work in television is rich and varied from comedy to drama. Among the many prestigious series are “Big Love,” “The Affair,” “How to Make it in America,” and more recently “The Morning Show.” Carole expanded her creative skills by editing two Animated features: “The Little Prince” directed by Mark Osborne and “Entergalactic” directed by Fletcher Moules, currently up for an Emmy award for Outstanding Animated Program.
Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced training courses, from the Avid, Autodesk, Assimilate, Blackmagic and Apple products to the complete suite of Adobe applications.
Manhattan Edit Workshop's mission is to provide the highest quality education for filmmakers and editors. Focusing on both the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked.
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