EZ 9th Chord Arpeggio Trick

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[@bobsigler2645]

Thx for this. The guy starting his arpeggios from the root was me. Soooooooo helpful.

[@randolphcohen6522]

Another secret of improv revealed by the master. Thanks Richie!

[@rickymolina7390]

What a neat concept! I've heard of starting from the 3rd, or 7th, but this sounds even nicer. Thank you!

[@stephenhill6003]

I find these lessons so valuable, not only for electric mandolin, but also for my trumpet playing.

[@dkwvt13]

What a great hack...! Thank You!

[@sclogse1]

I think I heard a touch of Wes's Satin Doll dolo around 5:29....Ah! You confirmed.

[@shaofu424]

thnx great lesson, good work be safe, be happy, work hard peace \m/

[@wmwastle]

Don't get me wrong, I like the lesson, but I am tired of the overused click bait word "trick" in the title. It's not a trick it's a musical concept

[@williamrenfrow7053]

thanks, a cool concept. definitely more of a jazz sound. this was a very useful lesson.

[@RichieZellon]

Glad you liked it!

[@mattlove860]

Really cool! Thank you!

[@cf23figueroa23]

Thanks for such a nice lesson Richie. This trick is indeed like magic! And as always delivered clearly and with a strong foundation.

[@RichieZellon]

Glad you enjoyed it!

[@chaza.2891]

Thank you so much!!

[@felipesolari5343]

Beautiful

[@mannoplanet]

nice

[@papa_gummybear]

Magic

[@charliebarredafriends61]

Good job explaining the 9th arpeggio trick brother Richie Zellon, I'll make a point to include it on my practice time.

[@RichieZellon]

Thanks bro!

[@johnharringtonguitar6559]

I found that exchanging the 9 for the root on a 251 will create 3 new chords. The ii7 becomes IVmaj7. The V7 becomes vii7b5. The Imaj7 becomes vi7.

[@marquee-moon]

I can see that with the 2 and the 5, but doesn’t that make the I (now D-E-G-B) a iii7, rather than vi7?

[@johnharringtonguitar6559]

Yes, you are correct. I stand corrected! Thank you! I think Richie is the best teacher on KZbin. This particular lesson lead me to using the iii pentatonic scale on Maj 7th chords.

[@BhooshanMusifies]

amazing playing, amazing explanation! Thanks a ton!

[@koffieverslaafde627]

I’m a metal guitarist, and I’ll stay a metal guitarist. But I’m interested in expanding my horizons. I can do my blues, but jazz is... something else. Where do I start with learning jazz? And do you know chord shapes I could use with a lot of gain that’ll still sound cool?

[@jimmymurphy7789]

Fantastic ! I swear, you & Merrill Fankhauser should start a "Nice Guys" Guitar School - him on Surf & you on Jazz. You are both the ultimate in "Very Diplomatic". TYVM

[@Aristotelezz]

I'm not into jazz guitar but always trying to expend my knowledge. This lesson sure adds something to that. It makes me think about theory and how to use it.

[@wloop5172]

Nice lesson thank you! I'm just beginnin explore 251 this is a good step forward for me

[@michaelraysgo]

Gonna play around with this 9th idea, THANKS Richie!

Nice, Richie! Thank you!

[@robertgreen3702]

Thank you so much for a fantastic lesson,

[@organodeflaco]

Thanks for throwing that musical brick to my head... the best video to me personally... bless you!!! Millions!!!

[@RichieZellon]

Ouch!!! Hope it didn't hurt but you're welcome....by the way, I like your username "organo de flaco" .....ja,ja :)

[@noi5emaker]

What a great tip. Thanks for this!

[@johnjacquard2182]

This great video

[@mango_water169]

Great video !!

[@kitwarren2493]

Awesome as always!

[@JohnWilson-ru7xd]

Cheers Richie! 👍

[@kaspafischer]

fabulouse lesson, Richie! I already learned something cool and useful right at the 3:20 mark... nice!

[@RichieZellon]

Glad it was helpful!

[@jayspicer2259]

Once again, amazing work, sir. I was recently confounded by some Maj7(9) chords in a tune; this is SUPER helpful.

[@RichieZellon]

Thanks Jay, glad it was helpful!

[@judeopaolo3024]

Vêtu interesting

[@stevedouglas7375]

Extra nice lesson. I appreciate you doing it for us.

[@RichieZellon]

My pleasure!

[@johnjacquard2182]

Can do same thing except exchange the 5th with the # 11 instead .

[@petedavid9689]

.... if you switch the 5 for a sharp 11 ( F sharp in key if C major) that would infer a Lydian sound in the context of a major scale. If you did same with a dominant chord then that would produce a Lydian dominant sound. On a minor chord I guess this would produce a half diminished sound. So it seems like this change has a more powerful effect on the tonality then swapping a 1 for a 9?

[@sarinagarber2038]

Always a pleasure to learn from you Richie, nice and slow and explained so well. Thank you so much!

[@RichieZellon]

Glad it was helpful!

[@petedavid9689]

Agree 👍