Fabio Luisi conducts Mahler - Symphony No. 1 in D major (Staatskapelle Dresden)

[@carlosrobertobarbosamoreir9030]

Fabio Luisi looks pretty much like Mahler himself.

[@luisangelortizcaraballo9655]

A Mahler's masterpiece: my favorite with the second. One of the greatest and most beautiful symphonies of all time... in my opinion. An extraordinary performance, through a marvelous orchestra, at the baton of a superb conductor. An outstanding artistic experience; a fantastic voyage of fabulous musical expression. BRAAAVOOO!

[@musicstewart9744]

Aha! From 2008. I was thinking the Maestro looked a bit younger than when I’ve seen him the last couple of years in Philadelphia.

[@ralphmiller2265]

Great interpretation of the Titan symphony!! One of the best I've heard. Fantastic projection from the horns during the finale's end. All too often they either cannot balance against the other brasses and get buried, or they have a trombone and trumpet standing with them to strengthen their line for greater projection, something of which Mahler actually scored as an option.

[@ThuPham-ev1fm]

Woah the conductor is just immersed! One of the rare symphony that I actually enjoy!

[@戦争軍隊嫌い]

ハイクオリティ❗️パーヴォ辺りと歴然の差❗️聴かせ上手❗️いい意味で劇場指揮者❗️

[@mariarosanovello7803]

Maestro, glielo dico con affetto... attento alla cervicale!! Bravissimo!!

[@eumoka]

Outstanding rendition of Mahler's Titan, one of the BEST I have ever heard!!!

[@scottmiller6495]

Ah Mahler,s Sym no 1 the greatest first symphony by any composer of all time, just Unbelievable !!!!!

[@マッシュ-h8c]

ドレスデンの響きが素晴らしい。いぶし銀とはよく言ったものだ。伝統が音に残っている。ルイージ氏の指揮は若々しく自在に音の強弱、テンポがいつも聴く指揮者と異なっている。そこの好き嫌いはあるだろうが、それも音楽の楽しみではないだろうか。打倒、ティレーマンである。 N響との共演が待ち遠しい。

[@TheFenix888]

SI LA MÚSICA ES LO QUE ESTA MAS CERCA DE LA "OBRA DE ARTE COMPLETA"... Esta orquesta y su director se aproximan mucho !!!

[@nerowolfe736]

I'm kinda old skool when it comes to Firsts - Horenstein, Walter (I've never quite gotten the love for Kubelik, except for the whole Bohemian-Mitteleuropean-influence thing), but I would not at all object to having this performance in my collection. The word that immediately springs to mind is "fresh," followed closely by "youthful. " This is a good 'un, as we say in my neck of the woods.

[@alexanderthomas6463]

Замечательная по исполнению музыкальная (и видео исполнителей!) запись Первой симфонии Малера! И очень хорошо, что EuroArtsChannel нашел приятную для слушателей возможность разместить здесь этот музыкальный файл.

[@ポトポトチャンネル]

指揮とオケの呼吸が見事！名演奏だ！！

[@edwardnah6739]

What a great performance it is. I am mesmerized as the members did.

[@carloschacon6946]

Así se dirige Mahler, con esa energía...!!!

[@danielbr2339]

Esse condutor me lembrou o Carlos Alberto Fonseca. In memoriam, um grande maestro.

[@sfopera]

Brilliant playing!

[@leoarrabi2056]

the contrast is absolutely stunning. What a FABULOUS performance, BRAVO!!

[@josebehar3871]

OBRA MONUMENTAL PERFORMANCE SOBERBA JOSE BEHAR BRASIL

[@高山佳朗]

Awesome ！！！　This is Mahler.

[@TheStockwell]

Me, being irritating and fussy: it's not the "Titan" unless you're performing the early, five-movement versions from 1889 and 1893. Mahler stopped calling it the "Titan" once he completed the final, four-movement version. 🐧

[@Euroarts]

Thank you for your contribution ;)

[@AlexEwan1]

Wow, I never knew that. Seems I have been incorrectly calling this symphony 'Titan' for years in that case. I guess I should desist from doing so any longer, after all I do like to historically accurate. I also never the original version of this symphony was in 5 movements. After all I have performed this symphony several times but only the modern day 4 movement variant. Every day really is a school day.

[@richieadam2234]

This is an incredible, utterly brilliant and utterly thrilling performance of Mahler's mighty Symphony number One, my favourite Mahler Symphony, that I have loved for over thirty years, what an amazing, utterly super performance, what a genius composer, what a genius conductor, what a genius Symphony , absolutely magnificent!!!!!!

[@scottmiller6495]

A terrific performance worthy of a standing ovation !!!!!

[@しりゅー-r9w]

Powerful! It amounts to Abbado's!

[@stefanufer608]

He follows Abbado in the 2nd movement in starting slowly then speeding up where Mahler wrote the metronome mark (66 to the bar, I believe)

[@scottmiller6495]

@@stefanufer608 Nobody can really equal Abbado. He was one of the greatest conductors in the last 60 years Period!!!!!

[@stefanufer608]

@@scottmiller6495 I agree completely - I was just saying Luisi had followed a certain detail of Abbado's interpretation of this work. Abbado was a supreme Mahlerian.

[@scottmiller6495]

@@stefanufer608 Yes he was they loved him in Europe and his concerts at Lucerne Festival gave him roaring standing ovations like nobody has ever seen !!!!!

[@stefanufer608]

@@scottmiller6495 I heard Abbado conduct Mahler 1,2,3,5 but best of all was 9 with the Berlin at the 1994 London Proms - over a minute's silence before the applause at the end - one of the most moving experiences of my life.

[@antonycooke6402]

As usual. In too much of a hurry. Follow the directions on the score. Please.

[@diogoamorim258]

just tell me why the solo bass is doubled

[@roberthuber5589]

Bravissimo

[@tatianakrizanova2987]

ten záver to bolo dobré vypätie dirigenta✅

[@kirksmith1534]

Great style, clarity….

[@seanangelobenavente8877]

1st movement too fast!!

[@Miki_Nanase]

Bravo ! Bravo ! Bravo !

[@danielbr2339]

Incrivel as modulacoes das flautad e sopros.

[@yusukeundisolde]

疲れそう。

[@martinmurphy7466]

Great performance .The conductor and the Orchestra are together. The dynamics are beautiful to hear. Horns are restrained when the score requires it but are wondrous at the end as they let it all go in the glory of a Mahlerian finale. Bravo.

[@jcui5007]

Very good!

[@neilmurphy7554]

Bombastic mess.... for a fine performance Tenndstedt with Chicago Symphony.

[@badhairdye]

Certainly, for centuries, one of the greatest orchestral groupings in the world, but in this case, led by a lackluster conductor with little sense of how to shape climaxes and phrase the peaks and valleys of the First. The splendid sound of the Dresden is lost, sounding rather flabby, wandering through Mahler as though in a hall of mirrors. He is trying, but it is overwhelming him.

[@MrBohuslav]

There is not much happening here indeed. Mahler is definitely not Mendelssohn.

[@frankborder]

Correct