The original Compression of Time strikes me as a perfect yet weird balance between a very dramatic cyberpunkish bgm and a creepy baroque piece because of its soundfont, repetitiveness and emphasis on tritones, so I was first excited to hear your take on this one and then surprised you took neither of those directions. But as I listened further, this arrangement really grew on me with its softened motiff and more prominent, fleshed out and variative accompaniment. I also liked how the extended the original composition sounds (2:20) with a somber and thoughtful take on main motiff, that indeed was a nice roundup for the loop. As always, thank you for your work and many further inspirations to you!