I’m re-reading the Iain Pears book, Stone’s Fall, this time with the intent of culling every bit of writerly magic from it which I can find. Pears does many things well, but I’ve been struck by the way he manipulates his paragraphs. This one in particular seemed worth sharing. To set up this example paragraph, let me tell you that Brock is an aspiring painter down on his luck. He lives in the same boardinghouse as the narrator, a shabby place that smells like overcooked cabbage. We’ve already heard a joke about the fact that it’s situated on Paradise Walk, and we’ve heard one of the poet tenants compose a humorous ode to the unidentifiable gray meat served up by their landlady. This was all in a prior chapter. The narrator leads into the example paragraph by saying that the painter Brock will make his mark years later during the great war, that the bleakness of those years suited his temperament and vision, but that artistic clarity “eluded him when he lived with us in Chelsea.”
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