Рет қаралды 902
Nietzsche predicted that after the death of God, man would make new gods out of art, which seems about right. Monasteries gave way to movie houses, and our freedom from God has given birth to innumerable denominations: impressionism, surrealism, expressionism, cubism, abstract expressionism, pop art, photo-realism, concept art, and all the delineations in-between; and all their corresponding brethren in music and fiction. Now, democracy may be a marvelous self-correcting mechanism, but it contains in equal measure the capacity for self-deprecation, especially as one differs from our common experience. Our values, meaning, and purpose either are or are not; but they may not be reduced to matters of taste or the whole thing is done for. If they are not, certainly there’s nothing akin to joy in that, only illusion. On the other hand, to echo Plato, our art may be the shadows, but we ought to find in them the perfect forms. Form does follow function, but the function is divine, not material.
Other videos on this channel:
The Double Life of Veronique:
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Miles Davis, Kind of Blue, and Flamenco Sketches:
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Arrival and the State of Sci-Fi:
bit.ly/2Gj0oH5
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Sources:
Wolfe, Tom. From Bauhaus to Our House. Washington Square Pr., 1981.
Wolfe, Tom. The Painted Word. 1975.
The Painted Word
Bloom, Allan. The Closing of the American Mind. Simon & Schuster, 1987.
Hicks, Stephen. How Art Got Ugly. 2004
Bacon, Francis. Of Truth. 1625
Vanhoenacker, Mark. Requium: Classical music in America is dead. Slate. 2014.
slate.me/KGF2SN
Tracisnki, Robert. What Beyonce Think Pieces Tell Us About the Death of the Highbrow. The Federalist. 2017
bit.ly/2JhCGJQ