Franco Fagioli interprète Leonardo Vinci, Semiramide riconosciuta, "In braccio a mille furie"

[@MalisandreFeline]

Franco un acteur- chanteur qui ne se prend pas au sérieux et qui fait merveille dans les opéras qu'il interprète

[@piustwelfth]

Amazing video and audio quality for a cell phone.

[@fquaranta8093]

Grazie mille e mille a chi ha registrato questa preziosa interpretazione del grandissimo Franco Fagioli e dello scatenato maestro Minasi. 😍😍😍😍🎶🎵🎻🎻🎻

[@marthachaidez9528]

BRAVISSIMO FRANCO !!! That's music!!

[@cimbassovr]

Artista straordinario e unico!!! Superlativo!!! Grazie ❤️ per la condivisione

[@jacquelinedumont5155]

Je découvre ici un homme décontracté et plein d,humour quel bonheur Tout ce que j’ aime

[@jjmezzo]

To people who comment on Franco's facial expression: reflect what an act of courage it is to sing how he does. This is not automatic pilot coloratura -- every note is under Franco's full control -- this is a titanic effort of concentration. That's what it takes. True genius. I have not heard him live, but I suspect his voice is greater in sheer volume than Bartoli's -- although I worship her as well.

[@matthewpittsinger8354]

Julia I heard him sing the Pergolesi Stabat Mater with Bartoli last year in Salzburg. Their voices meld together in a shockingly beautiful way.

[@roymovrich1819]

Not to mention that such people have never sung a note in their lives, and have zero idea of what it takes to sing rapid passagework the way Fagioli and Bartoli do.

[@arthurfilemon6038]

Your comment is from a year ago, but I have to reply to it. You're coming from a wrong perspective, that what he does is in auto-pilot. If you are a singer, more specifically a baroque singer, you should know that that is not the case, AT ALL. He's focused, indeed, but he's a true performer at the sense that (of course he has years before him of preparation and an at ease with this repertoire, which suits him very well), he's improvising most of the ornaments he's doing there. Yeah, he probably studied and prepared them beforehand, but in an energetic performance like this, going auto-pilot is suicide and it's not excentric and baroque as it can be. Listen to the same arias in different performances, you'll hear most if not all the ornamentation he does is improvised on the go. You have to know your music, you have to have a huge notion of style, you have to be very confident with your technique, and then you just play with the harmony, like any good baroque musician does. There's not this "omg I'll prepare and write down all the ornamentations and cadenzas that I'll do", yeah, if he did that there wouldn't be enough paper for the sheer amount of extra notes and arabesques he sings. Aside from all that makes him a respectable artist, the volatile and imprevisibility are key points to his success with the public. If he did all the same everywhere, people would just buy his CDs and enjoy it from home :).

[@arthurfilemon6038]

Also, I've heard him live in a decent sized room, I was front row so I couldnt tell but it seemed like his voice carried. It's a voice that's all about projection not really sheer volume.

[@megenberg8]

the expressions come of the exertions. operatic singing is demanding considerable physical power/strength/stamina/endurance. real.

[@maitestorchi2497]

Quand 3 ans plus tard on s'extasie toujours sur une performance parce qu'elle restera unique, spectaculaire, virtuose, bravo Franco !

[@sutherland9]

This was the concert of the century !

[@dariobianco2648]

Une air fantastique chanté magnifiquement de Franco, une voix unique ...quelle emotion !!!! Merci de l'avoir partageé avec nous !!!

[@Zooooouuuuurrrrrhhhhh]

Merci pour ce merveilleux partage… Bravo Monsieur Fagioli, quel talent !!!

[@cristinadelfrancia2680]

Great and great! I love you Mr.Fagioli!!

[@hervestandaert2985]

Joie et bonne humeur..!! Bravo

[@megenberg8]

such excitement and what a miracle to see! thanks to mod tech the pleasure of the beautiful moment stays on - even though one could not be physically present in the first place! the musicians deserve the highest compliments as well... phew!!

[@richardcastromartinez4559]

Un guerrero de la música que ataca las notas difíciles con extrema facilidad y destreza sin que mengue su actuación para brindarnos una aria de extraordinaria belleza.

[@jedavilav1]

De acuerdo,en todo lo que tenga que ver con la bondad y calidad de la voz de Franco, pero el audio es poco menos que desastroso.

[@manuelyluciagarcia261]

Bella aria, excelente interpretación, me encanta Fagioli esa voz y su histriónismo es magnífico

[@Lespace2]

Un Dieu - un Fagioli!

[@fquaranta8093]

Lo stupore per la sua bravura si rinnova sempre…😮!

[@ac8907]

I can't stop watching this guy, Help

[@rk100364]

Ive been listening since the Fall of 2018 nearly non stop!!!!

[@nordkatte]

Accidenti che bravo. Davvero emozionante.

[@jacquelinedumont5155]

Cette vidéo est un vrai regal et une grande joie

[@massimilianomagni2351]

Great Franco , i ❤️

[@lilianabeatrizspadavecchia9643]

SUBLIME !

[@danielrodriguez9630]

Una palabra... Divo!

[@IvanHernandez-gx4rt]

Incredible!

[@jessekabatteau8376]

Electrifying! The energy is off the charts!!

[@maitestorchi2497]

Le violoniste Riccardo Minasi d'Il Pomo d'Oro (à gauche) est aussi tonique et "agitato" que Fagioli, tous les 2 jouent le jeu dans une volonté commune d'amener la performance à son plus haut niveau , et c'es gagné .c'est une sacrément belle réussite ! Bravo !

[@cheshire1231]

Unlimited admiration for this performance! And for those who like to compare Franco Fagioli with Cecilia Bartoli, please think about it: Mr. Fagioli is a man - there are differences, also in the voice. Please listen carefully and don't adopt a once widespread opinion without thinking!

[@lorenzamarelli8363]

Una grandissima emozione

[@lorenzamarelli8363]

E' sublime

[@martagala3207]

Io vi adoro!

[@theoperatripleaxel5417]

In braccio a mille furie Sento che l'alma freme, Sento che unite insieme Colle passate ingiurie Tormentano il mio cor. In braccio a mille furie Sento che l'alma freme, Sento che unite insieme Colle passate ingiurie Tormentano il mio cor. Sento che l'alma freme, Sento unite insieme Tormentano il mio cor. Quella l'amor sprezzato Dentro al pensier mi desta E mi rammenta questa L'invendicato onor.

[@maurorocca1745]

Un superbo omaggio all'incommensurabile e inimitabile scuola musicale Partenopea! Strepitosa interpretazione di una difficile e al contempo affascinante aria. Per affrontare il repertorio Napoletano non è assolutamente sufficiente possedere una tecnica sopraffina ci vuole anche un pathos molto ma molto particolare, unico nella Storia della Musica! Altro che i tedeschi...

[@FoxMagos]

In braccio a mile delizie

[@ОльгаК-ъ1г]

So hard aria! OMG!

[@cinziavidali411]

Un'aria di furia accompagnata dai fiati, molto teatrale, che si adatta perfettamente alla voce di Fagioli, con la sua perfezione tecnica e il suo temperamento partecipativo.

[@lacolle42]

Quelle performance

[@Charlie-fx9dp]

Franco, maetro es Baroque !!

[@philipkoch6811]

Outstanding make soprano. Other than Jochen Kowalski, I've never heard such astoundingly easy high notes out of a man.

[@philipkoch6811]

Outstanding Male Soprano, excuse me.

[@CarolYost]

I admire any man who sings in high voice. It’s not easy. One way that Franco Fagioli could be better, I think, is that he could stop distorting his mouth so much, as he does here.

[@jfhhghj8855]

А говорили, что он громко поет . Лол

[@nissulya]

В оперном театре его было очень хорошо слышно на самых последних местах. Если делать запись так близко от сцены и оркестр не в яме, а на сцене, звук искажается.

[@jfhhghj8855]

@@nissulya я с девочкой знакома, которая была на его концерте. Он довольно тихий, как и все контртеноры). Это камерный голос абсолютно

[@jfhhghj8855]

@@nissulya это же фальцет. Они грудью практически не поют. Этот голос не может быть полным и сильным.

[@hyataganh]

Lets say,,,,he needs the physical moves to get the range of the notes.... and What is amazing about is the fact he can singing all that kind of repertory with full orchestra,,,,,Cecilia NOT, and the worst about cecilia is the FACT the all MOVE is just to SHOW OFF, or let say,,,,make the all thing LOOKS DIFFICULTY, When we know the END is VERY EASY FOR HER....BUT NOT SOUND AT ALL.... REALLY A SMALL SMALL SMALL SOUND.... Beauty line, beauty emotion bla bla bla bla, bla.... but this make you build a carrier by CD's not really a perform..... Is just my opinion, and I no want be take a Cecilia against.... I am intact fan of Cecilia and not of Fagioli...

[@guiradobrasil]

hyataganh I like them both, I think Fagoli is amazing, and so is Cecilia. I have had the privilege of listening to Cecilia live in one recital with orchestra and in an opera, and both times her sound seemed satisfactory to me and I wasn't seating in the front rows, which cannot be said, for example, of Andreas Scholl, whom I've also heard live twice, both times his voice was ridiculously small, in one occasion he sang Giulio Cesare opposite to Franco Fagioli, who sang Ptolomeu, that was back in 2006, when Franco Fagioli was basically unknown, Fagioli got more applauses at the end than the star Andreas Scholl, deservingly so. Regards from Brazil :-)

[@hyataganh]

Marcos Guirado I never, never, but never LIKED SCHOLL as "singer", he is musician and boring, have a bunch musician trying became " singers ". I totally agree with you... Fogioli getting more and more my appreciation, in all sense.... Even for one Argentinian, Ops! I am Brazilian too....lets talk more Mister Marcos....

[@filippozaccaria6944]

I think Scholl is perfect when it comes to countertenor repertoire (in particular sacred music), but not when it comes to music written for castrati (he's good but he's not so virtuoso as Fagioli, Cencic, etc.).

[@savioalves1234]

Girl, u dont need to bash an AMAZING singer to elevate another equally talented... HAHAHA Thats so childlike

[@angelfish1470]

All the unnecessary facial expressions should have been worked out of him during his training years! He should try to eliminate them as it is very distracting!

[@piustwelfth]

He's not just singing; he's also acting. His voice, his face and his body express the WORDS that he's singing.

[@spenzur]

Why is he doing Bartoli faces, aren't their voices similair enough lol.

[@MrSwifts31]

I love listening to Franco(and Bartoli) but cannot look at them when they are singing.

[@spenzur]

I love to look at Bartoli. Franco, not so much. But I can imagine people don't like to look at Bartoli either :P

[@victoralvarezfernandez2824]

7

[@victoralvarezfernandez2824]

spenzur m

[@mscott3918]

A Paradox If they didn't make the faces you wouldn't be able to listen. The facial expressions help to create the glorious sound.