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French Surrealism is probably best known for its paintings-images of floppy watches or men in bowler hats and topcoats falling from the sky. But just as central to the movement was the poetry produced from the beginning by André Breton, Robert Desnos, Benjamin Péret, Louis Aragon, René Char, and a host of others. We will read samples of that poetry in translation and offer historical asides to provide context for activities that ranged from the mid-twenties to the late sixties.
Participants:
Mary Ann Caws
Distinguished Professor of English, French, and Comparative Literature at the Graduate Center of the City University of New York
Anne-Marie Levine
Poet and Visual Artist
Mark Polizzotti
Author, Director of the Publications Program at The Metropolitan Museum of Art
Bill Zavatsky
Poet