from here to there (music for ending credits)

[@BasementEraAudio]

Lovely sounds. I'm a big fan of liminal spaces, so I'm loving the image too.

[@rumore80]

@@BasementEraAudio thanks for the feedback and for passing by 🌀

[@Transporter_Room_Three]

Love this. Keep on creating!

[@rumore80]

@@Transporter_Room_Three thanks for the feedback 🖤

[@ReisselpudMusic]

Love this !

[@ReisselpudMusic]

No spotify ?

[@rumore80]

@@ReisselpudMusic I do not have spotify, but probably in the near future I will upload stuff also there. I have a bandcamp, where everything is anyway listed at symbolic price ilrumore.bandcamp.com/ for me the more important is to share a sort of vibe, to reach empathy. I'll get back at you, here, once I'll set up a spotify account :) cheers and thanks for the feedback.

[@KonstantinGenz]

Love it, drone bass has such a nice texture :) Did you directly record this into your album mode? And is it op1 og only or did you further master it or used other efx? Keep it up ❤

[@rumore80]

Hi there! I used the OP OG through a MOODII Chase Bliss pedal. The pedal was used mainly for the looping part while I played the notes live on the OP. I record via Ableton and an audio interface, in this case without adding any effect. 80% of my stuff is one-takes, improvisations, jams. I never built a piece afterwards in a DAW, beside some delay or a compressor, I never master the tracks (and to be honest...i don't even know how to :) - my first release was made this way, just the OP and one pedal ilrumore.bandcamp.com/album/mondo-cane For me, having a dirty, noesy sound is very suited, in fact, when i sample i usually push the levels into the red zone, in order to get a trashy hot signal. For me it's somehow important to leave them as the pops out, without further interventions or arrangments (that's also why very often many parts/channels are clearly too loud). I like imperfection :) Thanks for the feedback, greatly appreciated, cheers!