Premiere User Tries Final Cut Pro

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Learn how I edit in Premiere: • Introduction To Adobe ...
In this video, Lee Morris, an Adobe Premiere user, tries using Final Cut Pro for the first time.

[@FStoppers]

VFX Plugins: www.motionvfx.com/ Learn how I edit in Premiere: kzbin.info/www/bejne/mKvIcqJqrrqobtk

[@Renaldo868]

are you using the new M1 mac in this video?

[@Shalomrutere]

@@Renaldo868 Yes. That's what he's been using on his *Windows user uses Mac videos*

[@Renaldo868]

@@Shalomrutere do you have an idea how many GBs or RAM his has?

[@GertKracht]

You have all the options for exporting your videos when you send the edit to compressor. I'm convinced you find all options inside you want to change. You also can create your own custom settins and use those inside FCP.

[@minhduongquoc597]

For the color grading, just click on the arrow close to the colorwheel name and there are a lot more options

[@jakefelzien]

this comment

[@davidsamuels4246]

why did you skip the color wheels and curves that are built into FCPX????

[@EJZ8]

Also you can buy color finale 2 which is pretty awesome

[@LucasRocksFilms]

This. There are color board and wheels and curve; lots of great grading options in fcpx.

[@raphischnell]

You could also set one of them as default! :)

[@mrdonsmith]

Where do I begin... First, I admire you for trying Final Cut. Where you might be hanging up, and I've seen this in every person I've taught, is that you are trying to edit as track-based in Final Cut. Everyone who tries to convert falls into this trap. It's muscle-memory because every other NLE is track-based. Final Cut is a new paradigm with it's magnetic timeline and, yes, it hurts the brain to understand it initially, but once you 'get it', you'll never go back to a track-based editor. You can open multiple timelines but they aren't stacked one on top of another. For example, I will open other projects that have elements I want to steal. Then, you'll see angle brackets on one or both sides of the project title along the top of the timeline frame. You can click on an angle (back or forward) to pop to the timeline of your choice, or to be fast like I do, right thumb on the command key and tap the left or right square bracket keys. Copy the element you want, thumb-tap back to your current project to paste. Or, if you have a few projects open, press and hold the angle bracket and a drop-down list will appear so that you can quickly choose which project you want. Final Cut has color correction much more powerful than what you are showing. The old Color Board is at the top, but below the Color Board choice on the color corrections list, more choices will appear. Choose Wheels, Curves, and Hue/Saturation Curves much like you'll find in DaVinci Resolve. You show the Ken Burns effect (built-in) for easily zooming in on a picture. There's a LOT of power in that effect. I've done videos where I have only an organizational chart. Start full, move in on an employee, pause, move to the next employee, pause, move again and widen out to frame two employees, pause, and I do it all with just the org chart and one Ken Burns effect. Wait, the narrator re-cut the audio and you have to change the timing of the moves? You can adjust the timing fast so that the moves sync with the audio tracks. You don't have to start over. But, it's the Magnetic Timeline (the initial timeline in the darker strip) where the magic happens. Too much to explain here, but RippleTraining.com (I have no affiliation) has the best tutorials and many free short how-to videos to guide you. Give me the same project you're doing in Premiere and I'll finish two to three times faster. Their many free tutorials are on their KZbin channel at kzbin.infovideos Last time I checked, the multicam editor in Premiere was limited to two video tracks. Final Cut has the best, most amazing MultiCam editor I've seen. I've done a number of MultiCams for Texas Instruments involving three lock-down cameras and a roaming camera that would start and stop. The three video tracks plus two or three audio tracks. Piece of cake! I would do the MultiCams quickly in Final Cut Pro. No outside programs used. The export options are just a starter kit. You get Motion and Compressor with Final Cut for $50/ea. Get Final Cut and Motion and Compressor for a grand total of $400 and use those apps on every computer you own that's logged into the Apple ID you used when you bought them. I paid the $400 back in 2011 when FCPX was introduced and have used the apps on any computer of mine and never have I been charged for the many upgrades since then. In Compressor, you have MANY exporting options, and, from Final Cut, you can add any of those export options. In Compressor, you can design your own video export. Copy the one that comes closest to what you want and modify the copy any way you want, then add the effect to the list of exports in Final Cut. The Timeline Index. Wow. Such power. Instantly change a misspelled word in many text objects in an instant! And, there are many other things you can do in that Index. Look for tutorial. On the second page of my portfolio at DonSmith.TV you'll see two videos I did for Texas Instruments that are done entirely in Motion and only using .jpg and .png pictures. I have a couple of tutorials in Motion on rigging and, I forget, something else on my KZbin channel at TexasTwoLane.com. There's so much more to Final Cut Pro X. Once you get the full scope, you'll be as excited to use Final Cut and Motion as I am.

[@Lauren080508]

Well clearly you are an expert in FCP, it seems the reviewer still needs to learn all those tricks, to be able to do an assessment between FCP and Pr, but if FCP is that much better it can drastically change the quality of life of the reviewer, just saying.

[@thedvguy]

You can edit up to nine tracks in a multi track edit. I do multitrack edits in Premier all the time

[@texashammer4]

Yeessss. Great thoughts.

[@jeffthatcherphotography]

been doing a trial on FCP since it is soooo much cheaper than premier. the biggest thing i use in premier that im not figuring out is adjustment layers. i dont see that capability in FCP. not without a paid plugin? i dont know, i stopped using FCP at 7 when i was in film school. switched over to photography then got back into video about 6 years ago and just used premier. if i can get adjustment layers in FCP im sold on moving over.

[@mrdonsmith]

Make your own adjustment layer in motion in about a minute. Create a new title, delete the text box, and save it with the name ‘Adjustment Layer’.

[@livingend]

1. You missed a lot of color grading options. Where it says "Color Board 1" there is a drop down arrow right next to it that has better options for color grading. 2.When it comes to moving clips around you can just copy and paste the video from one part of the timeline to another. Maybe that would help. 3. There is an export button on the top right corner of the screen. It's the square with the arrow coming out of it. 4. For you to work on multiple timelines and pick and choose certain sequences from one and dropping it into another, this can be done by opening multiple projects and toggle back and forth between them by clicking the arrows "< >" on the side of the tittle right underneath the play button in the middle of the screen (the lighter gray section). For you to be able to do this with your B roll, you need to start another project, open it (which is a brand new timeline), and then make sure you also open your main project/timeline for you to be able to go back and forth between them with the arrows. Both projects have to be opened once when starting the program for you to do it. 5. For whenever you do want to drag and drop or copy and paste videos from one part of the timeline to the next without losing your spot, I personally drop a marker in the video so i don't lose my place. You can do this by pressing "M" on the keyboard and it'll leave a little marker on the video that the cursor was on. Hopefully this helps (:

[@pictureeyecandy]

I was going to suggest your number 5 or see if you can color-code a clip to find where you left off. I don't use those apps but even the basic editing apps should have these options.

[@livingend]

@@pictureeyecandy you can color code the clips you drop into the timeline by right clicking. It’ll give you an option for assigning roles. But I just find the marker to be faster for me personally 😄

[@stevenhilton9372]

Yes. I was also going to suggest copy/paste instead of dragging. Gives you a bit more control.

[@AM-wi6gw]

Too scared to switch over to fcp. Don't want that learning process again 🤣. When is adobe going to release a native m1 mac version 😫

[@froygames]

came here to say this!!!

[@mattgray9297]

7 years in Final Cut. Changed the game for me. Also, no crashing. FCPX + new Apple CPUs is Heaven.

[@mattgray9297]

@@clareherriot M1 (and beyond) Apple silicon processors

[@imdyinginside1919]

Ah yes fcpx love those

[@AuthenTech]

as a youtube editor, speed is *everything*, and fcp is just sooo fast and efficient for my workflow!

[@niall8877]

I’m getting my Mac in a couple of weeks and switching from a Pc with Vegas pro to Mac with FCP and your videos have been such a great help already. It’s great to see the real world frustrations that you’re going through, because this is what it’s really like. Also it’s amazing to have so many people in the comments able to help. Please keep doing more videos like this!

[@Bobbylopezcreative]

For color grading you want to select anything other than the color board. It’s pretty robust. For exporting you need compressor. It has all those options you’re looking for. As for stacking timelines unfortunately you can’t. You can jump between timelines though. There are arrow buttons in the middle of the interface.

[@yozo4ru]

Or you can always use browser on FCP. Its clean and efficient to edit two time lines simultaneously.

[@phamquocbao6728]

14:57 you need to make a timeline outside the main timeline click P. drag some footage you want out the main timeline. select all of it. Cmd+G to make a timeline outside the main timeline and you can edit it like you usually do in premiere, you can move that timeline to anywhere. if you dont want this timeline anymore, click on it, Cmd+Shift+G

[@Nickoloadavideos]

I just switched from Premiere to Final Cut last year, I switched my editing style from basically exactly what you said to sorting through by marking favorites exclusively, and then filtering the results in your view to your favorite clips only once I've gone through the clips. Helps my ADD for sure. I was so tired of Premiere being buggy and laggy, and paying them thousands for such a poor experience.

[@1MinuteFlipDoc]

Adobe is practically begging people to try other video editing software. LOL

[@luckykraken5835]

@@1MinuteFlipDoc what he is saying is exactly why im watching now this video to understand if its worth it and im thinking it is

[@robhansen5830]

I'm really liking Resolve for the most part, it has it's quirks but I would say it's pretty close to the best of both Premiere and Final Cut.

[@houstonprofessionalphotogr2603]

Final cut pro does have color wheels, and other was to edit color. Plugins really bring fcpx to life. And for more output options, use compresser

[@TheVirtualObserver]

Yeup! Apple splits it's Pro suite up into a couple apps but that just means they let each app focus on its niche rather than cramming it into one overly complex and buggy mess. Definitely a different approach to other companies but once you adjust it makes sense.

[@digital-eyes]

I’m sure it’s already mentioned but, your points are all valid. I think it’s more doing it differently. For example, using keywords on sections of clips is really powerful and is done after import before editing. You then just drag from the browser into the timeline only the best or pertinent bits from word collections or favourites. There are much more colour options (wheels, curves, custom and camera luts etc) and, exporting is done much more on presets- but you have to make the presets first yourself. Bonus- buy compressor, it’s amazing for transcoding eg. Export a master file in 4444 and then transcode to loads of different formats with that file.

[@orcsong]

I’m an fcpx user and share the zoom in-zoom out of the timeline frustration. My fix (and it’s worked amazingly well) was to set up an elgato streamdeck and use three keys, 1 zoom out 2 zoom in and 3 fit to timeline. I pick my clip, fit to timeline, move ver an then zoom in and place clip. In addition to other repetitive operations. This has saved me probably 30% of my edit time.

[@speedyfast9]

For exporting with more options you just need Compressor it has all the options you would ever want.

[@chrissorreda4982]

Been watching the series and the thing that bothers me the most is… are googling answers to a question not a thing anymore? I get that being intuitive is important when it comes to apps/design in general, but trying to understand a power-user’s app or even a whole OS blindly might not be the smartest way to go. I guess the engagement a creator gets when people comment solutions are a good thing.

[@pooyafitness]

I was waiting for this video for a long time. I have been searching KZbin for months. Finally it's here. I'm Thankful.

[@AlexandreRacine]

So ... next test Davinci Resolve? :) (You can't have drag and drop timelines, but you can have timelines open and copy and paste)

[@americansafarico]

Thanks for this content. I've been hedging back and forth on which app to start my KZbin journey with. Your spoiler answered my question. More importantly, your examples helped me understand why you arrived at the conclusion you did.

[@JenniferKlinger]

14:00 for your B Roll workflow, you could use compound clips

[@patrickspahr825]

When you were frustrated zooming out to find you b-roll and then bring it back to where you left off, try this: Before you leave that 3 second (or any) clip, select (click) on it, and press "M"... This places a MARK on that clip at the PLAY HEAD. You can then navigate forward and back through all your marks with CTL-; and CTL-' (see MARK pull-down menu for a reminder and other controls). Also, double-click on any MARK and you can change a mark to a Chapter marker or TO DO item and type in a description or reminder what the MARK was there for in the first place. I am also a FORMER Premier user but began working in a TV studio where the only platform available is FCPX. It still frustrates the hell out of me at times but there is always a way to get where you want to go. THANKS FOR THIS VIDEO.

[@2424rocket]

PS… you can put in multiple timelines in Resolve and drag from one timeline to another. And it works even better than it does in premiere pro. I was a premier pro user for about 9 years… And then I moved on and never looked back. Yes there is a learning curve to resolve… But once you pass that point… You will be thrilled. And listening to your video you sound like the perfect candidate for doing this

[@JosiahBurdick]

Bro, you missed the color wheels! (Also you have options for Color Finale, or Magic Bullet!) RE: your multi timelines. Copy/Paste. Or change your process: If you start editing B-Roll inside the browser (set ins, set outs, hit Q, W, or E to place it in the timeline. B-Roll editing this way is insanely fast. Lee. Do it. RE granular control of export, you need to buy COMPRESSOR. It's all in there.

[@jesperek4310]

For me I went from FC to Premiere, and I really thought the application was broken since scrubbing didn't work and that it took for ages to export. Those functions are just sooo basic things to have in order to get a acceptable work experience for any project. You'll need an absurd amount of coffee to be able to bear Premiere's waiting times...

[@jordanw24]

FCPX looks super simple on the surface, but all the powerful tools like scopes, color wheels, key framing and more are cleanly hidden away for when you want to use them. A few simple shortcuts and the app opens up to so much depth and all runs like a dream. I edit native 4K footage and apply grades and LUTs with NO rendering on my fan-less MacBook Air. The old track-based editing with a garbage Mercury engine that doesn’t even use the hardware to it’s fullest in Premiere feels so dated. Appreciate you giving this a try. Just watch a few tutorials and you’ll be golden.

[@franklinmichael671]

9:45 I use Davinci for color grading and then export back to FCPX, definitely worth it. (And there is a free version, I use the studio version but 90% of the features I use are available in the free version.)

[@musica.energia]

These comparisons videos are amazing. Bless you from Brazil.

[@JustZG]

in terms of exporting, want you want to do is "send to compressor" (which is under share option you showed in the video). Compressor is basically apples version of adobe media encoder. Btw good for you Lee for being open to trying new things. It fault here definitely lies with Adobe and their inadequacy in optimizing for the news m1 chips (even though they say premier is now optimized for m1-it clearly isnt). Davinci Resolve is another editor that takes advantage of the new chips and you can also get a fast and seamless editing experience. Adobe really needs to step up their game, i say that as someone that's been mainly using premier the past 9 years too.

[@MarkRowsey]

I've been using Premiere for about 6 years. I work with a MAM at my job, and our editing team has to use Pr to be able to share projects. I think the multiple timeline workflow is commonly called a "pancake" timeline if I'm not mistaken. And, I use it all the time. I usually edit my interviews or talking heads in separate timelines first. I just find it easier to color grade and mix audio with each speaker separately. Then, I put my story together by dragging in my selects to my "main timeline" and then add broll and gfx to finish up. So yes, not having that would be a show stopper for me. But, I do agree that playback on Pr is very terrible and I sometimes do envy our FCPX friends. Thank you for the video!

[@matthewTobrien]

This method of editing is completely unnecessary in Final Cut Pro. I used to pancake edit in FCP7 but FCPX nuked all that with the power of the Browser. The Browser is your timeline full of selects. It’s hard to explain in a comment but it makes going through your footage, logging it, making selects soooooo much better than the pancaked timelines approach. And this has me certain I need to make a video on my channel about the pancake approach vs. FCP’s way of doing things.

[@pascalbasel]

The limited export functions are actually good. Every time I read from someone that his videos don’t look good after export, it’s edited with Premiere. On Final Cut you just select either 4K Apple Devices or ProRes and it looks great. No need to mess around with bitrates or so. That’s Apple style, simple but it works. If you need more options, you can have them tough, either via manual presets or Compressor. Great comparison overall. It’s hard to get everything right as it takes some time to get used to a new editor and adjust workflows.

[@FilippoMasoni]

As much as I like having many options and settings, I have to admit you are right. To actually understand what all of Premiere options do, you need to have a very good understanding of how video codecs work and compression, most of the tutorials out there are just guessing and making mistakes. It took me a long time to figure out everything and I would have loved a simple export option like that when starting out. Also, Premiere (and Media Encoder) is actually pretty shitty at making smaller files, as it's giving priority to performance and not quality, which is very important for small file sizes and low bitrate, so with all the options they missed the important one. If you need a destination format, low bitrate, you need to use handbrake anyway and choose a very slow speed which will give you decent quality and small file size.

[@Superjeanmarc]

Oh man, I can't agree more... I've seen so many crappy export from Premiere.. If you really need super small file size, What I recommend really is to export first from FCP, then use Handbrake for like those time when you need ultra compressed files for a webpage header or something.

[@FilippoMasoni]

@@Superjeanmarc Exactly! This is what I've been doing for years. I'm a web dev as well so I need those super compressed versions.

[@gmcubed]

I've always been jealous of final cuts playback. why haven't all other editors prioritized this? Its been probably over a decade and most are still a laggy mess.

[@dqieu]

It makes more sense if you take into account the performance of Premiere depends on a bunch of giant tech companies (Adobe: Software, Microsoft: OS, CPU: Intel/AMD, GPU: Nvidia/AMD) whereas Apple just does everything I mentioned above in house.

[@BrannonNod]

Glad to see were still using the Mac... As I picked one up when you did and also came from Windows and....Also Use Adobe Premiere Pro 👍

[@krishnayalla676]

FCPX is very fast from a hardware and performance perspective, but there is another area that actually speeds things up dramatically and possibly the fastest, footage organization. If you commit fully to favorites, keywords and really just proper library organization, you will not need to use nested/twin sequences because it will be a far more inferior methodology. You DO NOT need to use multiple timelines in most cases if you commit to the FCPX model of organization.

[@Davidplays2016]

you solidify my decision to learn more in Final cut Pro. Seeing the premiere pro interface will give me a headache!. thank you men!

[@wegottheshot]

Render progress timer upper left. Thanks for the vid!

[@matthewTobrien]

Love that you’re challenging yourself to try other NLEs! There’s so much I could show you about the power of Final Cut! The Magnetic Timeline, the organization in the Browser, etc. You basically have to stop doing everything you’ve done as an editor in Premiere … and take a whole new approach with FCP. You must unlearn what you have learned. A lot of tutorials on my channel, and you guys even featured a video of mine on your blog a while back. Final Cut Pro rules!!!

[@JenniferKlinger]

I hope he reads your comment.

[@suzannerichard2991]

I love your channel Matthew!! I’ve been editing in Premiere Pro for 20 years and recently decided to give FCPX a try. It’s been a bit of a challenge, but I’m really starting to embrace the differences… especially the magnetic timeline😜

[@matthewTobrien]

@@suzannerichard2991 So great to hear that, Suzanne! The Magnetic Timeline is 🙌🏻

[@felipeprietofineartph]

Well done man! Your vid is what I was looking for! It help me a lot. I have decided now to switch. 👌🏼🙏🏼 thanks!

[@ten._.s]

17:59 That is why I always send my clip to compressor for export (File > Send to Compressor > New Batch)

[@ProdigyBowlersTour]

Exporting. This is done by clicking the SHARE icon (it's in the upper right corner of the interface...looks like a rectangle with an up-pointing arrow). Click that and it'll reveal many of the Share options. I forget which ones are there by default, as I've changed mine around through the years. But the "Master File" option gives you a lot of flexibility. By default, it's set to export a Pro Res 422 file. But you can change it to export an h.264 file if you prefer. Although I think there are better ways to do that. I know some people who always export a Pro Res 422 file just so they can bring that file into Handbrake (a third-party software) to encode it to smaller size. Personally, I prefer doing that in Apple's own Compressor, as it has more than enough options for me. YMMV. Some of the options here are "Apple Devices." If you select one of those, by default it will export to an .m4v file, which is an Apple wrapper of an .mp4 file. You can go into "Settings" on that export option and change it to .mp4 by simply changing "Format" from "Apple Devices" to "Computer." That'll give you an .mp4 file. it also gives you several options for Video Codec from which you can choose. I'm tellin' ya, I think you've only scratched the surface of how FCP could make your life a whole lot easier if you'd just give it a chance.

[@TheGuyfromKarachi]

Best comparison video out of many.

[@ProdigyBowlersTour]

The reason it looks like you're seeing a "really low res version" of the clip is because after you applied the effect, it needs to render. Once it's rendered, you'll get the full resolution. Just above the timeline in what appears as the ruler, note the white dots. They appear above a section of the timeline that requires rendering to play back at full resolution. To render, go to the Modify menu at the top of the screen and choose to either Render All or Render Selection (assuming you have part of the timeline selected by selecting certain clips on it...which you can do by just lassoing them). And yes, there are keyboard shortcuts for both of those commonly used commands.

[@BrianTheCameraGuy]

Lee, I just got feed up with Premiere and the lagging. I have made the switch to Davinci Resolve and have been happy with the results. Less lag and less crashing. Only probably I have with Resolve is the audio ducking. Definitely not as good as Premiere. Color grading is so much better in Resolve! Hands down Resolve makes my image look amazing.

[@MichalOlender]

I have to admit I'm getting really tired of Premiere and the lag, even with proxies. New MacBook is coming in March, I might give Final Cut a chance.

[@framebuyframe2493]

You have to use Compressor (separate program) to get the detailed output options. It works extremely well and can output several different resolutions and bitrates for different platforms all at the same time. You can save your settings as droplets and export the droplets as well to make it quick and easy to export in all the forms you need.

[@davidchristophersalomon8693]

Kudos to you for giving FCPX a go. Most of your questions have been answered one way or another but I get what you are saying about having a second time line open. You're right, you can't have two timelines open at the same time. WHat you can do is have any number of projects going at once and flick from one to another using the arrow buttons either side of the title of the project in the menu bar of the timeline. You may not have noticed them before. using this method you can copy paste from one project (timeline) to another. Granted, copy/paste isn't as convenient as dragging from one time line to another. Secondly, this jumping thing you mention when dragging say a clip from the end to the beginning of the timeline. My work around is to right click on the clip you want to move, put your cursor in the move to position and hit 'w'. that copies the clip but not any effects you might have applied into the new position. The copy/paste method is better if you want to keep effects applied. One more thing, learning some keyboard shortcuts greatly speeds up editing when used in place of drag and drop in many situations. You can do many more things with many less clicks. Keep experimenting. 😀👍🏽

[@madhoundes]

good job nice comparison I've new to video editing after using premiere before, and for these little details you mention about extra option in export you don't need these too many options just export, and after that, you can run the Handbrake app its free and open source lightweight app and very easy to use to compress video file size or changing CBR setting or frame rate, resolution, etc in no time!

[@eliafranke]

I went through the same pain with Adobe Premiere Pro. In my opinion is the best alternative BlackMagic Davinci Resolve Studio 👍🏻

[@RockyColaFizz]

Resolve people. Resolve.

[@postpros-e]

Dude. You need to *_turn on the SKIMMER_* … dragging the playhead like that is just so painful to watch and is just so… _Premiere_ ! 😄

[@Frogs859]

I always thought one of the biggest advantages of Premiere was the Adobe creative suite. The interoperability between premiere and after effects or premiere and audition was really really convenient.

[@JoachimPersonalAccount]

what about DaVinci Resolve? Because the colour Editing Area is much better than Premiere and Final Cut, It's faster on Mac and the UI looks really similar to final cut.

[@theoriginalKland]

Pretty sure you can get smooth scrolling like that in Premiere also. I have it in Vegas. It's because the system is pre-rendering everything. That moving clip option is also on Vegas.. I believe it's on premiere as well. you just have to toggle it. The reason it's not on by default is because it gets really annoying for it to be on all the time when you trying to do non-linear editing. Yup. Vegas has a virtual camera bounding box (crop on FCP). Set your in and out and it'll tween it for you. you can even adjust the easing. Seriously, try Vegas, it's like a hybrid of the two.

[@BernardVideo]

DaVinci Resolve for me

[@DanTuber]

Can you cut & paste clips on the timeline rather than drag and drop? That might solve the annoying sweeping effect where you loose your place.

[@livingend]

Yes you actually can (:

[@DavidPetersonAU]

Yeah, the hyper-scroll is quite annoying. I've learned to either zoom out to where you can see both locations for smaller moves, or cut-paste for larger ones.

[@ScottishRy87]

FYI about 13:30 I do that sometimes I just use command C and command V across projects. also very good video

[@nickvogelius]

You need Apple compressor for the extended export settings.

[@kpbendeguz]

For encoding options: FCPX is supposed to be used in pair with Compressor where you can set up multiple exports for the same project with tons of different settings, actually more detailed than in Premiere. About timeline: FCPX works kinda like editing old school celluloid: you cut pieces out and attach them somewhere else. Everything is driven by shot order. Premiere (and any other video editor) on the other hand follows an audio editor paradigm: everything is driven by tracks, so by moving a shot around is only affecting the track it is on, and you need to manually link pieces on different tracks if they belong together. (For me the FCPX logic is much closer to a storytelling mindset.) What I truly love about FCPX is that it is very easy to handle large amount of footage extremely fast. You just scrub through the camera rolls, select multiple shots and organize them with tags. No need to collect them into a timeline because they can be organized with filters and folders by the tags. Then you just throw them on a timeline roughly and keep reordering, trimming, etc. until your cut is finished. You can create alternative edits and switch between them to see which one fits better, and you can keep these alternatives at the very end. This alone would be a nightmare to do in Premiere if the different versions have different lengths.

[@PavolKasalaProductions]

Thanks for lovely video - there is a way around FCPX's magnetic timeline - insert empty (gap) clip (Option + W) on main timeline, stretch it as far as you need. Then you drop clips or move them around without messing with position of any other ones.

[@IanJames56]

You have many more color options in the drop down menu!

[@CallMeChato]

Very thoughtful and fair presentation. I've been using FCP for years and I'm still learning new things.

[@Crewonephotography]

Every Resolve user is scratching their heads right now thinking, "why not just use Resolve and solve almost all those problems?"

[@NickDelDuca]

100% 😄

[@peterwan816]

honestly, it is all about your workflow. if you want to try something else and invest time, and money(being less productive when working with new software and operating system), it is always worth a try. (btw, nothing can replace adobe yet due to its complete solution in media workflow)

[@hobbytake2845]

Great comparison Lee, hopefully you’ll find it more enjoyable to use a mac through the experience. Remember that you ARE working on a laptop, if you had the dual 27” setup as with Adobe Premier there wouldn’t the need to zoom back and forth.

[@MichaelScrip]

Hey Lee! I also use stacked/pancake timeline editing in Premiere. I have an M1 Macbook Air and I'd love to try FCP someday... but for now I'm still pretty happy with Premiere Pro on my Windows desktop. 😎

[@paulpredu]

You have about 4 other panels for color grading in Final Cut. Click on the arrow next to “color board” and choose what fits 😁

[@edwinsanchez5752]

Lee, you can just place videos like addtional timelines above the main timeline in Final Cut. You can just place your B Roll timeline on top of the main timeline.

[@Astrobutch0901]

Frustrates me sometimes when creators do this kind of comparison. Each program has its merits and it’s faults and if you try to edit on another platform then your judgement will always be coloured by whatever you use primarily. FCP does have robust colour grading with HSL Colour Curves and Wheels. It’s not Lumetri but works the same way. Although you can’t have multiple timelines open it will allow you to create compound clips which lets you effectively edit a different timeline which then reflects in your main storylines. Motion VFX do make some amazing plug ins but there are folk out there making perfectly decent animated titles for Premiere. Ultimately stick with what you know, experiment of course, but both programs do amazing jobs at professional post production and each one also has its quirks.

[@djjudd566]

Lee, Premiere hasn't always had this, but those templates that you liked in Final Cut are equivalent to Motion Graphics Templates(.mogrt's) in Premiere now. The functionality it similar where you can just drag and drop and change the text/pictures/videos all from the "Essential Graphics" panel.

[@jgvbadv]

DaVinci FTW!

[@TheSancheztomas]

I use Red Giant Colorista for color grading in FCPro, works great

[@lostapes9026]

Amazing videos, learned so much. 🔥

[@marcusbonilla9247]

In FCP, press COMMAND + COMMA to bring up the Preferences Window. In the GENERAL TAB, where it says COLOR CORRECTION, you can select from the pop-up menu which color tool you'd like to see as your default tool in the inspector. Bye-bye Color Board, hello Color Wheels! Also, if you press CONTROL + COMMAND + 4, the inspector will stretch to the bottom of the screen, so you'll have more room to see all the color controls.

[@MrMeisterHD]

Personally I edit with everything. Depending on what the project is, is what software I will use. For a complex project, it’s adobe & da vinci. If it’s a smaller and simple project, is final cut. And if it’s a “professional” project for a fogie, it’s avid.

[@miodrag1975]

About export/share in other formats use Compressor its only 50$, for custom titles and anmation you can make templates in Motion also 50$. Everything is around 400$ and you have lifetime software ,Premier Pro you must pay every month/year and is far expensive.

[@sarajevophotofest]

Thanks for this! Amazing and very useful video.

[@chrisfowler92]

Amazing video. Really appreciate the honesty

[@HonestOK2930]

At the top of the viewer in FCPX, click View and set the Quality to Better Performance for the timeline to playback and scrub better (if needed). Also, under Preferences > Playback section check out the Background Rendering...and the other settings below.

[@HonestOK2930]

The stuff you talk about at 15:45...use the Index. No need for two timelines.

[@HonestOK2930]

18:06 You need Compressor. You can either send it to Compressor (similar to Media Encoder) or add to the list of export settings using Add Destination. Think of this list of export settings more like presets.

[@jonahkrynski8001]

Maybe use the horizontal scroll wheel on your mouse to scroll along the timeline

[@JesseStarrPhoto]

Something very entertaining about watching Lee try to use something he doesn’t know how and then passing judgement based on not knowing how to do things. 😂

[@russellwright9961]

😂😂

[@Marticulate]

Yep. That's every F stoppers video.

[@SWEETODDSANDENDS]

Thank you for this review. It has helped me a lot in making the choice of staying with Adobe or switching over to Final cut which I haven't tried yet. I like adobe, but it is too complicated for my limited knowledge and use. I need something simple and easy to use and final cut sounds perfect for that. :)

[@ChrisLeiter]

I've started (and have been) using FCP exclusively lately. It's very good... and it just takes a while to get used to it. The M1 Max on my 16" is INSANE with FCP though.. the exports are stupid fast, the timeline is absolutely perfect, and it really makes working with video a joy.

[@ToKiniAndy]

20:45 Sounds like you're ready for DaVinci Resolve.

[@p1rturk598]

When exporting a file from final cut pro you were asking about lower quality or having more options. Apple has a program called Compressor which allows you to lower the quality of exported video and/or convert it to different types of files for different purposes. It is best to buy final cut pro with the education bundle. With Final Cut Pro, Compressor, and Motion (Which is awesome) for video and 2 audio programs for sound. You can now create anything you want for your videos for a one-time fee of $200. I think when you also consider price overall, and 5 top-level programs, when compared to Adobe which has monthly fees or yearly fees. The value is just a no-brainer final cut pro all the way.

[@djplonghead5403]

The reason Final Cut Pro is soo much smoother is just because Apple has optimized it a LOT!

[@WestonNey]

Final cut is good for prosumer editors. My workflow does not work well with FCP. We use Davinci Resolve for all professional editing now. The magnetic timeline is great for KZbinrs and standard wedding edits. However, for films and complicated TV ads like what I work with, the magnetic timeline is a huge hindrance. At the company I work for we found an amazing balance of performance and robustness in DR. I work with RED digital cinema cameras and DR handles a true professional workflow with ease.

[@RockG.o.d]

You probably found this by now, but if you want a different option in Final Cut Pro, then create a custom export.

[@Fuselizius23]

Premiere timeline lag: I've had similar lag on Apple machines with MP4 files. It seems like your files are MP4 as well. Probably converting to MOV or any other high quality uncompressed format would increase playback speed drastically.

[@JHANKSMEDIA]

Fun fact: if you get the FCPX trial, after it expires you can just do the good ol’ “change the Mac’s date back to when it was valid” trick and it’ll keep working 🤣 I did that for years, until I switched to Davinci Resolve

[@WouterduToit]

The key frustration you're experiencing with needing multiple sequences open and not being able to do it in FC is because you haven't gone through the selection of shots before getting them into the timeline. In FC, you don't drag all the footage in and slice and delete from there. You have multiple In and Out points per clip, mark them as favourites and only take those into the timeline. This makes it a lot different than the 'pancake' style of editing you use in Premiere. I think FC's process is best, because you can be very selective of your shots, and you start your sequence with winners.

[@Superjeanmarc]

Totally agree! And if you combine favorites with keywords and comments, it’s incredibly powerful and clean. People generally totally understate Fcp because they try to work using the same workflow as premiere or resolve when it’s actually a completely other way of working. In my opinion fcp allows you focus more on creativity when you Edit.

[@antoineleguen5845]

I concur, In FCPx you need to comply to this workflow otherwise you’ll get mad.

[@generalben]

It’s perfectly valid to use this style in PP (you use the source window to select your in and out points then turn them into subclips), just that PP allows you to edit however you like (even having multiple timelines open in different windows).

[@CovetedConsultant]

This is really good insight @Wouter du Toit. Is there a training course available that explains how to edit in FC the way you just described?

[@Superjeanmarc]

@@CovetedConsultant I would in general recommend @Matthew O'Brien channel and more specifically this tutorial on how to edit interviews in fcp: kzbin.info/www/bejne/pH2tYoWtbL6jg5Y&t Although its focused on interviews it totally demonstrate the power of making selections in the media browser, and you will see how multiple In and Outs combined with Keywords, and Notes unleashes superpowers..

[@himynameisryan]

I absolutely love the magnetic timeline. It saves me sooooo much time. If you take the time to learn it, it’s great

[@mrlordbrutish]

Re: moving a clip elsewhere in your timeline, can you not throw the edited clip into your event, scrub back to where you want it and then grab it out of the event?

[@andrewtheace5216]

Agreed 100%. I edited the exact same way with premier using b roll footage, and having the ability to add many sequences was key for me. The zooming in and out in final cut pro is a real pain in the ass, especially like you said, when you have 3 sec clips. I just recently switched over to FCX about 2 years ago and I’m still learning too. The thing I did find out (and I fought it every step of the way), I had to completely change the way I edit. But by doing so, I’ve learned a lot of new ways to edit that I couldn’t do in premiere. Good video!

[@adrianvanleeuwen]

To avoid the problem of clips moving out of position using ripple edits, I usually put markers at start and stop of each section of an event, so I can see if the multiple tracks including audio/music have moved out of synch accidentally. Final Cut Pro seems very good at what it does, however I use windows. As far as putting in small 3 sec. B-roll clips into timeline, just keep the clips in a media folder and only drag them on timeline where you need them. You can also preview them from a media folder. Not sure if that would work.

[@furistasTedis]

Color grading fcpx you have to choose color wheels

[@messyfilms6325]

Final cut is the only thing I’d consider using, years ago (premiere 1.5 long ago) I used adobe but there’s no chance I pay a subscription.

[@gaiusflaminius4861]

Hello, Lee. To make for multiple timelines, and perhaps that was conceptually thought out by the Apple FCP team as a substitute, to jump to different segments you use roles, markers, keywords and rating that can be opened in the Timeline Index which is a list view with the filmstrip above. The roles of "Video", "Audio", "Subtitles" are created by FCP automatically upon import and performing media analysis as are some keywords, you can add your own keywords and sub-roles (those can be made hierarchic) in the process. You actually can create Keyword Collections, Folders and Smart Folders that collect any clips and their ranges based on multiple criteria. As for color correction, FCP lets you work with vectorscopes, histograms and waveforms, color channels, luma, chroma etc. You open those from any of FCP viewers (Events Viewer or Project Viewer). Click on the pop-up in the far right corner at the top.

[@Damfotografia]

what about davinci resolve?

[@nellcreations9044]

Hey man love your view and rant on the 2 programs 😂👌🏻 What about a video on Adobe premiere vs Davinci resolve? Would like to hear your opinion.

[@mgnvision]

the old version of Final Cut Pro is like the adobe premiere but when the version X arrives and they adopt the iMovie features on their software I totally hate and not use it. Okay if this will use in same day edit event is much better, but for me I must prepared to use the adobe premiere.

[@TomHofmann]

The hardest thing about FinalCut pro is wrapping you head around the magnetic timeline and all it’s features. This particular difficult when coming from an NLE like Premiere Pro. Once you “get it” you’ll find you can do quick rough edits in almost no time and certainly in a fraction of time it would take in Premiere. More interesting is Motion. Sadly also something that has its quirks when coming from AfterEffects but unlike After Effects Apple Motion for almost everything in real time.