fugue in Eb

[@user-hb7py6yl4l]

errata i need to fix : mesure 15 + 16 - i need to be more creative with the tenor/bass pathing here. this is definitely not optimal mesure 20 - E# against F# is probably not optimal if they're both going to hit RIGHT on that strong two together mesure 28 - parallel octaves between the soprano and bass mesure 31 - voicing of alto/tenor could arguably be considered parallel octaves. definitely could use a more creative solution mesure 35 - parallel oct between alto and soprano. lazy voicing in general. mesure 65 - should probably change that awkward 9th leap in the tenor, huh mesure 69 - should probably map out that chord better; i like the idea, but im not sold on F7/Bb being the optimal voicing for this if im not actually going to resolve to a Bb mesure 72 - G# in the soprano against G in the tenor was def not intentional i might add to this and make a v2.0 eventually

[@user-hb7py6yl4l]

i think the progression in 59 is really cool. one of my more creative cadences and ill definately be using that [ii7-vi(Δ7)-i] progression both in my writing and in my improv (would create some cool colors over a V7 - b9, b13 and you get to keep the third... very spicy!). i think it pulls really strongly to the Cm without feeling too "satisfying" or final. it feels almost sad. it makes the cadence feel like it wants to continue, and the chromatic line in the alto also gives that feel, so the progression REALLY keeps pulling until the Db#11 chord in 61 before all the voices start to float back down together. definately not perfect but i workshoped it a lot and im happy with how it came out