How can something be so classical, so romantic, yet so contemporary?!?! IMPOSSIBLE!!!!
@musik3504 жыл бұрын
Enescu, to me, was the eighth wonder of the world - a true master of all trades, but most of all an unparalleled composer. Two great recordings of his op.6 sonata, written at 17, come to mind: He played the violin part with Dinu Lipatti and the piano part with Yvonne Astruc.
@eric_lander5 жыл бұрын
... this composition is absolutely brilliant ... to say that Enescu was a genius would be the understatement of the century ...
@moellerj68 жыл бұрын
Nice reminescence of Schubert's string quintet at the very end :)
4 жыл бұрын
In any way or another, a man must be a genius to be able to construct such a marvel and at such age. In no moment can you feel the "strings" (no pun intended) slipping from his fingers, yet it's a constant push of the limits of perception towards chaotic. There is a persistent underlying impetus that makes this piece a three-quarters-of-hour rollercoaster race towards it's end while savagely enjoying the slopes and strokes of poetry and romanticism.
@eric_lander4 жыл бұрын
The more I listen to Enescu's Octet, the more amazed I am with its virtuosity. For me, this is a very special piece of music, a composition that is on another level, created by a genius.
@sunimod18952 жыл бұрын
You should listen to the Mendelssohn String octet then, he wrote it when he was 16.
@didierschein85154 жыл бұрын
I have listen this extraordinary octet in the Conservatory of Cluj in 2018. Unforgettable moment !
@MrViolinGuy8 жыл бұрын
where has this been all my life?!
@drewc94885 жыл бұрын
Movement two slaps so hard. This rocks
@harryandruschak28438 жыл бұрын
Not too many such octets around. This is a worthy addition to that small body of work. Listening to this a second time on 17 September 2017
@olla-vogala40908 жыл бұрын
Yes it is! Happy that you like it Harry :)
@vaclavmiller80324 жыл бұрын
I am actually bowled over by how good this is. For years Mendelssohn and Raff have been my only (string) octet fixes; fantastic to have something new to add to this niche collection!
@klop42284 жыл бұрын
D'you know the two short ones by Shostakovich? Also fantastic. Bruch has a rather nice one too
@vaclavmiller80324 жыл бұрын
@@klop4228 Thanks for the recommendations; I think I've heard the Bruch (and didn't love it) but the Shostakovich sounds intriguing. I'll check them out asap!
@firoza89942 жыл бұрын
@@vaclavmiller8032 check out the one by gliere
@emanuel_soundtrack3 жыл бұрын
the last phrase says very clear that he loves what is strange! and does this perfectly.
@nathanielsattler13825 жыл бұрын
This is the best octet
@emanuel_soundtrack3 жыл бұрын
the second moviment is just a perfection of chamber music, he must had an immense engagement, boldness , inspiration and abundance composing this. I guess he started this as a quartet then complicated later
@filmsbydiek73168 жыл бұрын
Very cool to put the advancing score up! Thank you, great performance of a great work and a helpful video reference too. :-)
@olla-vogala40908 жыл бұрын
+Films by Diek Thank you! I agree, this is such a great work, glad to see you like it too!
@LavaMLG4 жыл бұрын
10:16 THIS MOMENT IS TOO PERFECT
@chrisingres62218 жыл бұрын
oh, man, he's hammering so fiercely against the wall of tonality. soone should have lent him a sledge hammer. janine at her very best (as always :D) thx 4 sharing, such an inspiring work!!
@olla-vogala40908 жыл бұрын
+chris ingres Thank you! Yes it's an unashamedly exciting piece, but so very well crafted too! I'm glad you like it, and yes Janine is wonderful in this :)
@chrisingres62218 жыл бұрын
yes, i like it indeed. i thought about that piece often te recent days. mahler 9, "verklärte nacht", the octet by enescu: all 3 composers were standing at the brink, glancing down at the abyss beneath them. their music is very close to the point of total collapse. mahler died. schönberg jumped - and became one of the world's most underestimated composers for a long term, enescu stayed (?).
@olla-vogala40908 жыл бұрын
chris ingres Enescu lived a life of poverty, he had to give music lessons etc. while all he really wanted in life was to compose music. I think Enescu is nowadays one of the great underestimated composers, Schönberg and Mahler are both well-established by now (deservedly).
@chrisingres62218 жыл бұрын
maybe. i will listen to some more music by enescu. i only know the romanian rhapsody. his life: i 'm not familiar with his biography - except the fact he was a fantastic violinist. - it is and always was very difficult for many artists to earn their living. dubuffet did some forgeries when he was young, that's the clever way for painters, isn't it?.-- btw: i think we are standing at the brink again. that's what's interests me most. many people just don't see, they are blind-folded - or even worse: they are not blind-folded but they just don't w a n t to see anything. but did the elite and the people in 1910+ foresee the near collapse of the system? they wouldn't have gone in that cruel war singing and laughing. some famous artists among the soldiers (aren't the artists often called the seismographs of society??). the 20th century is so incredibly cruel, it was cruel to many artists too, mankind only survived by accident until now. i hope we'll have good luck the next decades. -- i just say good-bye. i'll be back for sure in some months when there's more time for me again...
@MrGelusion6 жыл бұрын
Enescu was Menuhin's teacher and mentor
@davidrehak35396 жыл бұрын
George Enescu:C-dúr Oktett Op.7 1.Molto moderato 00:10 2.Molto infuocato 12:24 3.Lentamente 20:31 4. Movimento valse dal ritmo incalzante 29:37 Janine Jansen-hegedű Boris Brovtsyn-hegedű Julia-Maria Kretz-hegedű Alexander Sitkovetsky-hegedű Amihai Grosz-brácsa Julian Rachlin-brácsa Maarten Jansen-gordonka Jens Peter Maintz-gordonka
@crasuswolf3 ай бұрын
Master of the masters.❤
@arionthedeer7372 Жыл бұрын
This was written in 1900? Wow!
@magnuspalgrave6487 жыл бұрын
This is beautiful! I've long been a fan of Enescu's Romanian Rhapsodies, but hadn't heard much of his other work. Thanks for sharing (and for including the score - always a bonus)!
5 жыл бұрын
The third movement is surreal
7 жыл бұрын
Just brilliant!!
@olla-vogala40907 жыл бұрын
Yes I agree!!
@emanuel_soundtrack3 жыл бұрын
this piece is very unique and requires full attention, would like to study it very well. It has the vibe of Schoenberg , Webern and Strauss
@mason111984 жыл бұрын
That moment when you make a fricken OCTET and the double base still doesn't get included.. poor double bases
@emanuel_soundtrack3 жыл бұрын
he wants agility
@mason111983 жыл бұрын
@@emanuel_soundtrack Bru, Bottesini
@zeenohaquo79703 жыл бұрын
maybe it's because this was written for 2 standard string quartet ensembles? just my guess.
@emanuel_soundtrack3 жыл бұрын
@@zeenohaquo7970 also, i said somewhere that he composed a quartet over other quartet so to say, this would be the easiest way to handle the confusion. I guess the bass alone would make it static and less homogeneous
@zeenohaquo79703 жыл бұрын
@@emanuel_soundtrack you mean this started as a standard string quartet then an "accompaniment" or compliment quartet was written for it? interesting! in that case, yes, a sole contrabass would make it non-homogeneous.
@klop42287 жыл бұрын
I have to ask - it says in the description that the themes in the first movement "are not so much developed [...] as they are fragmented and recombined". I've seen this kind of thing in other places as well. Is fragmentation and recombination not a fairly common method for development? It seems to me that without fragmentation a lot of development sections would be fairly boring as the entire theme would have to be repeated every time. Recombination is less required, but still fairly common in development sections.
@sashakindel36006 жыл бұрын
What you say makes sense to me too. If those things don't count as development, exactly what does?
@sakatasankai13926 жыл бұрын
This is Enescu's music language : fragmenting,diverting and recombining music cells and figures . Listen,for example ,to his piano sonata no 1,or to the symphony no 2 ( that's a really hard piece to understand; i suggest you listen to it a couple times before developing a opinion) and symphony 3 . Also,the greatest of Enescu's music is in his chamber music works (and in his opera , Oedip) : Violin sonatas, piano sonatas and quartets. You may consider him a " modernist" after hearing some of the pieces, but please consider the fact that his musis has a unique language : be patient with it,and do your best to familiarize yourself to it :D. You'll then understand Enescu, and you will cannot live without him and his music anymore.
@sakatasankai13926 жыл бұрын
( also, as a fact, his Rhapsodies became a burden for him and he began to hate them ,because they were concealing his other composition. You should NOT characterise Enescu after his Rhapsody. First,listen to his really important works. :) )
@broemml4 жыл бұрын
38:03 JA!
@TigerPrawn_4 жыл бұрын
Love that!
@gingeropera74912 жыл бұрын
This is the 2nd time I have listened to this and its just as indigestible as the first hearing. Beyond his Rhapsodies and very fine suites for orchestra I'm afraid Enescu is quite beyond me. Nevertheless this performance is completely stunning. Very difficult music indeed from a 19 year old. Good God!
@sophiaperennis2360 Жыл бұрын
His music is the perfect marriage of Wagner and Brahms build on a foundation based on Bach. This Octect is not even half as complicated as some of the stuff he wrote later in life.
@torterrakart72496 жыл бұрын
34:30
@wcsxwcsx5 жыл бұрын
A very nice work, but you can still sense him searching for his voice. The influence of Strauss is strong.
@emanuel_soundtrack3 жыл бұрын
the description is very good, who wrote?
@maxgregorycompositions62162 жыл бұрын
The person who runs the YT channel, probably.
@vioara_nyc Жыл бұрын
And to think that he wrote this BEFORE his Romanian Rhapsody??