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Gerald Cleaver - drums
Chris Potter - tenor/soprano saxophone
David Virelles - piano
Brandon Lopez - bass
Based in Brooklyn, New York, Detroit-bred drummer, composer, and bandleader Gerald Cleaver is among the most agile and wide-ranging first-call musicians on the 21st century jazz scene. As a sideman, he has worked with everyone from Jeremy Pelt, Craig Taborn, Miroslav Vitous, and Ivo Perelman to Matthew Shipp, William Parker, and Tomasz Stanko, to name a scant few. He has co-led recordings with Lotte Anker, Andrew Bishop, and Taylor Ho Bynum among others. His own dates, including Adjust, Gerald Cleaver's Detroit, Be It as I See It, and Live at Firehouse 12, reveal a drummer whose discipline is equanimous with his appetite for taking risks.
Brandon Lopez is a New York-based composer and bassist working at the fringes of jazz, free improvisation, noise and new music. His music has been praised as “brutal” (Chicago Reader) and “relentless” (The New York Times). From the New York Philharmonic's David Geffen Hall to the DIY basements of Brooklyn, Lopez has worked beside many luminaries of jazz, classical, poetry, and experimental music, including Fred Moten, John Zorn, Okkyung Lee, Ingrid Laubrock, Tony Malaby, Tyshawn Sorey, Bill Nace, Chris Potter, Edwin Torres, Tom Rainey, Cecilia Lopez, Sun Ra Arkestra, Susan Alcorn, Mette Rasmussen, and many others.
A world-class soloist, accomplished composer and formidable bandleader, saxophonist Chris Potter has emerged as a leading light of his generation. Down Beat called him “One of the most studied (and copied) saxophonists on the planet” while Jazz Times identified him as “a figure of international renown.” Jazz sax elder statesman Dave Liebman called him simply, “one of the best musicians around,” a sentiment shared by the readers of Down Beat in voting him second only to tenor sax great Sonny Rollins in the magazine’s 2008 Readers Poll.
Cuban-born pianist David Virelles grew up in a musical home, his father a singer-songwriter and his mother a flutist and music teacher. Even though classically trained at the conservatory, he was also surrounded by many types of music in the culturally rich Santiago while growing up. Eventually, Virelles also discovered Bud Powell, Thelonious Monk and Andrew Hill, and he would soon start studying the connections between this musical tradition and those from his birthplace. Since his arrival to NYC, he has appeared on live concerts and recordings with musicians as distinct as Steve Coleman, Mark Turner, Henry Threadgill, Andrew Cyrille, Chris Potter, Wadada Leo Smith, Tom Harrell, Milford Graves and Ravi Coltrane.