Gerald Finzi : Love's Labour's Lost, Suite from the incidental music Op. 28b (1946)

[@hectorbarrionuevo6034]

Pastoral, nostalgic, populist, lyrical, uplifting, .... The strings sing beautifully and the winds are colorful and majestic !!

[@weepwow]

Each of his compositions relate to stories of life and love sadness and joys perfectly.

[@maxmerry8470]

Absolutely marvellous incidental music! Finzi's orchestral sense is immaculate throughout. Each piece is perfectly crafted. Compare/contrast "Dance" and "Clowns", for instance....or wonder at the Soliloquies! Incredible.....

[@kaybeenullenvoyde9196]

I wish I had a way to play these works in my car when I take long road trips. You have a genius for locating works I have never encountered.

[@carlosfranco1385]

Spotfy ?

[@jimstokes6742]

Outstanding! Folk songish. Parts of this remind me of Dave Diamond's 4th Symphony .

[@davetubervid]

Very beautiful music in the English tradition. Gerald Finzi is a first-class composer - check out Dies Natalis.

[@weepwow]

Yes, Dies natalis is incredible.

[@fredricka.hermes4541]

GAWD! Just heard this a few hours ago on MN Public Radio for the first time. I had no idea who the composer was! I guessed Vaughn Williams and David Diamond. The the announcer lady told me. So here I am, Rodders! CHEERS!

[@andrewpetersen5272]

Fredrick A. Hermes do get familiar. His cello concerto is one of the greater compositions ever given the world!

[@chriskeech5105]

I certainly agree with Andrew Peterson's enthusiasm for the cello concerto, which in my view has been underplayed, perhaps in favour of Elgar's . I first encountered Finzi's music through his powerful clarinet concerto. I think that these pieces along with the wonderful choral work 'Intimations of Immortality' put Finzi among the great British composers of the first half of the twentieth century.

[@germanquintero10121946]

Pura maravilla

[@NareshNaresh-lr9nq]

Being a genius he certainly knew how to craft..........Dulcet

[@mariorossi9655]

3:55

[@jamesoliver6625]

Curious, Finzi was writing this at the same time Shostakovich was writing his 8th. Hugely anachronistic.

[@ludvig554able]

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