Ginastera: Danzas Argentinas Discussion & Performance

"Sally Christian Piano Edition" at www.SallyChristianMusic.com

[@fazergazer]

You project your passion for this music so powerfully

[@SallyChristianMusic]

Hello Geoffrey, thank you so much for your wonderful and thoughtful words; I really appreciate your generosity of spirit! Very best wishes to you.

[@hugoorlandosveruga7610]

Ginastera, un genio de la composición, llevo nuestros ritmos folclóricas más alto nivel!!!!

[@SallyChristianMusic]

Sí, esto es tan cierto!

[@Valentina-Steinway]

Thank you so much! I believe Ginastera has the Gi pronounced the Italian way (gee)nastera. His father was Italian. Not Ghee I appreciate all you offer us❤

[@SallyChristianMusic]

Hello Valentina, thank you so much for your lovely words! Regarding the pronunciation, I have heard that it can be pronounced both ways. Perhaps the Italian gee is preferable. 😊 With all best wishes to you. 💖

[@Valentina-Steinway]

@@SallyChristianMusic 🌷❤️🌷

[@kawaiisenpai7902]

thank you so much for making this lovely video :)

[@SallyChristianMusic]

Hello Kawaii, thank you for your kind words which I appreciate hearing! Best wishes to you!

[@pablokloker143]

gracias por tocar esta hermosa pieza de piano ...desde buenos ayres

[@SallyChristianMusic]

Hola Pablo, muchas gracias por tus lindas palabras; es un placer. Mejores deseos para usted.

[@chriswanjhang6258]

Perfect!

[@SallyChristianMusic]

Thank you for your wonderful comment!

[@talento398]

bien ! bien ! muy bien ! se me pasó la pasta por ver la danza del gaucho matrero

[@ginafazio318]

Fantastic! Thank you sally. I love these. Tim Zerlang once told me that these aren’t difficult. I beg to differ.

[@SallyChristianMusic]

Thank you so much Gina! These were among the first videos I posted over 10 years ago. I'm glad you like them. 💖 I would describe these a little differently than Tim did. They are very pianistic and "sound harder than they really are." Once you get the rote memory, they are really fun to play. The difficulty is with the last movement, and having the stamina and endurance to play it very fast and loud without getting tired. This then makes it a more difficult piece! I hope you are going to play them! 🎵🎉

[@ginafazio318]

@@SallyChristianMusic Yes! You had recommended them many years ago. I came across the music recently and would love to finally play them 10 years ❤️

[@SallyChristianMusic]

@@ginafazio318 Awesome. NOW is the time for you to play them! 💕💃🏻

[@carlhopkinson]

Well, although I didn't agree with all the interpretational choices you made, overall, I would say that this is a unique and valuable interpretation in that it is personal and shows this piece off in a new light. An unfamiliar light at times, but still beautiful and intriguingly different. Although we are pretty much familiar with the "standard interpretation", which is glorious, of course, I, for one, do not like all my delicious ice cream to taste the same day after day.

[@kawaiisenpai7902]

you make both ice cream and piano less fun

[@NelsonPinheirojr]

Vou postar em português mesmo, porque não tenho fluência na língua inglesa. Juro que não entendo como é que uma mulher tão gente boa como essa pianista, tão "sangue-bom", tão detalhista em suas análises, de tanta boa vontade em compartilhar absolutamente "de grátis" (0800 total, nem tem anúncio nos vídeos!) o que sabe com o público, capaz de análises tão ricas e profundas, etc etc etc... tem tão poucas visualizações e seguidores. Realmente não dá para entender... É impossível não se "apaixonar" por ela, ela é simplesmente fabulosa! OK, há falhas de percepção nos melindres dos ritmos portenhos, mas e daí? Ela é uma WASP (esta expressão já está banida da internet pelo politicamente correto?), como poderia ser diferente? Nem eu, que sou brasileiro filho de brasileiros que são filhos de brasileiros consigo entender os ritmos mais "calientes" do meu país! Ah, vá... Nota MIL para você, Sra. Christian. Sou seu fã incondicional. E já vou ali me inscrever no seu canal, de novo! KZbin, KZbin... pára com esse negócio de desinscrever as pessoas dos canais que ELAS PRÓPRIAS ESCOLHEM seguir!

[@SallyChristianMusic]

Obrigado pelo seu comentário maravilhoso e atencioso. Fico emocionado com suas palavras generosas de reconhecimento sobre o conteúdo e a qualidade dos vídeos. Embora os números dos espectadores possam ser pequenos, sou sempre grato por saber quando alguém foi ajudado ou inspirado pelos vídeos. Obrigado por seu apoio e por sua persistência em permanecer inscrito em meu canal! Muitos melhores desejos para você! P.S. Espero que esta mensagem tenha sido traduzida corretamente, pois não falo português.

[@NelsonPinheirojr]

@@SallyChristianMusic Thanks for your kindness by reading my comment typed on my own native language, Brazilian Portuguese. As I said, I'm not fluent in English or any other language besides my own idiom. That's a shame for me, and a serious limitation in comunication with people from other countries through the world. But, in my favor, I have to say that I really needed to express my frustration with some wrong things wich I can't to be in concordance: some people aparently are interested only in to criticize the positive iniciatives from generous artists like you, Mrs Christian, or Mr. Paul Barton, or Mr Cory Hall, and so on. From me these artists always will to read positive feedbacks because I am a frustraded pseudo-pianist and I Knows the ammount of hard work to achieve such results in pieces highly complexes as this one that you brilliantly plays in this video. Im am your fan, not because you are a gorgeous woman (what is a "real truth" - that expression exists in English?) but mainly because you are passioneted about your work in these video-tutorials and such passion is "contagious" for sensitive musicians, pro or amateurs or simply music lovers. I love the job of yours in these tutorials and I will to divulgate them in Facebook as much as I can. Congratulations from Brazil, yet I don't be nothing else more than a unimportant citizen living in a country underdeveloped, culturaly speaking. (I hope this to be understable, I wrote this by using the Google Translator, directly in English and checking-out the translations and suggestions offered by the program.)

[@pghagen]

Strange, there is no sound with this video!! Was listening to your website and very interesting new way of teaching with adapted scores. Pitty i could not listen to this discussion abt. Ginastera dances..

[@SallyChristianMusic]

+pghagen I'm glad you like the New Layout Chart Engravings that I developed for my piano edition and use in all my teaching videos. I'm really sorry to hear that you had no sound when you watched this video. The discussion segment sounds fine on my system, and I've not been told before about this being a problem for other listeners.

[@pghagen]

+pghagen Thank you for replying to my comment mrs. Christian; This is the only video which does not give a sound, and it still does not. I have checked and the sound in the video is "on" as well as my speakers next to my computer. So i have no idea what is the problem...

[@rpatricknabors]

The first and third dances are a bit too slow if not overly cautious. The third dance in places had poor pedaling and even a lack pedaling when it's needed. In both if these the dynamics performed are not representative of the score's markings. I prefer a bit slower tempo and even some rubato for the second dance. The dynamics start off fine but the middle section is cleary marked fortissimo which cleary did not happen. Overall the dynamic ranges for the second dance are grossly understated.