Gine Fare.m4v

Mohamed Da Costa teaches Guinea Fare and song, Maulana at Winthrop University December 12, 2009.

[@sandrazinn9206]

Mohammed daCosta

[@Makedairoquois]

my teacher!!!!!

[@drumsquo]

Very good teacher!

[@jansmolka1805]

i do not understand snagban part, it seems it doesnt fit with rhytm

[@76boromir]

There is nothing wrong with the sangban part as demonstrated on the beginning by the teacher. It is quite common and relatively simple two beats long sangban/ bell pattern. Sangban: /---s/s-s-/Bell: /bb-b/b-b-/. It does not fit into the rhytthm well later on, when they play all together, because the guy on the sangban is struggling, placing it wrong and playing it wrong as a whole most of the time...

[@Uruosh]

You can see at 3:31 where Mohamed try to correct the sangban part. It should cover the sangban and kenkeni of dunun set. It's practical the same, but both of them messed up a little bit of microtiming. GuineFare is not easy rhythm.

[@Uruosh]

​ According to the beat, the bell pattern is / x x - - x - x - - x - - / and the sangban / - - - - s - s - - s - - / I don’t want to discredit Mohamed’s playing at all, but Fara Tolno teaches more comfortable (and easier too understand) bell for same sangban pattern: / x - x - x - x - x x - x / which is simmilar to Soli Rapide

[@jansmolka1805]

@@Uruosh Thanks, yes, now it is clear. They play in fast tempo and 6 years (i put the question here) ago i was beginner. But even now it seems quite dufficult rhytm (maybe because i use to play Malinke rhytm much more often than Susu). Thanks and keep groovin guys. ;-)

[@mikitacherkasau9846]

For me the craziest thing about the GF dun set playing sans the bells is when "1" moves from bass to the first sangban sound. It's insane! I can't beat that.