Gluck: Orfeo ed Euridice - Mingardo - Martínez - Norbakken - Mena - Coro y Sinfónica de Galicia

CHRISTOPH WILLIBALD GLUCK: Orfeo ed Euridice
SARA MINGARDO, mezzosoprano - Orfeo
JONE MARTÍNEZ, soprano - Euridice
BERIT NORBAKKEN, soprano - Amor
CORO DE LA OSG
JAVIER FAJARDO, director del coro
CARLOS MENA, director
OVERTURA (0:14)
ATTO I
CORO: Ah, se intorno a quest’urna funesta (3:38)
RECITATIVO: Basta, basta, o compagni (Orfeo) (6:40)
BALLO (7:35)
CORO: Ah, se intorno a quest’urna funesta (10:25)
ARIA: Chiamo il mio ben così (Orfeo) (12:48)
RECITATIVO: Euridice, Euridice, ombra cara (Orfeo) (14:04)
ARIA: Cerco il mio ben così (Orfeo) (15:18)
RECITATIVO: Euridice, Euridice! Ah questo nome (Orfeo) (16:33)
ARIA: Piango il mio ben così (Orfeo) (17:49)
RECITATIVO: Numi! barbari Numi (Orfeo) (19:09)
RECITATIVO: T’assiste Amore! (Amore, Orfeo) (20:18)
ARIA: Gli sguardi trattieni (Amore) (22:32)
RECITATIVO: Che disse? Che ascoltai? (Orfeo) (27:35)
PRESTO
ATTO II
BALLO (28:08)
CORO: Chi mai dell Erebo fraile caligini (29:45)
BALLO (30:09)
CORO: Chi mai dell Erebo fraile caligini (30:56)
BALLO (32:29)
ORFEO ED CORO: Deh placatevi con me (33:41)
CORO: Misero giovane, che vuoi, che mediti? (36:02)
ARIA: Mille pene (Orfeo) (37:03)
CORO: Ah, quale incognito affetto flebile (37:57)
ARIA: Men tiranne (Orfeo) (38:49)
CORO: Ah, quale incognito affetto flebile (39:30)
BALLO (41:09)
ARIOSO: Che puro ciel (Orfeo, Coro) (43:23)
CORO: Vieni a’ regni dil riposo (49:06)
RECITATIVO: Anime avventurose (Orfeo, Coro) (51:08)
CORO: Torna, o bella, al tuo consorte (51:55)
ATTO III
RECITATIVO: Vieni, segui i miei passi (Orfeo, Euridice) (56:47)
DUETTO: Vieni, appaga il tuo consorte (Orfeo, Euridice) (1:02:37)
RECITATIVO: Qual vita è questa mai (Euridice) (1:05:44)
ARIA: Che fiero momento (Euridice) (1:07:32)
RECITATIVO: Ecco un nuovo tormento! (Orfeo, Euridice) (1:10:20)
ARIA: Che farò senza Euridice (Orfeo) (1:14:16)
RECITATIVO: Ah finisca e per sempre (Orfeo) (1:17:40)
RECITATIVO: Orfeo, che fai? (Amore, Orfeo) (1:19:14)
MAESTOSO 1:21:18)
CORO: Trionfi Amore (Orfeo, Amore, Euridice, Coro) (1:21:40)
Grabación realizada el 4 de febrero de 2022 en el Palacio de la Ópera de A Coruña
Realización de Antonio Cid / RDC Producciones
Audio de Pablo Barreiro

[@CarmenAlarconPrieto-nq1ik]

Espectacular

[@HenryDrives]

Stupenda Sara!

[@Marchetto6666]

É uma boa orquestra. Tem um resultado excelente, bons músicos, bons instrumentos e maestro. O local tem uma acústica que impressiona, adorei acordar com essa música.

[@seijiasato4783]

Gracias por el video, una magnífica obra en una brillante interpretación. Felicitaciones y saludos desde Lima Perú.

[@herminioteixeira5921]

Às vezes, poucas, e principalmente organismos musicais da Europa, colocam em vitrine algumas das maravilhas que o barroco produziu!... Mas, muito há a ser mostrado, e esperamos que seja, porque uma infinidade de autores e suas criações estão no limbo, à espera que deles alguem se lembre! Esperamos por isso, e louvamos quem o fizer.

[@greenwoods798]

Such a joy to see Sara Mingardo's recent performance professionally recorded! In most arias and recitatives she still sounds amazing for her age! In slower arias she as good as in her prime!.. Especially the low notes. But such tension and a hard attack in Che faro... is just destroy the beaty... It's such a shame there weren't enough records in her youth... I still adore Sara anyway!.. There's no one like here in the world!

[@bovnycccoperalover3579]

Brilliant Sara!❤❤❤

[@josepquintanapeiro6086]

La emoció no em deixa expressar tanta perfecció

[@valtergilenardi2639]

Splendore Rococo' 👑 🎼 🎶🎺🎻🥁🎶🎹❤❤🌅🌌

[@zumpano33]

So so beautiful. Thank you.

[@evalinnert7736]

was für eine Leistung des Chores, mit dem Masken so schön zu singen; nur Bewunderung für ALLE

[@josemanuelmaciasromero5393]

Obra de ARTE, excelente interpretación

[@cristinapadilla7476]

Gracias

[@gumbo441]

Wonderful!

[@gumbo441]

Wonderful

[@kitandamodamatosinhos]

Espetacular.

[@gumbo441]

I’ve watched it at least 10 times!

[@aureaarrieta9253]

Oso ongi!

[@clefnoteproductions6695]

Was Orfeo's Addio addio I mei sospiri cut or omitted from this version? Doesn't it come at the end of Act 1?

[@wallenstein72]

"Addio i miei sospiri" was originally not composed for "Orfeo". It was Berlioz, who added this aria to the "Orphée"-score for Pauline Viardot. He took it from Ferdinando Bertoni's "Orfeo", who himself added this aria from his own opera "Tancredi". After Berlioz's addition, it has become popular to add this aria to performances of Gluck's "Orfeo", either in French or Italian. But it is not part neither of Gluck's Italian nor French composition.

[@cliffgaither]

clefnoteproductions :: Thank you for saving time for me ! _Addio, addio i mei sospiri_ is my favorite part of this opera ! I was going to 'fast-forward' to that part ... but I guess they didn't perform it. (Horne has a version of it. It is wonderful, especially the recitative !) Thanks !

[@cliffgaither]

@wallenstein72 :: I read that that recitative & aria was written by Bertoni, in the booklet of a recording of _Orfeo._ I have since read that Gluck _was_ the composer. I wish they would get it strait !

[@reinhildvoncapitaine5692]

Diese Sklavenmasken sind entsetzlich, da kann man höchstens die Augen zumachen oder ganz weg.😢😢😢

[@klausimausischmidt5791]

Ich hoffe, dass die Maskenpolitik auch in Italien aufgearbeitet wird!

[@francoiselemaitre145]

Chanter avec le masque sur la bouche et le nez, franchement c'est ridicule. Heureusement la magnifique Sara Mingardo 🤩a résisté à cette folie.

[@g.a.f.4686]

Wie bekloppt muss man eigentlich sein um mit Masken zu singen?

[@francoisgonzalezdequijano9019]

Magnifique musique; masques ridicules: on dirait des singes.

[@gumbo441]

Wonderful!