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#alcoholink #artist #tutorial
Hey, curious creatives!
Welcome back!
Today, I'm using #timholtz Ranger ink in Eggplant, and my trusty #jacquardproducts Pinata brass.
tools used were:
~airbrush
~heat tool (like the ones you use for embossing powder)
~taklon bristle paint brush (cheap is best - the alcohol will ruin your brushes)
~pipettes
One of the perks of working on sealed ceramic/tile/porcelain, etc, is that the inks won't stain. You can get messy and clean up after. You can erase something you don't love and try as many times as you like until you're happy.
This will still absolutely need to be sealed to protect the inked surface. I always use Krylon Kamar spray varnish (it doesn't reactivate the inks like most varnishes/fixatives/sealers). After 3 light coats of Kamar, I use Krylon's UV archival spray. I could also resin this (on a slightly modified cup turner), or apply some thin coats of brite tone for extra shine and protection. I had to get this shipped from the US to Australia because at the time of purchase, there were no Aus stockists. I don't know if there is someone yet, sorry!
I would love to note- there's something to be said for going in without major plans. I went in on this knowing I was decorating a vase, and that's it. I let the inks guide the moves I make a lot of the time. I let my current step decide the next one. If you can embrace this and the knowledge that inks are wild and free, you will be too 😉
I would love it if you followed along on Instagram: coolbreezeartst...
and Facebook: profile.php?...
Yes, I am absolutely wearing a respirator when I create with alcohol inks- please make sure you do too!
People that held my hand, and pushed me (lovingly) to be here, that are excellent fluid art teachers and you should know them already:
/ @lisamarvinart
/ @rainandpours
/ @nikidart
/ @sheleeart