Goya for Clarinet and Piano Music by Salvador Rojo Gamón

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This work was Commissioned by Bernardino Assunçao Sales for the Final work Master. I just have finished the process and it is based on the next five Paintings of Goya.
I.Corral de locos
II.Vuelo de brujas
III.El aquejare
IV.El Coloso
V.Saturno devorando a su hijo
The general structure of the work
Relationship of movements
The third is the axis, the form is based on a false mirror where the (original) elements are presented by opposite movement forming a false palindrome.
The elements thematic of the movements are related, the elements of the first movement reappear in the fifth movement and the elements of the second movement are related in the fourth.
I-V
II-IV
Use of rhythmics
The predominant rhythm in the first movement is based on a four-beat measure and in the second movement is based on a three-beat measure. These features are even more present in the fourth and the fifth movement.
In the third movement (who does the axis of the work) the primary theme is structured over the ternary measure plus a quaternary measure 3/4 + 4/4 and the secondary theme over a quaternary measure plus a ternary measure 4/4 + 3/4.
More information
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