Christophe Rousset. Bach English Suite in G minor BWV 808

[@YJD68]

Perfect, the harpsichord sounds very well and i love the interpretation from Christophe Rousset

[@gonzalotobellamatas7388]

MAGNÍFIFICA LA SUITE.MAGNÍFICA LA INTERPRETACIÓN.MAGNÍFICO EL SONIDO DEL INSTRUMENTO.TIENE UN TIMBRE MUY ESPECIAL.

[@Barpoint212]

I usually prefer piano to harpsichord for Bach, but this is a terrific recording. The playing is lively and vibrant, and the sound of this particular harpischord is beautiful.

[@minimrl1]

I agree! It's really wonderful. This recording is for me much better than every recording on the modern piano. I can tell that Bach wrote exactly for this instrument

[@mereyeslacalle]

Clavicémbalo...........que hermosura !!

[@0957-u3m]

Der hält das Tempo perfekt

[@albertosimal6569]

Gorgeous!

[@larrykatz3333]

Beautiful and what a wonderful instrument.

[@aldenezra7277]

I guess I'm kind of randomly asking but does anyone know of a good site to stream newly released movies online ?

[@bishopsoren2682]

@Alden Ezra I watch on flixzone. You can find it by googling :)

[@cainconnor4622]

@Bishop Soren yup, I've been watching on Flixzone for months myself :)

[@aldenezra7277]

@Bishop Soren Thank you, I signed up and it seems to work =) I appreciate it!

[@bishopsoren2682]

@Alden Ezra Glad I could help :)

[@athanasiusjames1]

Brilliant!

[@jeanpierrecarabas5508]

O.K Rousset macht schon einige "agogische Hinweise" aber er ist einfach am obersten Limit dieses Stück zu spielen [klar könnte er noch etwas zulegen - aber dann ist dieses gerade noch sinnvolle limite überstiegen ] …. Wir heute - in unserer technologisch überzüchteten Welt - haben die Beziehung zu einem normalen Tempo verloren…. Bach hätte das Stück auch so schnell spielen können (er soll ja die Tempi zügig genommen haben.... so wird berichtet) … aber was damals zügig war, dürfte uns heute als beschwingt anmuten.Ich fühle mich geradezu durch die Stücke gehetzt… sie könnten nämlich bedeutend interessanter ARTIKULIERT werden, wenn es ein bisschen ruhiger zugehen würde …. zum Vorteil der Musik !

[@LarguiruChiru]

Sarabande 8:54

[@0957-u3m]

he's perfekt

[@esaulr.775]

Acostumbrado a otras versiones de muy diferente carácter, considero que hay que escucharla varias veces para apreciarla. Aporta un toque de dramatismo ausente en otras.

[@Raed103]

Amazing performance. I wonder why Bach especially named the English Suites by this name? is it according to a specific style?

[@mattshum1350]

I think this wasn't Bach title, the first publisher used this name to distinguish them from the French suites. Musically these pieces are more extensive than the French suites, and all of them feature an introductory overture.

[@herrickinman9303]

Bach didn't call them "English Suites." He called them "Suites with Preludes." Stylistically, they are French and Italian. The prelude in the F-major suite is reminiscent of the North German style. The preludes in the other suites follow the Italian concerto grosso style. Bach never published these suites in print. They were distributed in hand copies made by his students and members of the Bach circle. However, it seems that the suites might have been referred to as "English" by Bach's family, friends and inner circle, for reasons that are not clear. Johann Christian Bach, the so-called London Bach and Bach's youngest son, wrote on a manuscript in his possession, “Fait pour les Anglois” ("Made for the English"). Forkel claimed the suites were called "English" because "an Englishman of high rank" commissioned them. Such a commission is unlikely for several reasons: (1) there's no dedication as would have been customary at the time, (2) Bach composed the suites over a period of years, and (3) during the years he composed them, he was fully employed by the co-reigning dukes of Saxe-Weimar, who, by law, would have owned everything Bach composed during his employment. It may have been that these suites were inspired by Bach’s study of the six harpsichord suites by Charles Dieupart, a French composer who worked in London at the time. Bach copied out those six suites sometime between 1709 and 1714, and he used one of Dieupart’s gigues as the model for the Prelude of the first "English" Suite.

[@陽天-g8g]

グールドに比べて恐ろしく下手くそ。変な装飾音を入れんでくれ。

[@hugoclarke3284]

物知らず