Have you met Miss Jones : Backing Track

[@lukaslawrence8863]

i love this walking bass - PLEASE feature it more in your backings!!

[@valeriedslack8423]

"Have you met Miss Jones?" Someone said as we shook hands She was just Miss Jones to me And then I said "Miss Jones, You're a girl who understands, I'm a man who must be free." And all at once I lost my breath, And all at once was scared to death And all at once, I owned the earth and sky But now I've met Miss Jones And we'll keep on meeting till we die Miss Jones and I And all at once I lost my breath, And all at once was scared to death And all at once I owned the earth and sky And now I've met Miss Jones And we'll keep on meeting till we die Miss Jones and I Miss Jones and I Miss Jones and I

[@manuelfraiman5534]

great words!!! great chords as well!

[@sidethehead]

Thanks! Played that song hundreds of times and never knew past the title.....

[@teelurizzo8542]

Mike Stern wrote a contract on those changes called 'Outta Town' on his 1998 album 'Play'. John Scofield is a guest soloist on the track and they both go for it.

[@GeorgeOuellette.]

Thankyou

[@josgroot9919]

I like the lightness of your play alongs. Thanks!

[@alfonsmarien1888]

Jos Groot

[@stevenryanpriatna]

alfons marien

[@mingusdingus-vp5hn]

steven ryan priatna

[@sidethehead]

Awesome track, sweet groove. Thanks!

[@davidb4101]

Brings clarity and inspiration to my playing. Thank you.

[@calebeliasgmusic6456]

great tracks, I use them all the time to practice

[@willhansen4498]

True

[@YanickCoderreSaxophone]

Thanks for the backing track!

[@manuelfraiman5534]

ce backing est particulièrement bien joué,bravo

[@manuelfraiman5534]

superb backing very well played!!!

[@sandaglad]

Love the simplicity of this. Swinging and melodious. Thank you for posting.

[@cams1003]

this go hard when u in a coma fr

[@christinamorris5742]

I’ll have to try that out

[@alvaroalanis2878]

Just did, 10/10, would try again

[@amsedelm]

Thank you!

[@antoinesurot6742]

en voilà une grille qu'elle est bien pour improviser!

[@felix200997]

Y

[@lucasbella-mebi9782]

Good look I like it 👍🏽

[@OGokanian999]

Tempo?

[@matthiasvolant8485]

150 bpm I would say, but yes usually it's written on the title's video

[@darko6899]

what scale or progressions should i use for this track? i use a guitar.

[@Iville18]

just use the blues scale man

[@woah284]

the scales are on the screen

[@rajaeemuhammad3686]

@@Iville18 Just using blues scales is boring and bland

[@dia8750]

agreed! chord tones is the way to go..

[@gr86luvv]

one scale will not work over this song because the key centers change 4 times. I goes from F major to Bb maj to Gb maj and then D maj. In theory you could just play F, Bb, Gb, and D major scales over this song the whole time and switch scales when the key center changes but it would definitely not sound jazzy at all. The best way to get started play jazz is to learn a simple 251 lick and be able to recognize 251s so when you see one you can play it in the right key. This song and most jazz standards are filled with 251s. If you can master 251 recognition and that one lick and be able to nail the lick over any 251 you will really start to understand jazz more. The other way is to play chord tones only over the down beats of all of these chords which means you need to learn all the basic arpeggios. Arpeggios are only made of chord tones. This will help a ton and enable you to start improvising for real. Then just keep learning licks and practicing playing over changes. Transcribing solos helps a lot. Understand music theory is actually a really big help when it comes to learning jazz music. I was recently trying to learn how to play over the song sunny. there is a Bb7 chord that looks like it doesnt really belong in the key . I tried playing a Bb7 blues scale or mixolydian thing over it and it sounded like shit. After analyzing the song more i realized that its most likely functioning as the V chord(five chord) which is E7. This would mean its a tritone substitution. So i started playing Ealt scale lines over the Bb7 chord and it sounded great. It's just I usually resolve any altered dominant lick to either a maj or minor 1 chord but you have to go back to the 2 chord to make it work. That was a great example I think of my music theory skills helping me. I hope i helped

[@joepass361]

Le spazzole dovrebbero essere molto più morbide e meno volume, per il resto una buona base..

[@sandaglad]

Love the simplicity of this. Swinging and melodious. Thank you for posting.