Haydn: Sinfonie Nr. 82 (»L'Ours«) ∙ hr-Sinfonieorchester ∙ Andrés Orozco-Estrada

[@ferdinangenius]

Andres is happy; the musicians are happy, the audience is happy, we are too. Haydn deliver beauty that is full of radiant happyness

[@brianwilliamsart]

Why do I feel like I've never heard Haydn and this symphony before? Orozco-Estrada can take any piece of music, no matter how overworked and played into the ground, that we're oh so tired of hearing yet again, and make it new and fresh. What a gift! and how badly needed, this breath of fresh air and life! Bravo Maestro! eres fenomenal!

[@music-by1ou]

I love Haydn's music so much

[@ronaldbwoodall2628]

A performance of spirit and elegance befitting one of Haydn's masterful symphonies; the Maestro and his Orchestra can always be depended on for a superlative presentation of any work.

[@notaire2]

Klare und wunderschöne Aufführung dieser fein komponierten Sinfonie mit gut harmonisierten und perfekt synchronisierten Tönen aller Instrumente. Der dritte Satz klingt besonders schön und echt elegant. Der geniale Maestro dirigiert das ausgezeichnete Orchester im lebhaften Tempo und mit perfekt kontrollierter Dynamik. Echt erfreulich!

[@suedwestfunk]

Den wunderbaren Haydn kann einer immer wieder neu entdecken - und diese Aufführung hat mir dazu den schönsten Beweis geliefert. Großes, herzliches Dankeschön an die Musiker und ihren emphatischen Dirigenten. Die Freude am Konzert ist einfach ansteckend, und das Filmteam holte mich mitten hinein. Krönender Abschluss eines schönen Tages..

[@jestemqiqi7647]

Was für eine glanzvolle Interpretation dieser heiteren und perfekt komponierten Sinfonie, die dem musikalischen Witz und Esprit des Komponisten auf sehr eindrucksvolle Weise Rechnung trägt! Vor allem die Holzbläser des hr-Sinfonieorchester sind ausnahmslos erstklassig. Alles ist wunderbar!

[@neilmccalmont1143]

Warum so wenige Anschauer? Schade! Es ist unglaublich, wie dieses Orchester immer mit so viel Leidenschaft und Wärme spielen kann, ohne ihre Technik und Deutlichkeit abzuwerfen. Man kann leicht bemerken, wie die Musiker jede Note des Stückes genießen und sich auf der folgenden Note freuen. Vielen herzlichen Dank für die Videos. Jede von denen ist ein künstvolles Juwel, besonders während der Coronazeit!

[@ursfriedrichbohren5164]

Das ist wirklich nun eine meisterhafte Leistung des Dirigenten und seines Orchesters. Ich bin in meine Kinderzeit versetzt, wenn ich all die Tiere im Wald höre (z.B. den brummenden Bären /Fagott/ im ersten Satz).

[@theingabo212]

I love the conductor. He really owned it!

[@sfopera]

This is fantastic! The orchestra has a terrific sense for the classical style. Love it!

[@jgesselberty]

One never gets tired of Haydn.

[@Pacopepeim]

Because, in translation to googlean... Doesn't affect his melody Studied gurgles, Difficult trifles, All fake ornaments With which he pretends great The poor and mean song, That forgets to reach the soul By deceiving the ear. Haydn's song is noble, It's true and simple It is judicious, it is perceptible, Always varied, always rich. In it never the Auditorium He will praise himself as a soothsayer; That, instead of the expected step, You usually find the unforeseen ... Haydn Friend, excuse me What of your ingenuity I have said: To know you is little, Nothing for those who have heard you. Tomás de Iriarte (1750-1791) Poetic tribute to Haydn ; ) No afecta su melodía Estudiados gorgoritos, Difíciles menudencias, Todos adornos postizos Con que se finge grandioso El canto pobre y mezquino, Que olvida llegar al alma Por engañar el oído. El canto de Haydn es noble, Es verdadero y sencillo, Es juicioso, es perceptible, Siempre vario, siempre rico. En él nunca el Auditorio Se alabará de adivino; Que, en vez del paso esperado, Suele hallar el imprevisto ... Haydn Amigo, perdona Lo que de tu ingenio he dicho: Para conocerte es poco, Nada para quien te ha oído. Tomás de Iriarte (1750-1791)

[@flamadeangel]

Cristalino, sublime, hermoso... bravo!!!!! Los cornos y trompetas de época le añaden un color muy especial.

[@juanagaby1]

Uy, no sabia que había un director de orquesta Colombiano tan talentoso, hasta hoy lo descubrí, gracias a Andrés Orozco, por representar de una manera tan bonita a este maltratado País.

[@sandrapetrahorisberger-jau9090]

Ja es macht Hayden spass einfach schön für das Herz und die Ohren

[@constantouwerkerk4763]

The conductor is also a perfect dancer. He conducts with his whole body.

[@diemaria456]

he's colombian.. he's got in his veins! :)

[@모르가니]

Impeccably smooth performance.

[@Discovery_and_Change]

1st movement 0:19 begins 2nd movement 8:07 begins 3rd movement 14:25 begins *4th movement 18:38 begins | 20:12 theme | 21:01 light theme | 21:34 theme | 22:18 ending

[@harryhagan5937]

How I adore this orchestra!

[@mn9041]

موسيقى هايدن تبعث على البهجة والسرور

[@beacerveira]

Bravo

[@spartigerodimos9062]

Thank you.

[@mariaantoniajimenez8089]

Bravíssimo!!!👏🏽👏🏽👏🏽👏🏽👏🏽♥️♥️♥️♥️♥️

[@Hussain_Eidani]

Lovely symphony ❤ Very nice performance 👏

[@zubingoradia8796]

Magnificent

[@jauscielingjauquae3539]

BRAVO. BRAVO. So nice

[@AC-xh3pn]

Excellent rendition! Thank you!

[@tgis82]

좋아요 아주~ 좋아요

[@Hussain_Eidani]

Beautiful ❤

[@Ggga-cb3he]

오 엄청 좋은 노래네요 학교감상문 숙제로 듣고 있습니다!

[@bertcarter6176]

Tremendous

[@sr.fernandezfernandez1929]

Preciosa interpretacion de una obra tan bonita. Muchas gracias

[@adrianh.6022]

fast alle Aufnahmen dieses Orchesters sind großartig. Diese hier sticht aber durch ihre besondere Leichtigkeit/den spielerischen Charakter hervor.

[@dingo9702]

the music was L'Mine, then he drunk some vodka and it's now L'Ours

[@daviomusicozuero151]

U.R.S.S.

[@antoineduchamp4931]

I like your wit, but "ours" = in French 'a bear' - also from the earlier Latin "Ursa" As you know in Astronomy we have "Ursa major" = The great bear.

[@johnreynolds5407]

Sublime. His conducting gestures are so crisp and clear.

[@LazyDoo]

The best!!!! Thanks!!

[@isabelhuszka1321]

Remek zene - Orozco-Estrada vezénylése önmagában is élmény, a Zeneakadémián láttam.

[@andreytsvetkov5588]

Maerchenhaft!Bravo!!Vielen Dank-echter Genuss!!!

[@Ohmereb]

Je donne Un. Oscar.. Champion.!!!!

[@88tongued]

What happened at 2:45? Did they repeat by accident and catch up?

[@romans1242]

Amazing

[@marcosPRATA918]

O contraste dinâmico é frequente em Haydn, também o jogo elegante das partes. Haydn é o Clássico perfeito.

[@jauscielingjauquae6864]

Intising and great good job BRAVO to all of you

[@鬼丸尚-r5o]

This music gives me a lot of power.

[@baguetex]

Wonderful!

[@leslielind6771]

Second time in first movement at measure 13 is changed, is this something the conductor decided or is it in a different edition from my score?

[@thomasrobertson2533]

How come the brass instruments don't have valves but the violins have chin rests? Were violin chin rests an earlier innovation?

[@BADRUBULDURA]

☺☺☺☺☺☺☺☺☺☺

[@Herman_Fedko]

2:19 4:25

[@jcui5007]

Playful genius!!

[@muslit]

In this performance, the tempi really don't make sense. There doesn't appear to be a slow movement. In Haydn, the weight of a symphony is usually in the second movement, at least according to H.C. Robbins Landon, and from there there's an escalation in tempo. The contrast in this performance is nil. But the playing is good.

[@cchris7059]

flute : clara andrada de la calle

[@mysticmouse7261]

God I love Haydn. Original witty mercurial and father of the classical symphony. I just don' t like the stupid nicknames given to his symphonies.

[@elaineblackhurst1509]

By the time Haydn wrote his first symphony in 1757, the form was already a gangly teenager of about 17; a father by definition must be involved at the conception which he clearly was not. Haydn as ‘Father of the Symphony’ is probably the single biggest piece of misinformation in the whole of music history.

[@udonloews1301]

👍love Strauss 👍

[@kenswireart88]

A little too fast, the first movement is, but still lovely.

[@Quotenwagnerianer]

Ich wollte man würde mal diese unauthentischen Titel bei den Haydn Sinfonien weglassen. Die sind alle nicht von Haydn selber.

[@drgustavbakter4735]

Nice, but a little heavy-going to my ears. It needs a lighter touch. Compare it with The Norwegian Chamber Orchestra's kzbin.info/www/bejne/hpm2pouNpbOgpZY, which, in my opinion, absolutely hit the right note here for Haydn.

[@gerardnoest1831]

So you would prefer a light-footed bear, a teddy bear perhaps? I admit, however: maybe the name came much later...

[@iggyreilly2463]

The restatement of the exposition of the first movement was not performed as written and the re-write isn't nearly as good as what Haydn wrote. Not good.

[@heyj79]

I noticed that too - I think it's an editing mistake at 2:38, where perhaps the wrong 2 bars got inserted